Adrien Barthe Videos
französischer Komponist
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2024-05-04
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Udo Reinemann Bach Jacques Chambon Pontet Barthe 1727 1826 1976
The baritone sings Bach's cantata "Ich habe genug", BWV 82, in this recording from 1976.* He is joined by Jacques Chambon, oboe; Joël Pontet, harpsichord; and a chamber orchestra conducted by Jean Barthe. Though unidentified on the recording, I imagine Jean Barthe is also the cellist in the recitatives. I. Aria: "Ich habe genug" 0:00 II. Recitative: "Ich habe genug" 7:16 III. Aria: "Schlummert ein, ihr matten Augen" 8:41 IV. Recitative: "Mein Gott! Wann kommt das schöne: Nun!" 17:27 V. Aria: "Ich freue mich auf meinen Tod" 18:26 Link to my Udo Reinemann playlist: (http•••) * Thank you, Tim!
Georges Bizet François Joseph Gossec Jean François Lesueur Hector Berlioz Joseph Haydn Rodrigues Barthe Simrock 1854 1857 1858 1912 1970 1971 2004 2005
The Te Deum by the French composer Georges Bizet (WD 122) is a five-part setting of the Ambrosian hymn of praise for solos, choir and orchestra. Bizet composed it in 1858 during a stay in Rome as a fellow at the age of just under 20. Besides the Ave Maria (WD 134), the Te Deum is the composer's only sacred work. In France there was a long tradition of large-scale productions of the Te Deum, such as that of François-Joseph Gossec, the three versions of the Te Deum by Jean-François Lesueur, master of Berlioz, and finally the mighty version of Hector Berlioz himself, the before which Bizet probably participated (see also Te Deum (Berlioz)). Bizet may also be familiar with Joseph Haydn's 1800s Te Deum. The influence of Italian sacred music of the time, which used elements of opera music, is clearly evident. With this work Bizet wanted to win the presumably coveted Prix Rodrigues, competition for scholarship holders of the Prix de Rome, for the best sacred composition. However, that Prix Rodrigues was not as popular as is generally assumed. Bizet even doubted that this advertisement really existed, and only one other competitor had applied, the composer Adrien Bartheche won the Rome Scholarship in 1854 (Bizet himself won it in 1857). However, Bizet did not achieve the desired success, probably because he allowed himself too much freedom in the use and treatment of the text and did not pay enough attention to the prescribed liturgical form. The fact that Barthe was preferred to him was particularly annoying because he had already planned the considerable cash prize for a trip to Naples. After the bankruptcy, the work fell into oblivion and was kept in the Bibliothèque nationale de France in Paris. As a result, Bizet composed very few sacred songs and completely dispensed with large-scale sacred compositions. Some lines of the first part were used in the "Hymn to Brahma" from his work Les pêcheurs de perles, and a reuse of some passages was foreseen in the project for the Geneviève de Paris oratory; otherwise the Te Deum was never performed or published. It didn't premiere until March 1970; In 1971 the German composer Johannes Wojciechowski gave (1912–2005) published for the first time as a piano reduction and choir excerpt based on the autograph score of Bizet by Verlag N. Simrock. In December 2004 the French publisher Éditions À Cœur Joie published another edition as score for conductor (full orchestral score), vocal score and choral score. Georges Bizet WD 122 TE DEUM Te ergo quaesumus Soprano IRMA WEBA Tenore MARCO GIGLIA Forum Europe Orchestra e Coro VINCENZO GARDANI
Beethoven Barthe Desjardins 2016
Teaser enregistré pendant le concert du 15 mars 2016 au Grand Amphithéâtre de la Sorbonne. L. v. Beethoven, Egmont (ouverture) op.84 (extrait) Chœur & Orchestre Sorbonne Universités Vincent Barthe, direction Ariel Alonso, chef de chœur Production : Chœur & Orchestre Sorbonne Universités Prise d’images et réalisation : Concertclassic Prise de son et post-production : Olivier Rosset et Elsa Desjardins (Dodécaphone) Suivez les actualités du COSU ! (http•••) (http•••) @COSU_Paris
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- Zeitleiste: Komponisten (Europa).
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