Hector Berlioz Les Nuits d'été, Opp. 7 Video
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Sir Antonio Pappano Richard Strauss Stern Berlioz Isabel Leonard Magdalena Kožená Joyce Didonato Elbphilharmonie Hamburg Carnegie Hall Tanglewood Young Euro Classic Konzerthaus Berlin Edinburgh International Festival Bbc Proms Royal Concertgebouw Amsterdam 2019
Watch Sir Antonio Pappano lead NYO-USA in a performance of Richard Strauss’s “Eine Alpensinfonie,“ Op. 64, at the Elbphilharmonie Hamburg in 2019. NYO-USA 2019 comprised 119 members—ages 16–19 and hailing from 33 US states—who were recognized by Carnegie Hall as some of the finest players in the country following a comprehensive national audition process. In preparation for its performance activities in the New York area and abroad, NYO-USA once again worked with an impressive list of principal players from many of the nation’s top professional orchestras during its training residency. Following a return to the Tanglewood Music Festival in Lenox, Massachusetts, Sir Antonio Pappano and NYO-USA took the stage Carnegie Hall for the orchestra’s annual concert in Stern Auditorium / Perelman Stage. The program included Strauss’s “Eine Alpensinfonie” and Berlioz’s “Les nuits d’été” featuring renowned mezzo-soprano Isabel Leonard. The orchestra then departed to Europe for debut performances as part of the Young Euro Classic series at Konzerthaus Berlin with mezzo-soprano Magdalena Kožená, as well as the Edinburgh International Festival and Elbphilharmonie Hamburg, and a return to the BBC Proms and Royal Concertgebouw Amsterdam with mezzo-soprano Joyce DiDonato.
Festival Berlioz Berlioz Roger Norrington 2017
Samedi 2 septembre : « Berlioz forever » : l’Orchestre Philarmonique de Radio-France est toujours un évènement, ce soir « les nuits d’été » et la Symphonie fantastique résonneront de manière magistrale sous la baguette du doyen des maitres anglais Sir Roger Norrington. « Berlioz à Londres, au temps des expositions universelles » C’est le thème du festival de la Côte Saint-André cette année, une année particulière puisqu’au moment où les anglais préparent le « brexit », les français ouvrent grand leurs bras aux anglais pour fêter les années british de Berlioz. Résultat, une programmation exceptionnelle en qualité, pour un festival plus long que d’habitude. Comme chaque été, France 3 vous invite à découvrir chaque thématique de chacune des soirées à travers les explications lumineuses de Bruno Messina, le directeur du festival. Retrouvez-nous sur : Notre site web (http•••) Nos pages Facebook (http•••) (http•••) (http•••) Nos comptes Twitter (http•••) (http•••) (http•••) Sur Instagram (http•••) (http•••) (http•••)
Johannes Brahms Thomas Zehetmair Biedermann Theodor Kirchner Kirchner Hector Berlioz Clara Schumann Schumann Musikkollegium Winterthur 1629 1833 1843 1849 1855 1856 1876 1897 1916 2018
Johannes Brahms +••.••(...)) Symphony No. 1 in C minor, Op. 68 +••.••(...)) I. Un poco sostenuto - Allegro - Meno allegro 00:00 II. Andante sostenuto 15:14 III. Un poco allegretto e grazioso 23:17 IV. Adagio — Più andante — Allegro non troppo, ma con brio — Più allegro 27:36 Musikkollegium Winterthur Thomas Zehetmair, Conductor The playlist: (http•••) Musikkollegium playlist: (http•••) The Musikkollegium Winterthur rounded off its 2018/19 concert season with a six-day Brahms Festival, during which – besides numerous other works by Johannes Brahms – the composer’s four symphonies were performed under Principal Conductor Thomas Zehetmair. Steeped in tradition and boasting a proud history dating back to 1629, the Swiss orchestra thus commemorated the years when Brahms was a frequent visitor to Winterthur and his compositions were released by the Winterthur music publisher Jakob Melchior Rieter-Biedermann. Eldest son of the successful Winterthur machinery manufacturer Heinrich Rieter, Rieter-Biedermann opened his publishing house in 1849 and the first two compositions appeared in 1856: Theodor Kirchner’s Albumblätter op. 9 and Hector Berlioz’s Les nuits d’été. Kirchner, who had been employed as Winterthur’s full-time city organist since 1843, met Johannes Brahms for the first time that same year at the Lower Rhenish Music Festival in Düsseldorf and suggested the Winterthur music publisher to him. Brahms displayed an interest and as early as August 1856 embarked on the first of a total of 14 trips to Switzerland. The journey led to his first face-to-face encounter with Rieter-Biedermann, who