Aleksandr Nikolaevič Skrjabin Sonata n. 4 in Fa diesis maggiore, Op. 30 Video
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2024-03-25
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Hi everyone! I'm sorry for my inconsistency in uploading, I've had many projects to juggle as of late and I find that I don't have the creative energy to focus on these pieces! I always put a good amount of thorough effort and meticulousness into my expression for these pieces, and if I don't have the energy, I won't work on it because I don't want to upload a half-baked interpretation. I hope you can all understand. I had a lot of fun working on this piece, as I do with most Scriabin works, I just love how playful he can be at times, and his works always leave me humming the melodies for a few days after uploading! Thank you to Lucas for your recommendations, I really appreciate all of your input that you've given me over the months! Take care of yourselves, everyone. Be at peace. -8BC / #8bitclassical #scriabin #pianosonata4 #8bit #8bitclassicalmusic #8bitscriabin #8-bit #scriabin8bit #scriabinsonata4 #8bitclassicalpiano #8bitpiano #8bitpianomusic #scriabinpianosonata #sonata4 #movement1 #scriabinsonata8bit #pianosonata4scriabin #8bitmusic #videogamemusic #videogamepianomusic #videogametunes #chiptune #classicalchiptune #8bitchiptune #scriabinchiptune #scriabinsonata4movement1 #scriabinsonata4movement2 #movement2 #sonata4fsharpmajor /
Alexander Scriabin Ivo Pogorelich Tchaikovsky Beethoven Liszt Fryderyk Chopin Martha Argerich Rachmaninoff Carnegie Hall Vienna Philharmonic Orchestra Berliner Philharmoniker 1958 1975 1976 1980 1981 1986 1988 1989 1990 1993 1998 2015 2016 2019
Alexander Scriabin: Sonata No. 4 in F-sharp major, Op. 30 / Aleksandar Skrjabin: Sonata br. 4 u Fis-duru, op. 30 I - Andante II - Prestissimo volando Ivo Pogorelić, piano / klavir Los Angeles April 29, 1990 / 29. travnja 1990. Born in Belgrade in 1958, the son of a musician, Ivo Pogorelich started his musical education when he was seven, making, his solo concert debut at the very young age of 10. As an outstanding talent he continues his education in Moscow, where he spent the following ten years first attending the Central Special Music School, and then, studying at the P. I. Tchaikovsky Conservatory. However, a radical shift in his artistic development occurred after meeting the prominent Georgian pianist and pedagogue, Alisa Kezeradze, with whom he began an intense and fruitful professional cooperation in 1976. Thanks to her, Pogorelich redefined his technique by adopting the knowledge gained from the Western tradition of the Russian piano school to which she belonged. The exclusivity of acquired knowledge and piano technique, based on the generational line, the seventh after Beethoven and fifth after Liszt, would make Pogorelich stand out and guarantee him a special place in the historic constellation of world pianism. Ivo Pogorelich experienced the first in a series of major successes as early as the mid-seventies, when he won a state competition in Zagreb in 1975, followed by a two-months long tour around the USA with the Dubrovnik Festival Orchestra. Only a few months later saw his first important international achievement when he won the Alessandro Casagrande Piano Competition in Terni (Italy). Pogorelich attracted even greater attention from the world music public in 1980 as the laureate of the prestigious International Piano Competition in Montreal. That same year, Pogorelich also participated in the 10th Fryderyk Chopin International Piano Competition in Warsaw, where, for reasons which have never been fully explained, he was eliminated before the final round. This controversial and unfounded decision resulted in dissatisfaction among certain members of the jury, who left the competition in protest, while pianist Martha Argerich explained her decision to leave by declaring Pogorelich a genius. On the wave of the enormous interest he attracted at the Chopin competition thanks to his unorthodox interpretations, astounding technique and innovative approach to interpreting the literature, Pogorelich gained recognition as a pianist of exceptional capacities and, above all, contemporary spirit. Responding to invitations from numerous prestigious concert houses, he begin an intensive series of concerts in Europe, North America, Australia and Japan. His debut in New York Carnegie Hall in 1981 was followed by sensational solo performances on the world’s most important stages, as well as those with renowned orchestras such as the Vienna Philharmonic Orchestra and Berliner Philharmoniker, the London, Boston and Chicago Symphony Orchestras, the New York and Los Angeles Philharmonics, and the Tonhalle and Cocertgebouw orchestras to name but a few. In addition to his forty-year-long rich and diverse professional career on the world’s stages, Ivo Pogorelich is also socially engaged, primarily in humanitarian work and helping