Arthur Coquard Videos
französischer Komponist und Kritiker
- Oper
- Frankreich
- Komponist, Musikkritiker
Letzte Aktualisierung
2024-05-21
Aktualisieren
Voyage au coeur d’un grand ensemble de banlieue laissé à l’abandon, Peripheria dresse le portrait d’un environnement urbain devenu sauvage : une Pompéi moderne où le vent souffle et les chiens rôdent, sur les traces de la vie humaine. Tous les meilleurs courts métrages d'animation, abonnez vous ! (http•••) Un film de David Coquard-Dassault Écrit par David Coquard-Dassault, Patricia Valeix France / 2015 / 12 min Production : Autour de Minuit, Schmuby Productions Prix du public | Prix André-Martin pour un court métrage français
Arthur Coquard Patrick Davin Véronique Gens Nora Gubisch Charles Castronovo Palazzetto Bru Zane Opéra Monte Carlo 1895 2016
-- English version below / "La Jacquerie" (1895) d'Édouard Lalo et Arthur Coquard Livre-disque bilingue en français et anglais Collection « Opéra français » du Palazzetto Bru Zane | 2016 | Volume 12 Opéra en quatre actes (1895) Livret d’Édouard Blau et Simone Arnaud Création : Opéra de Monte-Carlo, 9 mars 1895 ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE CHŒUR DE RADIO FRANCE Patrick Davin, direction Michel Tranchant, chef de chœur Brigitte Clair, chef de chant avec Véronique Gens, Nora Gubisch, Charles Castronovo, Boris Pinkhasovich, Jean-Sébastien Bou, Patrick Bolleire, Enguerrand de Hys / "La Jacquerie" (1895) by Édouard Lalo and Arthur Coquard "French opera” Palazzetto Bru Zane series | 2016 | Volume 12 Bilingual Edition Opera in four acts (1895) Words by Édouard Blau and Simone Arnaud First performed at the Opéra de Monte-Carlo on March 9, 1895 ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE CHŒUR DE RADIO FRANCE Patrick Davin, conductor Michel Tranchant, choirmaster Brigitte Clair, singing coach with Véronique Gens, Nora Gubisch, Charles Castronovo, Boris Pinkhasovich, Jean-Sébastien Bou, Patrick Bolleire, Enguerrand de Hys #EdouardLalo #ArthurCoquard #BruZaneLabel
César Franck Vincent Indy Indy Combs Arthur Coquard 1886 1887 1888
César Franck - Psyché, Symphonic Poem for Chorus & Orchestra, M. 47, 1887-1888. Parts/Movements: I. Le Sommeil de Psyché II. Psyche enlevée par les zephirs III. Le Jardin d'Éros IV. Amour! Amour! source de toute vie! V. Psyche et Éros VI. Le chatiment: Amour, Elle a connu ton nom. Malheur sur elle! VII. Souffrances et plaintes de Psyché VIII. Apothéose: Éros a pardonn'. Tressoillez, cieux et terre! Vincent d'Indy's portrait of Franck as the pater seraphicus of music - selfless, saintly, and wise - shepherding his small but influential band of disciples in the green pastures of noble idealism is surprisingly accurate as far as it goes, though it carefully bowdlerizes a recurrent undertow of barely suppressed sensuality. Marooned in an unhappy marriage and a career as church organist, Franck's intense inner life became apparent only at chance moments, and most fully in his music. Thus, it is telling that one of his most ambitious works, Psyché - a vast "symphonic poem" for chorus and orchestra in seven movements - was composed in secret in his vacation retreat at Combs-la-Ville-Quincy over the summer of 1886. To his friend and pupil, the composer Arthur Coquard, he confided that Psyché had been contemplated over "many years," though the progress of the composition is noted on the manuscript with a compulsive punctilio - e.g., "'Les jardins d'Éros,' 18 August, (4 o'clock)." Orchestration was accomplished the following summer. The story is drawn from the second century Metamorphoses (often translated as The Golden Ass) of Lucius Apuleius which tells of Eros' nocturnally veiled love for the mortal Psyche, Psyche's wish to behold her lover face to face, and the lovers' parting and reconciliation. In Franck's retelling, Psyché first dreams of Éros, then is carried by zephyrs to Éros' secret garden, where the orchestra enacts a rapturous love duet as the chorus (sopranos I and II, tenors) warns her that she must never seek to see the face of her mysterious lover. In its undulating melodic richness and sensuous scoring Franck captures more nearly than anything in music what Blake called "the lineaments of gratified desire." The aftermath of her transgression - narrated by the chorus - is as profoundly moving as the final luminous apotheosis is compellingly ecstatic. Psyché's premiere, at a concert of the Société National de Musique on March 10, 1888, disconcerted listeners and provoked controversy, with the dedicatee, d'Indy, insisting that the music was an allegory of the love of God, and others - not least, the composer's family - hearing in it an execrable carnality. As Nietzsche noted, "The degree and kind of a man's sexuality reach up into the ultimate pinnacle of his spirit." Largely neglected, Psyché looms as Franck's most revealing testament.
oder
- Zeitleiste: Komponisten (Europa).
- Indizes (in alphabetischer Reihenfolge): C...