Anton Eberl Videos
österreichischer Pianist und Komponist
Gedenken 2025 (Geburt: Anton Eberl)
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2024-05-31
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Gerardo Matos Rodriguez Rodriguez Eberl
It's getting passionate - Latinos at heart, we have a special connection to music from Latin America. This week, it's time for "el tango de los tangos" - "La cumparsita" by Uruguayan composer Gerardo Matos Rodriguez - fiery, nostalgic and proud! The lyrics deal with the tragic loss of a poor soul deserted by the one they love. To make matters worse, even the dog ran off. Pobrecito.... This is the third video of the "Grazie LIVING ROOM SESSIONS" series, with a new video being released every other week! Enjoy listening and subscribe to our channel to stay in touch! :) Franziska and Nico Credits: Vocals: Franziska Eberl Accordeon: Nico Graz Music and Video Production: Thomas Eberl #grazie #tango #passion #LaCumparsita #franziska #eberl #nico #graz #duo.grazie #regensburg #cover #la #cumparsita #spanish
Johann Sebastian Bach Christian Ludwig Moore Carcassi Eberl Tomkins Farley 1560 1632 1673 1680 1721 1745 1754 1765 1798 1895 1985 1996 1999
Full concerto here: (http•••) The first movement of Brandenburg Concerto No. 3 in G Major, performed on original instruments by the Early Music ensemble Voices of Music. Please consider a donation, (http•••) and we will make more videos like this one In March of 1721, Johann Sebastian Bach carefully inked six of his best concertos into a book for the Margrave of Brandenburg, Christian Ludwig. The original title, "Six Concerts à plusieurs instruments" is now known as the "Brandenburg" Concertos in English or "Brandenburgische Konzerte" in German. These six concertos represent the summa of chamber music in the high baroque period, and the third concerto (BWV 1048) is noted for its rich texture of three violins, three violas and three cellos, with a continuo part for the harpsichord and violone. The original title is as follows: "Concerto 3zo [terzo] a tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo". On the continuo part, Bach has written "Violone & Cembalo", and this is how it is performed in the video, just as it is indicated in the original manuscript. This concerto is part of the Voices of Music Great Works project. A Creative Commons edition of the score, based on the composer's manuscript, will be published to accompany the complete recording, and the recording will be available worldwide on Blu-Ray and CD, and for free on MP3 and high-definition, 24 bit FLAC files. Voices of Music Hanneke van Proosdij & David Tayler, directors The Musicians and their Instruments (left to right) Carla Moore, baroque violin by Johann Georg Thir, Vienna, Austria, 1754 Maxine Nemerovski, baroque violin by Timothy Johnson, Indiana, 1999 (after Stradivarius) Gabrielle Wunsch, baroque violin by Lorenzo Carcassi, Florence, Italy, 1765 Katherine Kyme, baroque viola, Germany, anonymous, 18th century Maria Caswell, baroque viola by William Old, Falmouth, England, 1895 Lisa Grodin, baroque viola by Mathias Eberl, Salzburg, Austria, 1680 Tanya Tomkins, baroque cello, Lockey Hill, London, England, 1798 Elisabeth Reed, baroque cello, anonymous, 1673 William Skeen, five string baroque cello, Anonymous, Italy, c1680 Farley Pearce, violone by George Stoppani, Manchester, 1985, after Amati, 1560 Hanneke van Proosdij, double manual harpsichord by Johannes Klinkhamer, Amsterdam (1996), after Ruckers-Goujon (1632/1745), Neuchâtel, Switzerland A note on this video: The Brandenburg Concertos are ensemble pieces, and every musician has a finely-wrought musical line. Rather than assemble clips of small solos, the goal in presenting this work was to show the entire ensemble--in this way, the viewer can follow the counter-subjects as well as the main themes in the musical composition. A specially designed hyperfocal lens was used for the center camera to render the entire soundstage in focus, edge to edge and front to back, so that at resolutions of 1080p and higher, one can view each individual musician. Graduated depth of field was used on the supporting cameras to throw the image into relief when showing sections of instruments. Surround sound techniques were used to place the listener in the middle of the ensemble, so