Johann Sebastian Bach Passione secondo Matteo Video
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Johann Sebastian Bach Gotthold Schwarz Markus Brutscher Ralf Popken Rheinische Kantorei 2000
Provided to YouTube by NAXOS of America Part I: Aria: Von den Stricken meiner Sunden (Alto) · Martina Lins Bach, J.S.: St. Matthew Passion (Highlights) / St. John Passion (Highlights) ℗ 2000 Capriccio Released on: 2000-01-01 Composer: Bible - New Testament Artist: Christoph Pregardien Artist: Gotthold Schwarz Conductor: Hermann Max Composer: Johann Sebastian Bach Orchestra: Kleine Konzert, Das Artist: Markus Brutscher Artist: Martina Lins Artist: Ralf Popken Choir: Rheinische Kantorei Auto-generated by YouTube.
Johann Sebastian Bach Gotthold Schwarz Markus Brutscher Ralf Popken Rheinische Kantorei 2000
Provided to YouTube by NAXOS of America Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass, Chorus) · Martina Lins Bach, J.S.: St. Matthew Passion (Highlights) / St. John Passion (Highlights) ℗ 2000 Capriccio Released on: 2000-01-01 Composer: Bible - New Testament Artist: Christoph Pregardien Artist: Gotthold Schwarz Conductor: Hermann Max Composer: Johann Sebastian Bach Orchestra: Kleine Konzert, Das Artist: Markus Brutscher Artist: Martina Lins Artist: Ralf Popken Choir: Rheinische Kantorei Auto-generated by YouTube.
Bach Dieskau Netherlands Bach Society
ほかオススメ Bach Matthew Passion Selection | Netherlands Bach Society (http•••)
Johann Sebastian Bach Hubbard Blanchet Taskin Hass Vivaldi Peters Kellner Cpe Bach Kittel Rust 1685 1720 1727 1734 1750 1990
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. Please support my channel: (http•••) Uploaded with special permission by performer Peter Watchorn (http•••) Pastorale in F major, BWV 590 (1720 or later?) 1. Alla Siciliana (0:00) 2. Allemande (2:20) 3. Aria (5:52) 4. Alla Gigue (9:11) PETER WATCHORN, pedal harpsichord (Hubbard & Broekman after Ruckers/Blanchet/Taskin, 1990/after J.A. Hass, 1734) Details by Peter Watchorn: This beautiful work consists of four movements, only the first of which requires obbligato pedals. Given the nature of the plucked string, and the resultant decay of the sound, I have opted to arrange the second movement, a kind of pastoral lullaby, to include the pedal also, as the long bass strings help to sustain the “drone” effect that the “pastoral” title implies. The origins of this work are mysterious, as are the circumstances surrounding the form in which it has been transmitted to us. It appears to be half-way between a sonata and a suite and contains characteristics of both. After the opening movement, which concludes in A minor, the “lullaby” proceeds with the general rhythmic atmosphere of an allemande, minus the initial upbeat that defines the dance. The expressive third movement resembles the slow movement of an Italian concerto (akin to Bach’s arrangements of works by Marcello or Vivaldi, perhaps providing a clue as to the date of BWV 590), while the finale is a genuine dance movement, a gigue of the type that Bach composed for the English Suites (as well as the third Brandenburg Concerto), in which the theme is inverted in the second half. Though it is often played on the organ due to the pedal part in the opening movement, the work is perhaps more idiomatic to the harpsichord, the pedal harpsichord providing the best of both worlds. Notes on IMSLP: First movement incomplete Possibly first published in the Peters Organ works series? Peter Williams (The Organ Music of J. S. Bach, from p.196) gives for sources, as the autograph does not survive. "complete in P 287 (J P Kellner, after 1727?); also, via CPE Bach (P290, P277?, Am.B59?), and [a] lost MS used in Peters I; first movement only [survives] in copies via Kittel(?)" (note: the Darmstadt digitized collection, of works by JS and CPE Bach, is possibly one of the above- P290, P277 or Am.B59?). (Not the only work in regards to which Williams mentions the possibility that Griepenkerl may have used a source in preparing his edition that is now lost. This is also possible in regards several of Rust's editions for the BGA but with Rust as editor other issues arise.)
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