Darius Milhaud Concerto n° 3, Op. 373, « Concert royal » Vidéos
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2024-04-27
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Liszt Chopin Prokofiev Rachmaninov Scriabin Schubert Beethoven Brahms Debussy Milhaud Schumann Grieg Bizet Mahler Mascagni Puccini Rimsky Korsakov Tchaikovsky
Aleksandr Polyakov (http•••) (http•••) Solo Chopin Sonata #3, Finale - (http•••) Liszt Grande Valse di Bravura (http•••) Liszt Sonata in B minor (http•••) Liszt Hungarian Rhapsody 9 (http•••) Liszt Transcendental Etude #12 (http•••) Prokofiev Sonata #6 1 (http•••) 2 (http•••) 3 (http•••) 4 (http•••) Rachmaninov - Moment musicaux Op.16 #6 (http•••) Scriabin Etude op.8 #12 (http•••) Schubert-Liszt Erlkonig (http•••) Chamber Beethoven Piano Trio op.10 #3, 1st movement - (http•••) Brahms Piano Quartet op.25, Finale - (http•••) Debussy Piano Trio (http•••) Faure Piano Quartet in g minor (http•••) Milhaud: Scaramouche (2 pianos) - (http•••) Prokofiev – Cinderella (http•••) Schumann Piano Trio op.110 Finale - (http•••) Concerto Beethoven Piano Concerto #4 /excerpts/ (http•••) Grieg Piano Concerto (http•••) Liszt Piano Concerto 1 (http•••) Liszt Piano Concerto 2 (http•••) Prokofiev Piano Concerto #3, Finale (http•••) Conducting Bizet - Carmen (Excerpts) (http•••) Brubeck Concerto for Bass Trombone and Orchestra (http•••) Mahler Symphony 1, 3rd mvt - (http•••) Mascagni - L'Amico Fritz Intermezzo (http•••) Mascagni - L'Amico Fritz (Full Opera) (http•••) Mozart Le Nozze di Figaro, Overture (http•••) Puccini - La Boheme (Excerpts) (http•••) Rachmaninov Piano Concerto 2, Finale (http•••) Rimsky-Korsakov Tsar's Bride 1 Act (http•••) Rimsky-Korsakov Tsar's Bride 2 Act (http•••) Rimsky-Korsakov Tsar's Bride 3-4 Acts (http•••) Tchaikovsky Violin Concerto (Finale) (http•••)
Jean Absil Wagner Richard Strauss Milhaud Schoenberg Frédéric Chopin Schumann Alban Berg Paul Gilson 1893 1921 1934 1937 1939 1946 1957 1965 1974
Jean Absil +••.••(...)) was a Belgian composer, organist, and professor at the Brussels Conservatoire. Initially, Absil was influenced by the late Romantic school, particularly Wagner and Richard Strauss. Around the time he made his trip to Paris in 1934, he began to adopt a more modern style. This included the use of polyphony and polymodal structures, influenced by contemporary composers such as Milhaud and Schoenberg. The ear never suffers from an impression of tonal insecurity when listening to Absil’s music: while it is no longer possible to find a reference to the classical major or minor tonalities, the composer invents new modes, which he replaces for each piece. From these modes emerge chords which, even if they are different from the classical ones, also have an expressive sense (tension or resolution). Absil never practised a real atonality: the apparent tonal independence of the voices always resolves itself into a unique tonality. Unusually prolific from his 20s to his late 70s, Absil concentrated especially on writing piano works; he was himself a skilled pianist. These works include Ballade, op. 129, for solo piano (which is played with the left hand only) as well as 3 Pièces (played with the right one only). Among his conventionally two-handed piano compositions are three sonatinas (written in 1937, 1939, and 1965 respectively) and two Grand Suites. The Grand Suites (Op.110, composed in 1965) served as a tribute to Frédéric Chopin. In 1946, he composed another work, Hommage à Schumann and in 1957 the Passacaglia in Memoriam Alban Berg, both of them for piano. His last finished composition was the Piano Concerto no. 3, op. 162. Non-piano music of Absil's includes one opera, Les Voix de la mer, and a cycle of five symphonies, the first of which (op. 1) he composed at 27, when he was a pupil of Paul Gilson. It won the Prix Agniez in 1921. Gianna Cañete Gallo, soprano Mérylien Bajot, piano Piano : Estonia L210 fourni par Michaël Grailet – L’Artisan du Piano www.artisandupiano.be Techniciens piano : Régis Allaerts, Michaël Grailet Jean-François Hustin, son Jonathan Lago Lago, image et montage www.lagolago.net
