Boris Issaakowitsch Seidman Videos
sowjetischer Komponist und Hochschullehrer
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2024-05-21
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Fikret Mashadi Jamil Oghlu Amirov Boris Zeidman Uzeyir Hajibeyov Leopold Stokowski Rimsky Korsakov Khachaturian Houston Symphony Orchestra 1915 1922 1941 1944 1946 1948 1949 1961 1968 1977 1984
Fikret Amirov - Six Pieces for Flute and Piano Flute - Leslie Newman Piano - Amanda Hurton ————————————————————————— Fikret Mashadi Jamil oghlu Amirov (Azerbaijani: Fikrət Məşədi Cəmil oğlu Əmirov; November 22, 1922, Ganja – February 20, 1984, Baku) was a prominent Azerbaijani composer of the Soviet period. Fikret Amirov grew up in an atmosphere of Azerbaijani folk music. His father, Mashadi Jamil Amirov, was a famous mugam singer ("xanəndə") from Shusha, who played tar and composed, including the 1915 opera Seyfal mulk. During his childhood and early adolescence, Fikret began composing pieces for the piano. Upon his graduation from the Ganja Music College, Amirov entered the Azerbaijan State Conservatoire, now known as the Baku Music Academy, where he was a student of Boris Zeidman and Uzeyir Hajibeyov. In 1941, when Nazi Germany attacked the USSR, Amirov, 19 at the time, was drafted to the Soviet army. He was wounded near Voronezh, hospitalized and demobilized from the military service, returning to Baku to continue his studies at the Azerbaijan State Conservatoire. Amirov's music was strongly influenced by Azeri folk melodies. He created a new genre called symphonic mugam. Amirov's symphonic mugams were based on classical folk pieces and were performed by many renowned symphony orchestras throughout the world, such as the Houston Symphony Orchestra conducted by Leopold Stokowski. Amirov was a prolific composer. His most famous pieces include symphonic works such as "Shur" (1946), Kurd Ovshari (1949), "Azerbaijan Capriccio" (1961), "Gulustan Bayati-Shiraz" (1968), "The Legend of Nasimi" (1977), "To the Memory of the Heroes of the Great National War" (1944), "Double Concerto for Violin, Piano and Orchestra" (1948) etc. His pieces was built on folk traditions of Azerbaijan and Middle East. However, the folkloric elements can be identified in them whether they are Azerbaijani or Arabic, as in the case of his ballet “Arabian Nights,” his “Concerto on an Arabian Theme for the Piano and Orchestra” (together with Elmira Nazirova) and “The Song of the Blind Arab”. As the composer used to do a lot of research before starting his pieces, strong folkloric elements can be observed in his compositions. For example, prior to composing his ballet "Arabian Nights," he visited several Arabic countries-Iraq, Yemen and Egypt-and brought back tapes and records. His orchestral suites, based on the style of Azerbaijan Mugams often contain melodies that are reminiscent of Rimsky-Korsakov, Khachaturian and Turkish music. One of his early success outside the USSR was Kyurd Ovsharï suite conducted by Leopold Stokowski. ————————————————————————— I, in no way, mean to make any money via my videos. I make them to allow others to discover classical music, and help them by (sometimes) providing sheet music.
