Pietro Bertuzzi Videos
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2024-06-15
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Intervista completa: (http•••) Perchè dovresti rovinare il plettro prima ancora di utilizzarlo? E quanto questo incide sul suono della tua chitarra? Ce lo spiega Riccardo Bertuzzi, chitarrista Mediaset. ⬇️ ⬇️ ⬇️ ⬇️ Risorse ⬇️ ⬇️ ⬇️ ⬇️ ✅ Corsi di Chitarra Facili: (http•••) ???? Guida agli Effetti per Chitarra (Ebook Gratis): (http•••) ???? Libro "La Mente del Chitarrista": (http•••) ???? Maglietta "Strimpellari": (http•••) ???? Consigli per Migliorare Velocemente: (http•••) ???? Gruppo Facebook "Gli Strimpellari": (http•••) ???? Sei uno Strimpellaro?? Scoprilo qui: (http•••) ???? Pagina Facebook: (http•••) ???? Blog: (http•••) ???? Canale Telegram: (http•••) ???? Canzoni Facili con Testo e Accordi: (http•••) CONTATTI: Email: •••@••• Invio Materiale: David Carelse via Ampere 16 Padova (PD) 35136
Teatro Verdi Verdi Bertuzzi Biondi
Spettacolo al Teatro Verdi di Blubordò con la splendida Lubjan, cantautrice Padovana, di spiccata sensibilità artistica e grande carisma. direzione artistica alessandra pascali. contatti: •••@••• •••@••• ivan zuccarato pianoforte riccardo bertuzzi chitarra graziano colella batteria daniele vinello basso coro blubordò direttrice alessandra pascali solista e chitarra giovanna lubjan evento cav e ursulaeventi ospiti evento: luca francioso barbara capaccioli e stevie biondi
Giacomo Antonio Perti Giusti Lombardi Prato Bertuzzi Cazzati Vitali Gabrielli Torelli Jacchini Basilica San Petronio 1436 1471 1531 1596 1661 1687 1756 2006
Giacomo Antonio Perti (Bologna, 1661-1756) MESSA A 12 (1687) - Sinfonia (0:00) & Kyrie I (02:05) For 12 soloists, 3 choirs, strings and basso continuo Manuscript: S. Petronio's Music Archive Recorded live in the Basilica of San Petronio, Bologna, Italy, 2nd October 2006 Included in the CD Dynamic CDS707 "Perti G. A., Messa a 12" Performers: FIRST CHOIR in cornu evangelii Soloists Sonia Tedla, soprano Francesco Giusti, alto Michele Concato, tenor Carlo Bonarelli, bass Ripieni CHOIR OF THE CAPPELLA MUSICALE DI SAN PETRONIO Michele Vannelli, maestro di cappella Sara Dieci, organ (Baldassarre Malamini, 1596) SECOND CHOIR in cornu epistolæ Soloists Francesca Cassinari, soprano Jacopo Facchini, alto Alberto Allegrezza, tenor Gabriele Lombardi, bass Ripieni COLOR TEMPORIS VOCAL ENSEMBLE Marco Belluzzi, Chorus Master Marina Scaioli (Lorenzo da Prato, 1471-75 and Giovanni Battista Facchetti, 1531) THIRD CHOIR in the apse Soloists Elena Bertuzzi, soprano Raphaël Mas, alto Baltasar Zúñiga, tenor Abramo Rosalen, bass Ripieni COLLEGIUM MUSICUM ALMAE MATRIS CHAMBER CHOIR David Winton, Chorus Master Francesco Tasini, organ MICHELE VANNELLI, maestro di cappella This recording represents a testimony in sound of the concert for the feast of San Petronio held on 2nd October 2006, in coincidence with the celebrations for the 250th anniversary of the death of Perti. For the occasion over 120 performers were lined up along the horseshoe choir-stall that surrounds the presbytery of the basilica: the first chorus was on the left; the second set opposite nearly thirty metres away; the third choir was placed on the central balustrade of the choir-stall, beneath the semi-circular tribune which housed the orchestra. This arrangement made it possible to recreate the performance and acoustic conditions, documented by copious iconography, which influenced both the composition and the performance of music in Bologna churches in the seventeenth century. The CAPPELLA MUSICALE ARCIVESCOVILE DELLA BASILICA DI SAN PETRONIO, founded in 1436 at the request of Pope Eugene IV, was one of the most important music institutions in Europe in the seventeenth and eighteenth centuries; it produced important forms of instrumental music and boasted such outstanding musicians as Cazzati, Colonna, Perti, Vitali, Gabrielli, Torelli and Jacchini. The Cappella was formed anew in the 1980s, seeking to rediscover and enhance in a