Franz Liszt Poema sinfonico n. 4, « Orpheus » Video
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Dezső Ránki Franz Liszt 1505 2021
Dezső Ránki & Edit Klukon play Liszt IV./2. part Dezső Ránki - piano Edit Klukon - piano 1. Dezső Ránki - Edit Klukon - Franz Liszt: Les Préludes S. 97. 0:00 2. Dezső Ránki - Edit Klukon - Franz Liszt: Orpheus S. 98. 15:05 3. Dezső Ránki - Edit Klukon - Franz Liszt: Prometheus S. 99. 25:28 4. Dezső Ránki - Edit Klukon - Franz Liszt: Mazeppa S. 100. 37:25 Old Liszt Academy, Budapest, Hungary 15/10/2021
Ensemble Recherche Franz Liszt Mellinger Beckett Åkerberg 1811 1854 1886 2003 2018
Traiettorie 2018 XXVIII Rassegna Internazionale di Musica Moderna e Contemporanea Concerto dell'Ensemble Recherche del 01/10/2018 presso il Teatro Farnese di Parma Franz Liszt +••.••(...)) "Orpheus", S. 98 (1854) Arrangiamento di Pierre Strauch (2003) per flauto, clarinetto, violino, viola, violoncello, pianoforte e percussioni Martin Fahlenbock, flauto Shizuyo Oka, clarinetto Melise Mellinger, violino Paul Beckett, viola Åsa Åkerberg, violoncello Klaus Steffes-Holländer, pianoforte Christian Dierstein, percussioni (http•••)
Liszt Martha Argerich Nelson Goerner Tchaikovsky Goldsmith Dmitri Bashkirov Hindemith Albéniz András Schiff Colón Theater National Auditorium Teatro Real 2010 2016 2020 2021
Liszt - Transcendental Study, S139 No. 1 "Preludio" by Tomás Alegre Tomás Alegre (Argentina / Italy) (http•••) Thanks to the pianist Martha Argerich, Tomás, who was then a young Argentine promise throughout his childhood, was able to fulfill the dream of studying in Europe and begin to develop as a musician with Nelson Goerner. From then on, the most important performances began: his appearance at the prestigious international stage of the Colón Theater as a soloist of Tchaikovsky's Concerto No. 1 and solo piano recitals at the Symphonic Hall of the National Auditorium and the Gran Rex Theater. During his studies in Switzerland he won the Gian Andrea Lodovici Prize, managing to record his first CD at the famous Fazioli Concert Hall for the German record label ARTS. Since his public debut at the age of twelve as a soloist of Mozart's Concerto K. 415, Tomás has appeared on radio and television and his performances are recognized and published by the press in the main newspapers and magazines of his country. In his recent reappearance at the Colón Theater with Mozart's Concerto K. 414, the wide repercussion and the praise from the press described: “A direct expressiveness contoured with the subtlety of a goldsmith (...) Owner of an expressiveness that reveals the true essence of what he interprets”. Tomás began his musical studies at the age of eight and during his adolescence, at the recommendation of Martha Argerich, he received a scholarship to perfect himself with Nelson Goerner at the Haute École de Musique de Genève, Switzerland. Subsequently, he entered the Chair of Dmitri Bashkirov at the Reina Sofía School obtaining a Bachelor's degree and a Master's degree in Musical Interpretation. Among many awards, he has received the Honourable Mention at the XXXIII International Ferrol Piano Competition, Golden Medal at the IV Manhattan International Competition, Mónica Lavino Mariani International Award (II edition), 2nd Prize at the Muse Competition 2021, and he obtained, from the hands of Queen Sofía, the awards for the Most Outstanding Student and the Most Outstanding Chamber Group at the Reina Sofía School. With the Aurora Piano Quartet he is laureate at the Orpheus Swiss Chamber Music Competition 2016. In addition to being awarded in different competitions in his country such as First Prize at the XI Bienal Juvenil Shell Competition and First Prize at the 2010 Chopiniana Competition, he was honored by the Association of Music Performers and the Association of Music Critics. He has received scholarships from Hindemith Music Center, Martha Argerich Presents Project, Rotary Genève Sud, Hans Wilsdorf Foundation, MAEC-AECID, Carolina Foundation, BSI Talent Program, Albéniz Foundation, AIE, Mozarteum Argentino, FNA Argentina and he was invited to perform at important International Festivals such as the Martha Argerich Festival in Lugano. He has been presented, among others, at the Temple de la Fusterie and Auditorium Radiotelevisione Svizzera; Teatro Real, National Auditorium, Juan March Foundation, Sony Auditorium, Spain. Tomás is currently finishing his last specialization course at the Reina Sofía School and he will be conducted by András Schiff in the closing concert of the academic year with the Freixenet Orchestra. Since 2020 his recitals are broadcast on Eurochannel's Allegro HD for Latin America.