Reinhold Glière Üzeyir Hacıbəyov Jakow Sak Dmitri Schostakowitsch Boris Zeidman 1928 1944 1947 1948 1950 1951 1953 1954 2014
Elmira Nəzirova (aserbaidschanisch Elmira Mirzərza qızı Nəzirova; Russisch Эльмира Мирза Рза кызы Назирова, Elmira Mirsa Rsa kysy Nasirowa; wiss. Transliteration Ėl'mira Mirza Rza kyzy Nazirova; * 30. November 1928 in Baku, Sowjetunion; † 23. Januar 2014 in Haifa, Israel) war eine Aserbaidschanische Komponistin und Pianistin. Als Tochter einer Pianistin und eines Arztes wuchs sie in einer Familie mit aserbaidschanisch-georgisch-jüdischen Wurzeln auf.[ Mit 10 Jahren debütierte sie als Pianistin mit der Philharmonie Baku unter Nikolai Anosow, mit 12 begann sie zu komponieren, mit 14 wurde sie Mitglied im aserbaidschanischen Komponistenverband. Sie besuchte die Musikschule Baku, eine Vorstufe zum Konservatorium der Stadt. Einen weiteren vielbeachteten Auftritt hatte sie 1944 bei einem Festival in Tiflis, als sie unter den Augen von Reinhold Glière eine Reihe selbst komponierter Klavier-Préludes präsentierte. Üzeyir Hacıbəyov, einer der Pioniere der klassischen Musik in Aserbaidschan, empfahl sie ans Moskauer Konservatorium. Dort studierte sie 1947/48 Klavier bei Jakow Sak und Komposition bei Dmitri Schostakowitsch, bevor dieser 1948 im Zuge der Parteikampagne gegen angebliche Formalisten gemaßregelt und entlassen wurde. Sie musste daraufhin nach Baku zurückkehren, wo sie ihr Studium an der Musikakademie fortsetzte – 1950 machte sie ihren Abschluss im Fach Klavier bei Georgi Sharoyev, 1954 im Fach Komposition bei Boris Zeidman.Ab 1951 unterrichtete sie selbst an der Musikakademie. Ihr früherer Lehrer Schostakowitsch förderte sie weiterhin. Im Jahr 1953, während der Arbeit an seiner 10. Sinfonie, entwickelte sich ein intensiver Briefwechsel mit ihr, und er verewigte ihren Namen im dritten Satz der Sinfonie
Fikret Mashadi Jamil Oghlu Amirov Boris Zeidman Uzeyir Hajibeyov Leopold Stokowski Rimsky Korsakov Khachaturian Houston Symphony Orchestra 1915 1922 1941 1944 1946 1948 1949 1961 1968 1977 1984
Fikret Amirov - Six Pieces for Flute and Piano Flute - Leslie Newman Piano - Amanda Hurton ————————————————————————— Fikret Mashadi Jamil oghlu Amirov (Azerbaijani: Fikrət Məşədi Cəmil oğlu Əmirov; November 22, 1922, Ganja – February 20, 1984, Baku) was a prominent Azerbaijani composer of the Soviet period. Fikret Amirov grew up in an atmosphere of Azerbaijani folk music. His father, Mashadi Jamil Amirov, was a famous mugam singer ("xanəndə") from Shusha, who played tar and composed, including the 1915 opera Seyfal mulk. During his childhood and early adolescence, Fikret began composing pieces for the piano. Upon his graduation from the Ganja Music College, Amirov entered the Azerbaijan State Conservatoire, now known as the Baku Music Academy, where he was a student of Boris Zeidman and Uzeyir Hajibeyov. In 1941, when Nazi Germany attacked the USSR, Amirov, 19 at the time, was drafted to the Soviet army. He was wounded near Voronezh, hospitalized and demobilized from the military service, returning to Baku to continue his studies at the Azerbaijan State Conservatoire. Amirov's music was strongly influenced by Azeri folk melodies. He created a new genre called symphonic mugam. Amirov's symphonic mugams were based on classical folk pieces and were performed by many renowned symphony orchestras throughout the world, such as the Houston Symphony Orchestra conducted by Leopold Stokowski. Amirov was a prolific composer. His most famous pieces include symphonic works such as "Shur" (1946), Kurd Ovshari (1949), "Azerbaijan Capriccio" (1961), "Gulustan Bayati-Shiraz" (1968), "The Legend of Nasimi" (1977), "To the Memory of the Heroes of the Great National War" (1944), "Double Concerto for Violin, Piano and Orchestra" (1948) etc. His pieces was built on folk traditions of Azerbaijan and Middle East. However, the folkloric elements can be identified in them whether they are Azerbaijani or Arabic, as in the case of his ballet “Arabian Nights,” his “Concerto on an Arabian Theme for the Piano and Orchestra” (together with Elmira Nazirova) and “The Song of the Blind Arab”. As the composer used to do a lot of research before starting his pieces, strong folkloric elements can be observed in his compositions. For example, prior to composing his ballet "Arabian Nights," he visited several Arabic countries-Iraq, Yemen and Egypt-and brought back tapes and records. His orchestral suites, based on the style of Azerbaijan Mugams often contain melodies that are reminiscent of Rimsky-Korsakov, Khachaturian and Turkish music. One of his early success outside the USSR was Kyurd Ovsharï suite conducted by Leopold Stokowski. ————————————————————————— I, in no way, mean to make any money via my videos. I make them to allow others to discover classical music, and help them by (sometimes) providing sheet music.
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