Claudio Monteverdi Selva morale e spirituale Video
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Monteverdi Selva Pinchgut Opera Opera Australia 1641
A concert featuring some of the most sublime sacred music ever written. The Spiritual Forest is drawn from Monteverdi’s Selva morale e spirituale (1641), his great anthology of liturgical works composed during his career in Venice. It was to be the last collection of Monteverdi’s music published in his lifetime, and represents the final flowering of his great genius. These uniquely inspired works confirmed Monteverdi as the leading composer of his generation, exemplifying his consummate compositional prowess and his ability to put into music the deepest of human emotions. Australia’s premier Baroque chorus of professional singers, Cantillation, will be joined by a band of specialist orchestral players to deliver a transcendent sonic experience. Book now: (http•••) Pinchgut Opera is Australia’s only company dedicated to presenting operatic masterpieces from the baroque period. We celebrate the beauty and the breadth of emotions through music and the human voice. Other companies do the more familiar operas and early music repertoire excellently; Pinchgut helps audiences discover something new.
Bas Ramselaar Claudio Monteverdi Selva Antiquis Lege 1567 1641 1643 2020
Bas Ramselaar, bas zingt 'Ab aeterno ordinata sum' uit Selva morale e spirituale (1641) van Claudio Monteverdi +••.••(...)) met Krijn Koetsveld, Monteverdi-orgel + klavecimbel, Cassandra Luckhardt, viola da gamba en Arjen Verhage, theorbe, leden van het Ensemble Le Nuove Musiche Opname: 10 september 2020, Sint Martinuskerk te Hoogland Info: (http•••) Tekst: Spreuken 8: 23-31 Ab aeterno ordinata sum, et ex antiquis antequam terra fieret. Nondum erant abyssi, et ego iam concepta eram, necdum fontes aquarum eruperant, necdum montes gravi mole constiterant; ante omnes colles ego parturiebar. Adhuc terram non fecerat, et flumina, et cardines orbis terrae. Quando preparabat caelos aderam, quando certa lege et giro vallabat abyssos, quando aethera firmabat sursum, et librabat fontes aquarum, quando circumdabat mari terminum suum et legem ponebat aquis, ne transirent fines suos, quando adpendebat fundamenta terrae: cum eo eram, cuncta componens et delectabor per singulos dies, ludens coram eo omni tempore, ludens in orbem terrarum, et delitiae meae esse cum filiis hominum. Foto: Sven Scholten (juni '21)
Claudio Monteverdi Selva Gonzaga Colla 1567 1610 1641 1643
With this new recording Le Nuove Musiche conducted by Krijn Koetsveld presents a new highlight in their Monteverdi Pilgrimage, the projected recording of the complete works by Monteverdi. Composer: Claudio Monteverdi Artists: Le Nuovo Musiche & Krijn Koetsveld (leader, harpsichord & organ) Purchase or streaming (Spotify, Apple Music, Amazon Music, YouTube): (http•••) More Information: (http•••) These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: (http•••) In 1641, the collection Selva morale e spirituale was published in Venice by Bartolomeo Magni. The set raises a number of questions. Was it compiled by Monteverdi himself or were commercial interests at play? Was it a musical testament or another’s tribute to the great composer? Who would have been allowed to go through his overflowing library and choose these most beautiful pieces for inclusion in this last edition to be issued during Claudio Monteverdi’s lifetime (1567–1643)? The title, literally ‘moral and spiritual forest’, is also puzzling. We should bear in mind that Monteverdi, in his mid-70s at the time of publication, was very elderly for that time in history. He had already served for three decades as Maestro di Cappella of San Marco in Venice, during which time he constantly wrote new music for all kinds of liturgical and semi-liturgical celebrations. And indeed, many of the pieces in the ‘Selva’appear to have originated from the liturgy of the vespers and the high mass – psalms, hymns, a complete mass,Marian antiphons – pieces we would expect to find in a collection of spiritual music from that time. Surprisingly, however, we also find pieces on secular texts, in the composer’s mother tongue even. Though they can be categorised as morale (moralistic), they would in all likelihood not have been performed in liturgical celebrations but may have accompanied the many semi-liturgical festivities held in Venice. Also remarkable is