Gloriæ Dei Cantores Videos
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2024-05-16
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Gloriæ Dei Cantores Arvo Pärt Pugsley 2020
Provided to YouTube by NAXOS of America Magnificat · Gloriæ Dei Cantores Stabat Mater: Choral Works by Arvo Pärt ℗ 2020 Gloriae Dei Cantores Released on: 2020-04-10 Choir: Gloriæ Dei Cantores Conductor: Richard K. Pugsley Artist: Unknown Artist Composer: Arvo Pärt Auto-generated by YouTube.
Gloriæ Dei Cantores Howells Greene 1518 2000 2002 2007 2008 2010 2011 2019 2021
Service Music Titles: Prelude—‘Meditation’, Jones :25 Preces— Statham 6:25 Psalm—83 7:40 Magnificat 15:18 & Nunc Dimittis— ’Chichester’, Howells 26:43 Responses— Statham 32:42 Anthem— ‘Steal Away to Jesus’, Adelmann 39:00 Postlude— ‘Quintal Toccata’, Greene 46:23 Scripture Readings: Old Testament—Genesis 46: 1–7, 28–34 11:25 New Testament—1 Corinthians 9: 1–15 23:30 Gloriæ Dei Cantores (Singers to the Glory of God) holds a passionate dedication to illuminate truth and beauty through choral artistry, celebrating a rich tradition of Sacred choral music from Gregorian chant through the twenty-first century. Learn More: gdcchoir.org Official website: gdcchoir.org About Recordings: gdcrecordings.com Facebook: facebook.com/GloriaeDeiCantores About the Church: churchofthetransfiguration.org About the organ in Anglican Psalmody: The centuries-old tradition of Anglican Psalmody—the harmonized choral chanting of psalms in English—is one of the most recognizable elements of the service of Evensong. Central to that tradition is the voice of the pipe organ accompanying these beloved scriptures. Over the centuries, various traditions have developed in how the organ is used in Anglican psalmody. There are two traditions which are quite are similar—one in which the organ plays the choral part exactly and the second which closely follows the harmonic structure without being exact—both using colors appropriate to the text. A third tradition arose from these, particularly with choirs which have chanted psalms for many years, in which the organ became an improvisatory voice of its own, underscoring and or highlighting certain texts or ideas while the choir chants, helping to better illuminate the verbal text. It is that particular tradition which we now carry on within our services of worship. All artwork in The Church of the Transfiguration The Community of Jesus, Inc. 2021 Processional Cross 2000 Transfiguration Window 2000 Bronze Sculpture 2000 Atrium and Church Interior Stone Sculpture 2000-2010 Floor and Apse Mosaics created 2000-2007 Frescoes 2002-2010 Glass Wall sculpture 2008 Angel of the Church of the Transfiguration 2010 Emmanuel Chapel Glass Doors 2019 Photos: Robert Benson, 2011 Robert Benson Photography The Community of Jesus Archives The Community of Jesus, Inc. 2021 Arts Empowering Life, Inc. All rights reserved.
Gloriæ Dei Cantores Bach Tallis Howells Ešenvalds 1420 1722 2000 2002 2007 2008 2010 2011 2019 2021
Service Music Titles: Prelude— ‘Praise to the Only God in the Highest’, J.S. Bach Preces— Tallis 7:55 Psalm—74 8:56 Magnificat 17:22 & Nunc Dimittis— ‘Collegium Magdalenae’, Howells 26:50 Responses— Tallis 32:08 Anthem— ‘O Salutaris Hostia’, Ešenvalds 36:47 Postlude— ‘We Thank You Lord Christ that You have Died for Us’, J.S. Bach 43:10 Scripture Readings: Old Testament— Deuteronomy 29 :1−13 14:20 New Testament— Romans 8 :21−27 24:40 Gloriæ Dei Cantores (Singers to the Glory of God) holds a passionate dedication to illuminate truth and beauty through choral artistry, celebrating a rich tradition of Sacred choral music from Gregorian chant through the twenty-first century. Learn More: gdcchoir.org Official website: gdcchoir.org About Recordings: gdcrecordings.com Facebook: facebook.com/GloriaeDeiCantores About the Church: churchofthetransfiguration.org About the organ in Anglican Psalmody: The centuries-old tradition of Anglican Psalmody—the harmonized choral chanting of psalms in English—is one of the most recognizable elements of the service of Evensong. Central to that tradition is the voice of the pipe organ accompanying these beloved scriptures. Over the centuries, various traditions have developed in how the organ is used in Anglican psalmody. There are two traditions which are quite are similar—one in which the organ plays the choral part exactly and the second which closely follows the harmonic structure without being exact—both using colors appropriate to the text. A third tradition arose from these, particularly with choirs which have chanted psalms for many years, in which the organ became an improvisatory voice of its own, underscoring and or highlighting certain texts or ideas while the choir chants, helping to better illuminate the verbal text. It is that particular tradition which we now carry on within our services of worship. All artwork in The Church of the Transfiguration The Community of Jesus, Inc. 2021 Processional Cross 2000 Transfiguration Window 2000 Bronze Sculpture 2000 Atrium and Church Interior Stone Sculpture 2000-2010 Floor and Apse Mosaics created 2000-2007 Frescoes 2002-2010 Glass Wall sculpture 2008 Angel of the Church of the Transfiguration 2010 Emmanuel Chapel Glass Doors 2019 Photos: Robert Benson, 2011 Robert Benson Photography The Community of Jesus Archives The Community of Jesus, Inc. 2021 Arts Empowering Life, Inc. All rights reserved.
Patterson Arthur Foote Gloriæ Dei Cantores 2007
Provided to YouTube by NAXOS of America The Twenty-Third Psalm · Bible Kaleidoscope: America's Faith in Song ℗ 2007 Gloriae Dei Cantores Released on: 2007-08-01 Conductor: Elizabeth C. Patterson Choir: Gloriæ Dei Cantores Artist: Unknown Artist Composer: Arthur Foote Lyricist: Bible Auto-generated by YouTube.
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- Chöre (Nordamerika).
- Indizes (in alphabetischer Reihenfolge): G...