that each part can be clearly heard, as well as seen. Text: For this recording, a new edition of the concerto was made based on Bach's autograph manuscript, with careful attention to the original articulation marks. Original instruments: the Brandenburg concertos have been performed on every imaginable combination of instruments. We believe that the greatest transparency is achieved when the work is performed on instruments from the time of Bach, using the techniques and styles of the time. In Bach's time, music was performed without a conductor, and each musician had a voice in the interpretation. Tempo: The first movement has no tempo indication, so a tempo of allegro was chosen based on the style of the music. In the baroque period, the tempo of allegro "assai" or presto would not have been usual for the opening movement; however, the tempo is left to the performers' imagination. The allegro tempo allows all the parts to be clearly heard. Numerology: it is no coincidence that Bach attached special significance to the the numbers two and three, and their multiple of six. Since medieval times, the number three, the symbol of the trinity, was considered the "perfect" division for time signatures, and the combination of two and three form the rhythmic underpinnings of Western music. For the third concerto, it's all about the number three: Bach employed the unusual combination of 3+3+3: three violins, three violas, three cellos, possibly reworking an earlier composition for these resources. www.voicesofmusic.org or visit us on Facebook at www.facebook.com/Voicesofmusic We hope you enjoy our video! #Bach #BrandenburgConcerto
Neues Theater Isherwood Büttner Fiebig Wittrisch Bowles Erhardt Bradshaw Schnitzler Schultz Gutmann Eberl Heller Hänsel Vogel Winkler Kubicek Künneke Krüger Schoch Voigt 2019
Für ENSEMBLE Seiten zum Programmheft Premiere: 26. Oktober 2019, Oper - Großer Saal CABARET Buch von Joe Masteroff nach dem Stück "Ich bin eine Kamera" von John Van Druten und Erzählungen von Christopher Isherwood Gesangstexte von Fred Ebb Musik von John Kander, in der reduzierten Orchesterfassung von Chris Walker Trailer: Lutz Kretschmann Besetzung: Regie HENRIETTE HÖRNIGK Musikalische Leitung PETER SCHEDDING Choreografie DOMINIK BÜTTNER Bühne CLAUDIA CHARLOTTE BURCHARD Kostüm HENRIKE ENGEL Dramaturgie PHILIPP AMELUNGSEN Regieassistenz JANA SCHIKOFSKy Studienleitung PETER SCHEDDING Musikalische Einstudierung TINO FIEBIG, PETER SCHEDDING, KATRIN WITTRISCH Gesangscoaching GABRIELE BERNSDORF, NADINE HAMMER, INES LEX, CHRISTIAN ALEXANDER MÜLLER, JULIA PREUßLER, CARLA SEDER INFANTE, KAORI SEKIGAWA, CHRISTINA MATTAJ Inspizienz BERD BUNK Soufflage ANKE HOHEISEL Ausstattungsassistenz MARKUS NEESER Regiehospitanz JESPER VÖCKS Conférencier FLORIAN KRANNICH Sally Bowles CYNTHIA COSIMA ERHARDT Cliff Bradshaw NILS THORBEN BARTLING Fräulein Schneider BARBARA SCHNITZLER Herr Schultz MATTHIAS BRENNER Fräulein Kost NORA SCHULTE Ernst Ludwig HARALD HÖBINGER Zollbeamte CAMILLE DOMBROWSKY Max CLEMENS KERSTEN Bobby / Matrose ANTON DREGER Victor / Matrose JULIAN GUTMANN Tow Ladies CAMILLE DOMBROWSKY, JASMIN EBERL Kit Kat Girls JASMIN EBERL (Dance Captain), CAMILLE DOMBROWSKY, ANASTASIA- LARA HELLER, EMMA-KATHARINA SUTHE (Studio), ALEXA HÄNSEL, KIM JANAS, KATHARINA KRANNICH, LINDA RABISCH, LAETITIA RICHTER, CHARLOTTE VOGEL, FRANZISKA WINKLER (Jugendchor), JULIA KUBICEK; SOPHIE KÜNNEKE, VIKTORIA MEIßNER (Vocal-Support) Kit Kat Boys ANTON DREGER, JULIAN GUTMANN, CLEMENS KERSTEN (Studio), MARTIN BREITKOPF; JULIUS DÖRNER, ANTON HUSCHKA, ARTHUR KÖNIG, EMMANUEL TILL (Jugendchor), KONRAD KRÜGER, MICHEL SCHOCH (Vocal-Support) Ein Kind ADELE HATOUM, LIV KNORRE, AMADEA VOIGT, LEONIE WOYAND, FABIAN WACLACZYK (Kinder- und Jugendchor der Oper Halle
Anton Eberl Saxe Weimar Martynov 1765 1807
Anton Eberl (13 June 1765 – 11 March 1807) was an Austrian composer, teacher and pianist of the Classical period. Work: Piano Sonata in G-minor, Op.39 (Dedicated to the Grand Duchess Maria Pavlovna of Saxe-Weimar.) Mov.I: Allegro appassionato 00:00 Mov.II: Adagio molto espressivo 05:30 Mov.III: Allegro agitato vivace assai 14:53 Pianist: Yury Martynov, plays on a ???
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- Zeitleiste: Komponisten (Europa). Interpreten (Europa).
- Indizes (in alphabetischer Reihenfolge): E...