that Monteverdi dedicates the Selva to Eleonora Gonzaga, reminding us that despite his sudden departure from the court at Mantua in 1610, Monteverdi maintained strong ties with his former employer, for whom he wrote his seminal operas Orfeo and L’Arianna, the latter almost completely lost save for the Lamento d’Arianna, which he gives in the Selva as the contrafact Pianto della Madonna. Mantua marked his heyday, the time of his books of madrigals and the opera premieres. For this album, Le Nuove Musiche have opted for a relatively small, soloist line-up, taking transparency as the starting point. Remarkably, the Selva states that the colla parte lines may be omitted, and this is done here in order to achieve the maximum in individual expression and open texture. Another conscious choice entails breaking with the order of the edition and arranging the pieces to create an appropriate liturgical setting, with the vespers psalms forming the backbone, particularly on the first two CDs. Tracklist: 0:00:00 O ciechi ciechi, SV 252 0:03:06 Voi ch’ascoltate, SV 253 0:07:48 E questa vita, SV 254 0:10:05 Spuntava il di, SV 255 0:16:46 Chi voi che m’innamori, SV 256 0:23:07 Confitebor terzo, SV 267 0:28:51 Messa, SV 258 0:48:36 Crucifixus, SV 259 0:50:29 Pianto della Madonna, SV 288 0:57:22 Et resurrexit, SV 260 0:58:58 Et iterum, SV 261 1:00:18 Laudate dominum, SV 287 1:04:21 Salve regina terzo, SV 285 1:09:30 Laudate dominum terzo, SV 270 1:13:23 Beatus vir primo, SV 268 1:20:33 Sanctorum meritis primo 1:24:41 Dixit dominus primo, SV 263 1:34:05 Ab aeternum, SV 262 1:40:24 Confitebor secondo, SV 266 1:45:57 Memento, SV 276 1:53:29 Laudate pueri primo, SV 271 2:00:03 Salve regina secondo, SV 284 2:04:27 Laudate dominum secondo, SV 272 2:07:25 Magnificat primo, SV 281 2:19:24 Gloria 2:30:28 Dixit dominus secondo, SV 264 2:38:24 Deus tuorum militum, SV 278a 2:40:40 Confitebor primo, SV 265 2:48:22 Iste confessor, SV 278b 2:51:12 Beatus vir secondo, SV 269 2:56:51 Ut quant laxis, SV 279a 2:59:39 Laudate pueri secondo, SV 272 3:07:09 Deus tuorum militum, SV 278a 3:09:09 Credidi, SV 275 3:13:20 Jubilet, SV 287 3:17:33 Magnificat secondo, SV 282 3:27:52 Salve Regina primo, SV 283 3:35:34 Laudate dominum primo Social media: Instagram: (http•••) Facebook: (http•••) Spotify: (http•••) Thank you for watching this video, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by Monteverdi and more. We upload daily with complete albums and compilations with the best classical music. #Monteverdi #SelvaMoraleESpirituale #ClassicalMusic #BrilliantClassics
Claudio Monteverdi Selva Gonzaga 1610 1613 1640 1641
New videos and songs everyday. Like and subscribe to our channel: (http•••) Selva morale e spirituale (SV 252–288) is the short title of a collection of sacred music by the Italian composer Claudio Monteverdi, published in Venice in 1640 and 1641. The title translates to "Moral and Spiritual Forest". The full title is: "Selva / Morale e Spirituale / di Clavdio Monteverde / Maestro di Capella della Serenissima / Republica Di Venetia / Dedicata / alla Sacra Cesarea Maesta dell' Imperatrice / Eleonora / Gonzaga / Con Licenza de Superiori & Priuilegio. / In Venetia M DC X X X X / Appresso Bartolomeo Magni". Selva morale e spirituale was Monteverdi's "most significant anthology of liturgical works since the Vespers in 1610". The collection of various works in different instrumentation was published in Venice in 1640 and 1641. While the 1610 publication summarizes Monteverdi's sacred works written for Vincenzo Gonzaga, Duke of Mantua, Selva morale e spirituale presents works composed at San Marco, Venice, where Monteverdi had served since 1613. The collection contains various forms of sacred music, from madrigals in Italian to a complete Mass, the instrumentation varying between a single voice to eight voices with instruments. It also contains settings of Marian hymns such as the Magnificat in two versions, and three settings of Salve Regina. The first Magnificat for eight voices and instruments has been published as Magnificat a 8 voci con 6 vel 10 istromenti. It is set for double choir, two violins, four trombones, four viole da gamba (alternative combinations: 3 vga and 1 cello, or 2 and 2) and basso continuo. Its duration is given as 13 minutes. The song of this video, "Magnificat I, SV 281", is a part of Selva morale e spirituale.
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