Ludwig van Beethoven Sonata per pianoforte n. 28 in La maggiore, Op. 101 Video
- Pubblicato 1817 (Sonata per pianoforte n. 28 in La maggiore, Beethoven)
- dedicato a Dorothea von Ertmann
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2024-04-20
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Jonathan Gilad Pedersen Cox Ludwig Van Beethoven 1998
Provided to YouTube by Warner Classics Piano Sonata No. 28 in A major Op. 101: First movement: Allegretto, ma non troppo · Jonathan Gilad Piano Works ℗ 1998 Warner Classics, Warner Music UK Ltd Featured Vocalist, Musicians, Piano: Jonathan Gilad Performance: Jonathan Gilad Producer: Jorn Pedersen Tonmeister: Mike Cox Composer: Ludwig Van Beethoven Auto-generated by YouTube.
통의동클래식 영아티스트콘서트 XIII 2021년 9월 18일 토요일 오후 5시 Piano 문성우 Piano Sonata No. 28 in A Major, Op. 101 L. v. Beethoven I. Etwas lebhaft, und mit der innigsten Empfindung / Allegretto, ma non troppo II. Lebhaft, marschmäßig / Vivace III. Langsam und sehnsuchtsvoll / Adagio, ma non troppo, con affetto IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit / Allegro 통의동클래식에서는 젊고 열정있는 음악가를 정기적으로 선정해서, 연주를 기획하고 홍보해 드리는 '영아티스트콘서트' 시리즈를 진행하고 있습니다. 영아티스트콘서트에 참여를 원하시거나, 질문 있으시다면 메일로 연락 주세요 :D •••@•••
Beethoven Steiner 1770 1815 1816 1817 1827 1835
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time. Please support my channel: (http•••) Uploaded with special permission by Producer/Editor Peter Watchorn (http•••) Piano Sonata No. 28 in A major, Op. 101 +••.••(...)) Dedication: Freiin Dorothea von Ertmann 1. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo (0:00) 2. Lebhaft. Marschmäßig. Vivace alla marcia (3:31) 3. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto (9:45) 4. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro (12:41) Penelope Crawford, fortepiano Conrad Graf, Wien, 1835 Piano Sonata No. 28 in A major, Op. 101, was written in 1816 and was dedicated to the pianist Baroness Dorothea Ertmann, née Graumen. This sonata marks the beginning of what is generally regarded as Beethoven's final period, where the forms are more complex, ideas more wide-ranging, textures more polyphonic, and the treatment of the themes and motifs even more sophisticated than before. Op. 101 well exemplified this new style, and Beethoven exploits the newly expanded keyboard compass of the day. As with the previous sonata, it is unclear why Beethoven wrote Op. 101. The earliest known sketches are on leaves that once formed the parts of the Scheide Sketchbook of 1815–16. It shows the first movement already well developed and notated as an extended draft in score, and there are also a few preliminary ideas for the final Allegro. Beethoven himself described this sonata, composed in the town of Baden, just south of Vienna, during the summer of 1816, as "a series of impressions and reveries." The more intimate nature of the late sonatas probably has some connection with his deafness, which by this stage was almost total, isolating him from society so completely that his only means of communicating with friends and visitors was via notebooks. Beethoven offered the sonata for publication in a letter to Breitkopf and Härtel on July 19, 1816, when it was still far from complete. Eventually it was sold to the local Viennese publisher Sigmond Anton Steiner, after its completion. It was published in January 1817, and would appear in public the following month after delays. The Piano Sonata No. 28, Op. 101 is the first of the series of Beethoven's "Late Period" sonatas (although sometimes Op. 90 is considered the first), when his music moved in a new direction toward a more personal, intimate, sometimes even introspective, realm of freedom and fantasy. In this period he had achieved a complete mastery of form, texture and tonality and was subverting the very conventions he had mastered to create works of remarkable profundity and beauty.[citation needed] It is also characteristic of these late works to incorporate contrapuntal techniques (e.g. canon and fugue) into the sonata form. For the first time Beethoven used the German term Hammerklavier to refer to the piano (although it was the next of his sonatas, Op. 106, that became widely known as the Hammerklavier sonata). This was the only one of his 32 sonatas that Beethoven ever saw played publicly; this was in 1816, and the performer was a bank official and musical dilettante.
