Ludwig van Beethoven Quatuor à cordes n° 1 en fa majeur, Op. 18 n° 1 Vidéos
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2024-04-25
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Chiaroscuro Quartet Beethoven 2021
Provided to YouTube by NAXOS of America String Quartet No. 1 in F Major, Op. 18 No. 1: I. Allegro con brio · Chiaroscuro Quartet Beethoven: String Quartets, Op. 18 Nos. 1-3 ℗ 2021 BIS Released on: 2021-10-01 Ensemble: Chiaroscuro Quartet Composer: Ludwig van Beethoven Auto-generated by YouTube.
Beethoven Genet Joseph Haydn Johann Sebastian Bach Quatuor Sine Nomine 1770 1792 1794 1796 1798 1799 1800 1827 1836 1919
Ludwig van Beethoven +••.••(...)) String Quartet No. 1 in F Major, Op. 18 I. Allegro con brio 00:00 II. Adagio affettuoso ed appassionato 09:37 III. Scherzo 18:36 IV. Allegro 21:49 Quatuor Sine Nomine Patrick Genet & François Gottraux, violins Hans Egidi, viola Marc Jaermann, cello The playlist: (http•••) November 1792. With a grant from the Prince-elector of Cologne and an invitation from Joseph Haydn to come and study with him, young Beethoven arrived in Vienna. At that time, there could be no better place for a musician to make a mark. The capital of the Habsburg Empire concentrated within its walls the finest authors of the Classical period, which was in its heyday. Though composition was not totally ignored, those first few years were primarily dedicated to the study and development of his concert career. His virtuosity rapidly secured him pride of place in the salons, where his interpretation of the Preludes and Fugues of Johann Sebastian Bach’s Well-Tempered Clavier was much appreciated. Haydn’s departure for England in 1794 meant the end of the grant allocated to the “student” by the Prince-elector. Should he go back to Bonn? Beethoven never even considered it. Over two years, he had made enough friends to envisage an “independent” future quite serenely. His talent won over a few of the capital’s most prominent patrons, who were willing to pay for the services of the pianist for private evenings – and were later to be associated with the advent of his masterpieces. Although he was still to continue playing for a while longer – outshining the greatest virtuosos of his time in contests most dear to the Viennese -, he was increasingly focusing his energy on composition. It was the end of the 18th century, and he was testing all sorts of genres with great brio, appearing to the audience not only as the worthy descendant of Haydn and Mozart, but also as the forerunner of a new expressive form – indeed a new music. “He commandeers our ears, but not our hearts, reason for which he will never be a Mozart for us”, wrote a critic at the end of a concert in 1796. A comment that says it all on the shock that his music could cause, even that which followed (on paper at least) straight from the classical lineage: the six Quartets op.18 +••.••(...)) that concern us here are part of this, as does the “Pathétique” Sonata (1798), the Septet op. 20 (1799), or even the 1st Symphony (1800). Read more on: (http•••) Album N°: CD 1919/20 EAN: 7619931191928 / Find more : (http•••) Contact us: •••@••• / +••.••(...) Press: •••@••• This video is encoded with Youtube's Free video quality and from an Mp3 audio. You can find this album in HR music or better quality with the links below on the platforms and their usual provided products: iTunes: (http•••) GooglePlay: (http•••) .. / Do you want to synch that? Cézame Musique (http•••) Find a Reseller in your Country (http•••) / Website & Shop: (http•••) Twitter: (http•••) Facebook: (http•••) Spotify: (http•••) #beethoven #quatuorsinenomine #Stringquartets #violin #viola #cello #clavesrecords
Beethoven Schaeffer Concertgebouworkest
Beethoven String Quartet No. 1 in F major Op. 18, No. 1 performed by GoYa Quartet Amsterdam. The GoYa Quartet consist of members of the Concertgebouworkest. Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro Sylvia Huang (violin) Mirelys Morgan Verdecia (violin) Saeko Oguma (viola) Honorine Schaeffer (cello) ► (http•••)
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