first published a work by Brahms two years later – Volks-Kinderlieder mit hinzugefügter Clavierbegleitung, Den Kindern Robert u. Clara Schumann’s gewidmet (Children’s Folk Songs with additional piano accompaniment, dedicated to the children of Robert and Clara Schumann). Kirchner reported how Brahms soon became the talk of the town in Winterthur: “All of us, each in his own way, now revolve around Brahms, whom I am learning to appreciate more and more. Quite apart from his musical talent, the man has an abundance of wisdom and a hardworking attitude that I have rarely seen.” Read more on: (http•••) Album N°: CD 1916/17 EAN: 77619931191621 / Find more : (http•••) Contact us: •••@••• / +••.••(...) Press: •••@••• This video is encoded with Youtube's Free video quality and from an Mp3 audio. You can find this album in HR music or better quality with the links below on the platforms and their usual provided products: iTunes: (http•••) Amazon: (http•••) GooglePlay: (http•••) Spotify: (http•••) .. .. / Do you want to synch that? Cézame Musique (http•••) Find a Reseller in your Country (http•••) / Website & Shop: (http•••) Twitter: (http•••) Facebook: (http•••) Spotify: (http•••) #JohannesBrahms #MusikkollegiumWinterthur #Symphony #Clavesrecords #ThomasZehetmair
Eifeler Musikfest Teatro Sociale Gasteig Barbiere Gioacchino Rossini Giuseppe Verdi Ottorino Respighi Tesi Goffredo Petrassi Haendel Mozart Hector Berlioz Werba Caruso Erminia Frezzolini Vir Vivaldi Pergolesi Carl Orff Kafka Brevi Hans Christian Hauser 2008 2017
Aurora Sperduto canta la Cavatina di Rosina da "Il barbiere di Siviglia" di Gioacchino Rossini Sorina Aust-Ioan, pianoforte 72. Eifeler Musikfest, Kloster Steinfeld 10 Giugno 2017 Hanno partecipato: Aurora Sperduto (http•••) Sorina Aust-Ioan (http•••) Robert Fendl (http•••) Segui Aurora Sperduto su Soundcloud: ascolta La Paloma, Bachianas Brasileiras n.5, l'Ave Maria di Gounod per voce e chitarra. (http•••) Aurora Sperduto - Diplomata in Canto presso il conservatorio “Giuseppe Verdi” di Como e in Pianoforte presso in conservatorio “Ottorino Respighi” di Latina, si è inoltre Laureata in Lettere (Storia della Musica) col massimo dei voti e la lode con una tesi su La morte dell’aria di Goffredo Petrassi presso l’Università “La Sapienza” di Roma. Ha debuttato nel ruolo di Rosina, Musetta e Merlina (ne "L'impresario in angustie") a Roma; ha inoltre interpretato il secondo fanciullo ne "Il flauto magico” a Perugia, Giannetta ne "L'elisir d'amore" a Roma e, a Treviso, il ruolo di Despina, in “Così fan tutte”. Ha registrato nel 2008 presso la Sala Assunta della Radio Vaticana, per la trasmissione Diapason, a cura di Stefano Corato. In occasione del XXXVIII Festival Internazionale Autunno Musicale a Como, ha eseguito il mottetto inedito di G. F. Haendel “Seviat tellus inter rigores” e per lo stesso Festival ha partecipato al “Pietro Lichtenthal Schow”, ovvero “Il Mozart injfrequentato”, spettacolo di Nichi Stefi ed Enrico Collina. Si è esibita in diverse città italiane e all’estero, tra cui Roma, Colonia, Salisburgo, Monaco di Baviera e svolge tuttora attività concertistica dedicando ampio spazio al repertorio settecentesco, attraverso la collaborazione di clavicembalisti, organisti ed ensembles. Ha preso parte alla produzione de Les nuits d’été di Hector Berlioz al Teatro Sociale di Como e ha collaborato con l’Ensemble “Ciao Euphonium”, quartetto di tube e percussioni della Banda Nazionale dell’Esercito Italiano; ha realizzato inoltre con il compositore Marco Werba la colonna sonora del triller Beast di Timo Rose. Vincitrice del Premio Caruso Città di Anzio e del XII Concorso Internazionale Vocale Strumentale Anemos di Roma, nell’ambito dello stesso concorso, ha ricevuto il Premio Speciale “Erminia Frezzolini”. Ha cantato come solista nella Basilica di San Pietro in Vaticano e in diversi Oratori, tra cui il Gloria e il Beatus Vir di Vivaldi, lo Stabat Mater di Pergolesi, i Vesprae Solemnes de Confessore e il Requiem di Mozart in diverse chiese di Roma. Ha recentemente partecipato nella Sala Carl Orff di Monaco (Gasteig) e al Wilhelma Theater di Staccarda alla messa in scena di: Der Schlag ans Hoftor-Kafka neu erlebt, racconti brevi di Franz Kafka, musicati e diretti da Hans-Christian Hauser. A Colonia, città in cui vive, ha tenuto nel 2017 diversi recitals ed è stata ospite del 72. Eifeler Musikfest, presso l'Abazia di Steinfeld (Nordreno-Westfalia).
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