Sviatoslav Richter Ludwig Van Beethoven Diabelli 1770 1827 1959 1960 1965 1975 1986 2022
Label Store : (http•••) Website : (http•••) Purchase the albums : Piano Sonatas No. 3, No. 7, No. 12 "Marcia funebre" & No. 22 : (http•••) Piano Sonata No. 23 Op. 57 ‘Appassionata’, Piano Sonata No. 17 Op. 31/2 ‘The Tempest’, Piano Sonata No. 18 Op. 31/3 : (http•••) Piano Sonata No. 27 Op. 90, Piano Sonata No. 28 Op. 101, Piano Sonata No. 29 Op. 106 ‘Hammerklavier’ : (http•••) Piano Sonata No. 31 Op. 110, Diabelli Variations Op. 120 : (http•••) Social : Facebook : (http•••) Twitter : (http•••) Instagram : (http•••) LUDWIG VAN BEETHOVEN +••.••(...)) Live Recordings : Piano Sonata No. 3 in C Major, Op. 2/3 (Prague, June 02, 1975) 00:00:00 Op. 2/3 : I. Allegro con brio 00:10:16 Op. 2/3 : II. Adagio 00:18:03 Op. 2/3 : III. Scherzo. Allegro 00:21:29 Op. 2/3 : IV. Allegro assai Piano Sonata No. 7 in D Major, Op. 10/3 (Prague, November 1, 1959) 00:26:26 Op. 10/3 : I. Presto 00:32:54 Op. 10/3 : II. Largo e mesto 00:41:28 Op. 10/3 : III. Menuetto. Allegro 00:44:19 Op. 10/3 : IV. Rondo. Allegro Piano Sonata No. 12 in A Flat Major, Op. 26 "Marcia Funebre" (Prague, November 1, 1959) 00:48:03 Op. 26 "Marcia Funebre" : I. Andante con variazioni 00:54:59 Op. 26 "Marcia Funebre" : II. Scherzo. Allegro molto 00:57:52 Op. 26 "Marcia Funebre" : III. Marcia funebre sulla morte d’un Eroe 01:00:57 Op. 26 "Marcia Funebre" : IV. Allegro Piano Sonata No. 17 in D minor, Op. 31/2 ‘The Tempest’ (Prague, February 6, 1965) 01:06:29. 31/2 ‘The Tempest’ : I. Largo - Allegro 01:15:49 Op. 31/2 ‘The Tempest’ : II. Adagio 01:23:12 Op. 31/2 ‘The Tempest’ : III. Allegretto Piano Sonata No. 18 in E flat major, Op. 31/3 (Prague, February 6, 1965) 01:30:00 Op. 31/3 : I. Allegro 01:39:01 Op. 31/3 : II. Scherzo. Allegro vivace 01:43:30 Op. 31/3 : III. Minuetto. Moderato e grazioso 01:47:58 Op. 31/3 : IV. Presto con fuoco Piano Sonata No. 22 in F Major, Op. 54 (New-York, Octobre 19, 1960) 01:51:52 Op. 54 : I. In tempo d’un menuetto 01:57:47 Op. 54 : II. Allegretto Piano Sonata No. 23 in F minor, Op. 57 ‘Appassionata’ (Prague, November 1, 1959) 02:02:43 Op. 57 ‘Appassionata’ : I. Allegro assai 02:13:30 Op. 57 ‘Appassionata’ : II. Andante con moto - attaca 02:19:26 Op. 57 ‘Appassionata’ : III. Allegro, ma non troppo - Presto Piano Sonata No. 27 in E minor, Op. 90 (Prague, June 02, 1965) 02:26:40 Op. 90 : I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 02:32:24 Op. 90 : II. Nicht zu geschwind und sehr singbar vorzutragen Piano Sonata No. 28 in A major, Op. 101 (Prague, May 18, 1986) 02:39:12 Op. 101 : I. Etwas lebhaft und mit der innigsten Empfindung. Allegro ma non troppo 02:43:52 Op. 101 : II. Lebhaft, marchmäßig. Vivace alla marcia 02:49:46 Op. 101 : III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo con affetto - attaca 02:52:31 Op. 101 : IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro Piano Sonata No. 29 in B flat major, Op. 106 'Große Sonate für das Hammerklavier' (Prague, June 02, 1975) 02:59:37 Op. 106 'Große Sonate für das Hammerklavier' : I. Allegro 03:10:13 Op. 106 'Große Sonate für das Hammerklavier' : II. Scherzo. Assai vivace 03:13:08 Op. 106 'Große Sonate für das Hammerklavier' : III. Adagio sostenuto. Appassionato e con molto sentimento 03:30:25 Op. 106 'Große Sonate für das Hammerklavier' : IV. Largo. Allegro risoluto Piano Sonata No. 31 in A flat major, Op. 110 (Prague, February 6, 1965) 03:41:48 Op. 110 : I. Moderato cantabile molto espressivo 03:48:16 Op. 110 : II. Allegro molto 03:50:40 Op. 110 : III. Adagio, ma non troppo 03:54:28 Op. 110 : IV. Fuga 04:02:08 Diabelli Variations, Op. 120 (Prague, May 18, 1986) #classical #piano #pianomusic
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