David Niemann Videos
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Orchestre Philharmonique Luxembourg Felix Mendelssohn Bartholdy Rees David Niemann Niemann Angerer Huet
Eng abenteuerlech a musikalesch Rees fir Kanner ab 6 Joer Orchestre Philharmonique du Luxembourg David Niemann Leedung Martina Menichetti Konzeptioun, Text, Presentatioun (L) Florian Angerer Ausstattung Felix Mendelssohn Bartholdy: Symphonie N° 3 «Schottische» / «Écossaise» Alter: 6–12 Zyklus: I.2–4 Sprooch: L Dauer: 60’ E risegt Séimonster huet hie bekämpft, eng gefaange Prinzessin huet hien aus dem Schlass konnte befreien, an no enger stiermescher Iwwerfaart op eng Insel huet hie Feeën a Wiichtelcher begéint déi gedanzt hunn... Dem Felix Mendelssohn seng Rees a Schottland war e richtegt Abenteuer! Op d’mannst esou begeeschtert erzielt hien dovunner. Seng Inspiratioun war esou grouss, datt hien eng wonnerbar Symphonie komponéiert huet, mat dramatesche Sträicher a montere Melodien, déi un typesch, traditionell schottesch Danzmusek erënneren. D’Presentatrice Martina Menichetti an den Orchestre Philharmonique du Luxembourg ënnert der Leedung vum Dirigent David Niemann invitéieren op eng Rees an d’Fantasiewelt vum Komponist a weisen dem Publikum wéi expressiv a faarweg d’Klangwelt vun engem Symphonieorchester ka sinn. Il aura combattu un monstre marin géant, réussi à libérer du château une princesse retenue prisonnière et, après une traversée agitée, rencontré des fées et lutins dansants sur une île… Le voyage de Felix Mendelssohn en Écosse fut une sacrée aventure! Il le raconte en tout cas plein d’enthousiasme. Il fut si inspiré qu’il composa une admirable symphonie dotée de sonorités dramatiques aux cordes et de mélodies alertes rappelant les musiques de danse typiques de la tradition écossaise. La modératrice Martina Menichetti et l‘Orchestre Philharmonique du Luxembourg, sous la direction du chef David Niemann, invitent à un voyage dans le monde merveilleux du compositeur et montrent au public combien l’univers sonore d’un orchestre symphonique peut être expressif et chatoyant.
Walter Niemann Niemann Engelbert Humperdinck Carl Reinecke Hugo Riemann Hermann Kretzschmar Meissen Brahms Richard Strauss Mahler Arnold Schoenberg Max Reger Hans Pfitzner Sibelius Edward Macdowell 1801 1876 1901 1904 1906 1907 1910 1917 1919 1953
Bing Bing Li - Piano (Not the actress) 00:00 Allegro Moderato 08:52 Poco Adagio 18:01 Non troppo allegro e poco giocoso Walter Niemann +••.••(...)) was a German Composer. Walter Niemann studied with Engelbert Humperdinck as a youth in Leipzig. He then entered the Leipzig Conservatory where he was a pupil of Carl Reinecke. He pursued doctoral studies in musicology at the University of Leipzig under Hugo Riemann and Hermann Kretzschmar, earning a doctorate in 1901. His dissertation was on early ligatures and mensural music. Niemann first worked as a teacher in Hamburg then served as the editor of the Neue Zeitschrift für Musik in Leipzig from 1904 to 1906. From 1907 through 1917 he was a writer and critic for the Neueste Nachrichten in Leipzig. He also taught during those years on the faculty of the Hamburg Conservatory. Niemann's compositions include 189 opus numbers, of which more than 150 are works for solo piano, chiefly of character pieces. He also composed violin sonata, several orchestral works, and some chamber music. Niemann was one of the very few German composers to explore Impressionist music. His works are characterized by color and exoticism, and the titles reflect interests in the past ("From Watteau's time", "Sanssouci" "Meissen porcelain"), and exotic subject matter on poetic titles ("Old China, Op. 62," "The Orchid Garden, Op. 67", "The Exotic Pavillon"). His book, "Masters of the Piano: past and present," published in 1919 is considered a classic. He also wrote popular biographies of composers; his biography of Brahms emphasized that composer's north German roots at the expense of his Viennese retirement and liberalism. As a reviewer he was outspoken in his criticism of "pathological" and "sensuous" composers like Richard Strauss, Mahler, and Arnold Schoenberg, and was threatened in 1910 with a libel suit by composer Max Reger. He praised nationalists and folk-influenced composers like Hans Pfitzner, Sibelius, and Edward MacDowell, and was influential in popularizing Scandinavian composers in Germany. Following the second world war, Niemann's artistic viewpoint consequently fell out of favor. / Please support this channel (http•••)
Walter Niemann Niemann Woodland Robert Schumann Henselt
Book I: 1. Cheerful Entrance 2. An Evening in Sevilla (Spanish Dance-Song) 3. By Woodland Brook 4. Visions in the Fog 5. A Dream 6. Reveries 7. Silent Bliss 8. The Three Shepherds 9. By babbling Brook 10. At Robert Schumann's Grave 11. Devotion 12. Autumnal Thoughts Book II: 13. In Festive Splendor 14. Funeral Procession at Night 15. In the Evening 16. Fleeting Shadows 17. Lassie with Thy Locks of Gold 18. Hardened Hearts 19. To Adolph Henselt 20. From an Old Harpsichord Book 21. Dialogue 22. Anger 23. No Peace, No Rest! 24. Lament
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