Johannes Brahms Sonata per pianoforte n. 2 in Fa diesis minore, Op. 2 Video
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Johannes Brahms Julius Katchen 1964 1997
Provided to YouTube by Universal Music Group Brahms: Piano Sonata No.2 in F sharp minor, Op.2 - 1. Allegro non troppo, ma energico · Julius Katchen · Johannes Brahms Brahms: Works for Solo Piano ℗ 1964 Decca Music Group Limited Released on: 1997-01-01 Producer: Ray Minshull Studio Personnel, Recording Engineer: Kenneth Wilkinson Composer: Johannes Brahms Auto-generated by YouTube.
Johannes Brahms Robert Schumann 1652 1833 1852 1897 2020 2021
Johannes Brahms +••.••(...)) - Piano Sonata No. 2 in F-sharp minor, Op. 2 (1852) I. Allegro non troppo ma energico 0:00 II. Andante con espressione 7:00 III. Scherzo: Allegro - Poco più moderato 12:31 IV. Finale: Sostenuto - Allegro non troppo e rubato - Molto sostenuto 16:52 Composed at the age of 19, this sonata was actually the first piano sonata Brahms composed. However, after a discussion with Robert Schumann, he decided to publish this as No. 2 as he thinks that the Piano Sonata No. 1 in C major is a better composition. It is the least popular out of the 3 piano sonatas as of today. The 4-note theme in the 2nd and 3rd movements is believed to have come from the German Minnesang "Mir ist leide" or in English, "I am suffering". I perform this as part of the Brahms Concert Series 2020-2021 at Tuplane House, Bangkok. This took place after the COVID-19 pandemic so hygiene regulation was provided and seats are limited to 30. Pianist: Gun Chaikittiwatana Date: 01.08.2020 Location: Tuplane House, Bangkok, Thailand
Johannes Brahms Clara Schumann Schumann Beethoven 1852 1853 1882
At the request of Ramy B Sonata No.2 in F-sharp minor Op.2 by Johannes Brahms Allegro non troppo ma energico 0:00 Andante con espressione 5:28 Scherzo & Trio. Allegro - Poco piu moderato 8:11 Finale. Introduzione - Allegro non troppo e rubato 11:46 Composed in November 1852 and published in 1853 by Breitkopf & Härtel in Leipzig, the Piano Sonata No. 2 in F sharp minor, Op. 2, is dedicated to Clara Schumann. Although it is the first piano sonata Brahms completed, it may have been first performed in public only as late as February 2, 1882, in Vienna. The F sharp minor sonata is a study in contrasts between passages of ebullient, youthful passion and moments imbued with the delicacy of folk song. Thematic relationships exist between the different movements, notably the Andante and Scherzo, the main idea of which also forms part of the main themes of the first movement and Finale. Developmental fragmentation of the first movement's main theme takes place already in the exposition of the first movement, as the transition to the second theme group begins. Numerous appearances of the opening measures of the main theme in the development section make the entrance of the recapitulation difficult to spot, as it begins not on the tonic, but a diminished harmony and proceeds a half step lower than it "should." It is only in the fifth measure of the recapitulation that the theme finds its proper harmonic track. Brahms tended to compose the slow, central movements of his sonatas before outer ones. The Andante of Op. 2, in B minor, consists of three variations on "Mir ist leide," a German Minnesang; it is one of Brahms' first attempts at variation form. The variations are free, particularly the second, which grows to a powerful climax on the relative major (D major). Brahms follows Beethoven's example by writing a theme for the second part of the Scherzo that is a variant of the first part, the main idea of which is a 6/8 meter variant of the Andante theme. The D major Trio contrasts with the B minor Scherzo both through the key change and the static nature of the Trio's theme. With the return of the Scherzo, Brahms gives free rein to his developmental tendencies. In a personal copy of the sonata, the composer gives alternate renderings of passages that require a large hand. Brahms prefaces the Finale with a sostenuto introduction. Dominated by the kind of flourishes he would abandon later in his career, the introduction itself is a fantasy-like elaboration of the theme of the more strictly constructed sonata-form Finale. The theme resembles in shape the main idea of the first movement, though disguised by a greater note values. After modulating to the relative major in the aggressive exposition, Brahms begins the development with harmonically adventurous broken chords that mimic the close of the exposition. The athletic coda is heavily fortified with flashy runs and wide leaps. Description by John Palmer
François Frédéric Guy Johannes Brahms 2016
Provided to YouTube by IDOL Piano Sonata No. 2 in F-Sharp Minor, Op. 2: I. Allegro non troppo (Ma energico) · François-Frédéric Guy Brahms: Complete Piano Sonatas ℗ Little Tribeca / Evidence Classics Released on: 2016-04-15 Composer: Johannes Brahms Auto-generated by YouTube.
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