systematic manner the repertoire of the Bologna school, conserved in abundant quantities in the basilica's music archive. The rebirth came about in the light of recent studies of musical philology and of performance practice: under the direction of Sergio Vartolo, the Cappella Musicale di San Petronio formed the first orchestra with period instruments in Italy, boasting the collaboration of the most important musicians active in the field of so-called early music. The Cappella has given concerts all over Europe and has made recordings with Bongiovanni, Dynamic, Harmonia Mundi France, Naxos and Tactus. Michele Vannelli became maestro di cappella in 2006. Scores transcribed and edited by Michele Vannelli www.cappellamusicalesanpetronio.it www.dynamic.it background image: Basilica of San Petronio, detail of the inside; photo by Andrea Simili
Giacomo Antonio Perti Bertuzzi Cazzati Vitali Gabrielli Torelli Jacchini Basilica San Petronio 1436 1661 1678 1756 2006
Giacomo Antonio Perti (Bologna, 1661 - 1756) PLAUDITE MORTALES (1678) Marian motet for soprano and alto, 2 choirs, 2 trumpets, strings and basso continuo Manuscript: S. Petronio's Music Archive 1. Coro "Plaudite Mortales" (0:00) 2. Aria "Aura fluido clangore (01:49) 3. Aria "O quam sublimis exaltatio" (03:16) 4. Coro da capo "Plaudite mortales" (04:07) Recorded live in the Basilica of San Petronio, Bologna, Italy, 2nd October 2006 Included in the CD Dynamic CDS707 "Perti G. A., Messa a 12" Performers: Soloists Elena Bertuzzi, soprano Jacopo Facchini, alto FIRST CHOIR in cornu evangelii CHOIR OF THE CAPPELLA MUSICALE DI S. PETRONIO COLLEGIUM MUSICUM ALMÆ MATRIS CHAMBER CHOIR SECOND CHOIR in cornu epistolæ COLOR TEMPORIS VOCAL ENSEMBLE COLLEGIUM MUSICUM ALMÆ MATRIS CHAMBER CHOIR INSTRUMENTS in the apse ORCHESTRA OF THE CAPPELLA MUSICALE DI S. PETRONIO MICHELE VANNELLI, maestro di cappella This recording represents a testimony in sound of the concert for the feast of San Petronio held on 2nd October 2006, in coincidence with the celebrations for the 250th anniversary of the death of Perti. For the occasion over 120 performers were lined up along the horseshoe choir-stall that surrounds the presbytery of the basilica: the first chorus was on the left; the second set opposite nearly thirty metres away; the third choir was placed on the central balustrade of the choir-stall, beneath the semi-circular tribune which housed the orchestra. This arrangement made it possible to recreate the performance and acoustic conditions, documented by copious iconography, which influenced both the composition and the performance of music in Bologna churches in the seventeenth century. The CAPPELLA MUSICALE ARCIVESCOVILE DELLA BASILICA DI SAN PETRONIO, founded in 1436 at the request of Pope Eugene IV, was one of the most important music institutions in Europe in the seventeenth and eighteenth centuries; it produced important forms of instrumental music and boasted such outstanding musicians as Cazzati, Colonna, Perti, Vitali, Gabrielli, Torelli and Jacchini. The Cappella was formed anew in the 1980s, seeking to rediscover and enhance in a systematic manner the repertoire of the Bologna school, conserved in abundant quantities in the basilica's music archive. The rebirth came about in the light of recent studies of musical philology and of performance practice: under the direction of Sergio Vartolo, the Cappella Musicale di San Petronio formed the first orchestra with period instruments in Italy, boasting the collaboration of the most important musicians active in the field of so-called early music. The Cappella has given concerts all over Europe and has made recordings with Bongiovanni, Dynamic, Harmonia Mundi France, Naxos and Tactus. Michele Vannelli became maestro di cappella in 2006. Scores transcribed and edited by Michele Vannelli www.cappellamusicalesanpetronio.it www.dynamic.it background image: Basilica of San Petronio, detail of the inside; photo by Andrea Simili
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