Michel-Richard Delalande Videos
französischer Violinist und Komponist
- Orgel, Cembalo
- klassische Musik, Barockmusik
- Frankreich
- Komponist, Organist, Cembalist
streaming
Letzte Aktualisierung
2024-05-16
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Bach Patrick Oetterli Delalande Schütz Liszt 1450
"Super flumina Babylonis" (psaume 137) Ensemble Crescendo, Ensemble vocal féminin Calliope, chant 1450, Ensemble baroque Hortvs Amoris, Patrick Oetterli, Anna Freivogel. Direction: Sébastien Vonlanthen Delalande, Schütz, Rossi, Liszt, Hostettler Merci aux choristes et aux choeurs pour leur tolérance et patience face au désagrément que la caméra pouvait procurer lors du tournage.
Michel Richard Lalande Vincent Dumestre Lully Charpentier Versailles Palace 1683
In 1683, Michel-Richard de Lalande entered the Chapelle Royale as a sous-maître after receiving the support of Louis XIV in a formidable recruitment competition. Still only twenty-five years old, the young composer was swiftly to become established as the King’s favourite and accede to the most coveted posts at court in a career spanning almost forty years. Above all, Louis included him in the consultations for the construction of the new Chapelle Royale, adjacent to Versailles Palace. As the arches gradually rose skywards, Lalande composed and revised his motets, which give expression to the then-peerless grandeur of the realm, while at the same time testifying to the chapel’s incomparable acoustics. His works – settings of psalms, hymns, the Te Deum – record the atmosphere at court in the liturgy, in times of both trouble and rejoicing. Following their earlier recording of Te Deum settings by Lully and Charpentier at the Chapelle Royale, Vincent Dumestre and Le Poème Harmonique have now returned to Versailles to tackle the music Lalande composed for that extraordinary place. Alongside the grands motets Deitatis majestatem and Ecce nunc benedicite, with their synthesis of royal pomp and the language of opera, they offer the deeply moving Miserere and the most grandiose Te Deum performed in the reign of Louis XIV, the Te Deum of the King himself. ALPHA 968 Release date → April 13th Stream//Download//Buy → (http•••) FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics
Does this video look familiar? Correct! This video is a re-upload of last week's Sunday video. For the past two days, the original has had a glitch which makes it impossible to watch. As we and YouTube are unable to fix it, we decided to re-upload the video so that everyone can once again enjoy the tour of this beautiful chateau!! Julia's dream chateau came up for sale during the pandemic, but she couldn't travel from America to see it in person! So she asked me to tour it for her, and to send her a video. I put together a chateau-hunting dream team, and went with Philip (the Sherlock Holmes of architectural details) and Davy (garden designer and great problem spotter & solver) to visit the Renaissance Chateau de Puyvidal. This is an edited version of the video that we sent to Julia, which led to her and her family putting in an offer the very next day! To see more of their adventures, check out the introductory video on their new YouTube channel, @Lady of the Château Productions (http•••) You can also find their beautiful Instagram account here: @theladyofthechateau A very special thank you to all of you who have become Patrons of the Chateau de Lalande. You have made The Chateau Diaries one of the top 400 Patreon accounts in the world, and have transformed not only our lives here, but the future of this beautiful chateau! I’m overwhelmed by your kindness and generosity. On behalf of this beautiful chateau that will continue to survive and flourish because of you, thank you!!! If you're interested in becoming a Patron of The Chateau Diaries, click here: (http•••)
Sébastien Daucé Lalande Sophie Karthäuser Ensemble Correspondances Tenebrae 1725 1730 2015
"Lalande: Leçons de Ténèbres", Released in March 2015 on harmonia mundi. Sophie Karthäuser Sébastien Daucé Ensemble Correspondances Digital Download on Qobuz - (http•••) Physical CD on harmonia mundi webstore - (http•••) When Lalande left this vale of tears, his fame was at its height; between 1725 and 1730, he was the composer most frequently programmed in Paris. Audiences flocked to hear his motets, notably the three Leçons de Ténèbres and the Miserere for solo voice, written for the offices of Holy Week. Many composers had already produced settings of these texts in the France of the Sun King, making the Office of Tenebrae a genuine social event. True to the same aesthetic, Lalande exploited this art of ambiguity while deviating from tradition./ Lorsque Lalande quitte cette vallée de larmes, sa notoriété est à son apogée; entre 1725 et 1730, il a été le musicien le plus programmé à Paris. On se presse pour entendre ses motets, notamment les trois Leçons de Ténèbres et le Miserere à voix seule destinés aux offices de la Semaine sainte. De nombreux compositeurs avaient déjà proposé leur vision des Leçons dans la France du Roi soleil, faisant de l’Office de Ténèbres un véritable événement mondain. Fidèle à cette esthétique, Lalande saura exploiter cet art de l’ambiguïté, tout en se détournant de la tradition.
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