Christoph Willibald Gluck Emmi Leisner Rolle Bayreuth Monteverdi Piccinni Johannes Brahms Franz Liszt Hans Pfitzner Max Reger Franz Schubert Robert Schumann Oskar Fried Richard Wagner Leo Blech Beethoven Peter Cornelius Richard Strauss Weber Hugo Wolf Staatsoper Staatsoper Berlin 1714 1787 1885 1912 1913 1921 1923 1924 1925 1932 1940 1942 1944 1948 1958 1999 2005 2022
Christoph Willibald Gluck +••.••(...)) ACH ICH HABE SIE VERLOREN aus der Oper "Orpheus und Eurydike" Gesungen von Emmi Leisner +••.••(...)), Begleitung: Orchester der Staatsoper, Berlin Schallplatte (30 cm) der Marke "POLYDOR", hergestellt von der "DEUTSCHEN GRAMMOPHON GmbH, Berlin) (Aufnahme um 1942, Pressung um 1948) Koffergrammophon "HIS MASTERS VOICE" (Modell 102, England, um 1940) Musikkabinett Augustusburg (C) JE 03/2022 / Emmi Leisner (* 8. August 1885 in Flensburg; † 11. Januar 1958 in Flensburg) war eine deutsche Opern-, Lied- und Konzertsängerin. Ihre Stimme wird von den Zeitgenossen als tiefer Alt beschrieben.[1] Sie studierte in Berlin. Als Beginn ihrer Karriere gilt der Auftritt in der Rolle des Orpheus bei den Hellerauer Festspielen 1912. Es folgten zwei Opernengagements in Berlin, und zwar 1913–1921 an der Hofoper bzw. Staatsoper und 1923–1925 am Deutschen Opernhaus.[2] Daneben und danach entfaltete sie eine intensive, internationale Tätigkeit als Lied- und Konzertsängerin, trat in Bayreuth auf und erarbeitete sich einen legendären Ruf als Altistin. Leisner stand 1944 in der Gottbegnadeten-Liste des Reichsministeriums für Volksaufklärung und Propaganda.[3] Zu ihrem Repertoire gehörten Opern von Gluck, Saint-Saëns und Wagner, Arien von Monteverdi und Piccinni, Bachkantaten und Lieder von Brahms, Cornelius, Liszt, Mozart, Otto Nicolai, Pfitzner, Reger, Schubert und Schumann. Zu ihren musikalischen Partnern gehörten u. a. der Pianist Michael Raucheisen und der Dirigent Oskar Fried. Emmi Leisners Karriere fiel in das Schellack-Zeitalter, noch vor dem Aufkommen der Langspielplatte. Operngesamtaufnahmen waren selten, und so ist auch keine Gesamtaufnahme unter Mitwirkung der Sängerin bekannt.[4] Ihre Aufnahmen erstrecken sich über mindestens 20 Jahre (1924–1944). 1932: Richard Wagner: Die Walküre mit Emmi Leisner in der Rolle der Fricka, wohl nur Ausschnitte aus dem 2. und 3. Aufzug, Studioaufnahme mit weiteren Solisten, Orchester der Staatsoper Berlin, Dirigent: Leo Blech, CD-Veröffentlichung 1999(?) durch Pearl[5] 1942–1944: mindestens 79 Lieder von Ludwig van Beethoven (7), Johannes Brahms (18), Peter Cornelius (12), Franz Liszt (2), Otto Nicolai (1), Hans Pfitzner (1), Max Reger (7), Franz Schubert (1), Robert Schumann (17), Richard Strauss (1), Carl Maria von Weber (1) und Hugo Wolf (11), Studioaufnahmen mit Michael Raucheisen (Klavier). – Zur CD-Veröffentlichung von 2005 siehe dort (mit Weblink). Die angegebenen Zahlen beziehen sich auf diese CD-Veröffentlichung. (Quelle: Wikipedia)
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