young artists. In order to support young musicians, Pogorelich set up the Fund for Young Musicians in Zagreb in 1986, but also the manifestations intended to promote concert artists at the beginning of their careers, such as “Ivo Pogorelich” international music festival in Bad Wörishofen in Germany in 1989, and “Ivo Pogorelich International Solo Piano Competition” in Pasadena, USA, in 1993. For his versatile engagement in promoting the highest values of culture, art and education in the widest international context, Pogorelich was the first classical musician, to receive the honour of being named UNESCO’s Goodwill Ambassador in 1988. While respecting his contributions, “Manhattan International Music Competition” established in New York’s Carnegie Hall in 2016, appointed Ivo Pogorelich its honorary president and named the main prize after him. As an exclusive artist of Deutsche Grammophon record label between 1981 and 1998, Ivo Pogorelich released the extensive discography including 14 albums and 3 videos. These extraordinary editions of anthological value and cult status in classical music were also awarded the prestigious French Diapason d’Or award shortly after release of the box set with Pogorelich’s complete recordings for that label, in 2015. In August 2019 Ivo Pogorelich released his first studio recordings in 20 years for Sony Classical record label. The album includes sonatas by L. v. Beethoven and S. Rachmaninoff which Pogorelich has chosen to explore the profound influence of Beethoven’s revolutionary compositional techniques on a later generation of composers. The album received very positive reviews, reaching high positions in the classical music charts in Europe.
Alexander Scriabin Tchaikovsky Rachmaninoff 1903 1904
The Piano Sonata No. 4 in F-sharp major, Op. 30, was written by Alexander Scriabin around 1903 and first published in 1904. It consists of two movements, Andante and Prestissimo volando, and is one of Scriabin's shortest piano sonatas (a typical performance takes about 8 minutes). The sonata is generally considered to be the beginning of Scriabin's middle period due to the newly mystical sonorities and tonal ambiguity of the first movement. The sonata is written in a post-Romantic style, similar to Scriabin's other works of the time, and the mood could be described as erotic. The first movement, expressive and calm, is monothematic (based on a single theme). The second movement, celebratory and climactic, starts attacca right after the Andante movement. A more Romantic idea is the use of cyclic form in restating the Andante’s main theme (dolcissimo) as the ecstatic climax of the Prestissimo volando movement (Focosamente, giubiloso). This outlay appears closely related to the last two movements from the 3rd sonata, also linked by an attacca, where the climax of the finale likewise restates the lyrical Andante theme of the third movement. Russian composers such as Tchaikovsky or Rachmaninoff often restated the lyric theme of the finale movement as climactic coda (for example in the piano concertos). Scriabin instead returns to the 'slow' movement’s theme, and this may have led to further experiments with a condensation of form in the single-movement 5th sonata where the climax (estatico) is again a restatement of the Languido theme (dolcissimo). Scriabin wrote a poem after composing this sonata that explains its meaning: In a light mist, transparent vapor Lost afar and yet distinct A star gleams softly. How beautiful! The bluish mystery Of her glow Beckons me, cradles me. O bring me to thee, far distant star! Bathe me in trembling rays Sweet light! Sharp desire, voluptuous and crazed yet sweet Endlessly with no other goal than longing I would desire But no! I vault in joyous leap Freely I take wing. Mad dance, godlike play! Intoxicating, shining one! It is toward thee, adored star My flight guides me. Mad dance, godlike play! Intoxicating, shining one! Toward thee, created freely for me To serve the end My flight of liberation! In this play Sheer caprice In moments I forget thee In the maelstrom that carries me I veer from they glimmering rays. In the intensity of desire Thou fadest O distant goal. But ever thou shinest As I forever desire thee! Thou expandest, Star! Now thou art a Sun Flamboyant Sun! Sun of Triumph! Approaching thee by my desire for thee I lave myself in they changing waves O joyous god. I swallow thee Sea of light. My self-of-light I engulf thee! Scriabin - Piano Sonata No. 4 [00:00] I. Andante [0:05] II. Prestissimo volando [2:53]
Scriabin Van Cliburn Bass Performance Hall 2017
Performed May 30, 2017 at the Fifteenth Van Cliburn International Piano Competition (Bass Performance Hall, Fort Worth, Texas, USA) For more about 2017 Cliburn Silver Medalist Kenny Broberg, visit kennybroberg.com. For more about the Cliburn, visit cliburn.org. Be sure to like this video and subscribe to our channel!
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