Zino Francescatti Debussy Camillo Sivori Beethoven John Barbirolli Paganini Mendelssohn Bruch Robert Casadesus Darius Milhaud Leonard Bernstein Karol Szymanowski Fischer Nathan Milstein Jascha Heifetz Maxim Vengerov Ruggiero Ricci Hilary Hahn Itzhak Perlman Pinchas Zukerman Frank Peter Zimmermann Zimmermann Leonidas Kavakos Alexander Markov 1727 1902 1927 1931 1939 1945 1976 1987 1991
(http•••) René-Charles "Zino" Francescatti (August 9, 1902 - September 17, 1991) was a French virtuoso violinist. Zino Francescatti was born in Marseilles, to a musical family. Both parents were violinists. His father, who also played the cello, had studied with Camillo Sivori. Zino studied violin from age three and was quickly recognized as a child prodigy. He began performing at the age of five and made his debut at age 10, playing Beethoven's Violin Concerto. In 1927 he went to Paris to teach at the École Normale de Musique; he also conducted the Concerts Poulets. He made his first world tour in 1931 and his American debut with John Barbirolli and the New York Philharmonic in 1939, playing Paganini's Violin Concerto No. 1. His recording of the concerto is still regarded as one of the best. At the end of World War II in 1945, he pursued an outstanding international career until his retirement in 1976. A violinist of outstanding technical ability, Francescatti played all of the great concerti. His performances of Mendelssohn's Violin Concerto in E minor, Saint-Saëns Violin Concerto No. 3, Bruch's Violin Concerto No. 1, and others, are highly regarded. Francescatti made many renowned recordings, including the Beethoven sonatas for violin and piano with Robert Casadesus. He performed on the celebrated "Hart" Stradivarius of 1727. Upon his retirement, he sold the instrument and established the Zino Francescatti Foundation, to assist young violinists, in La Ciotat. In 1987 an international violin competition was organized in his honor in Aix-en-Provence. He died in La Ciotat, Bouches-du-Rhône, France, aged 89. [edit] Quotes "Known for his lyrical performance style and as a champion of contemporary violin music by such composers as Darius Milhaud, Leonard Bernstein, and Karol Szymanowski." - Encyclopædia Britannica "Francescatti's playing was marked by a seemingly effortless technique, warmth of expression, and tonal elegance. " "One of the great classical violinists of the twentieth century. Among his recordings are Saint-Saëns's famous and popular Introduction and Rondo Capriccioso, with Leonard Bernstein conducting the New York Philharmonic." Juila Fischer, Nathan Milstein, jascha heifetz, Maxim vengerov, ruggiero ricci, hilary hahn, itzhak perlman, Pinchas Zukerman, Frank Peter Zimmermann, Leonidas Kavakos,Alexander Markov, Zino Francescatti
Antonio Vivaldi Efrem Zimbalist Franz Kneisel Pablo Casals Mischa Elman Jascha Heifetz Fritz Kreisler Gregor Piatigorsky Aaron Copland Darius Milhaud Bohuslav Martinů Samuel Barber Leonard Bernstein
Recorded in 1945. Jacques Rachmilovich/Santa Monica Symphony 1. Allegro non troppo 7:43 2. Andantino quasi allegretto 15:34 3. Molto moderato e maestoso Louis Kaufman (May 10, 1905, Portland, Oregon / February 9, 1994, Los Angeles, California) was an American violinist and possibly the most recorded musical artist of the 20th century. He played the soundtrack on as many as 500 movies and over 100 musical recordings. He is also credited with reviving the music of Antonio Vivaldi with his recording of The Four Seasons in 1947, which won the Grand Prix du Disque in 1950, was elected to the Grammy Hall of Fame in 2002, and in 2003 was selected for the Library of Congress's National Recording Registry. With the recommendation of Maud Powell and Efrem Zimbalist, Kaufman started at the age of 13 to study with Franz Kneisel in New York City at the Institute of Musical Art, now Juilliard. He played the viola with the Musical Art Quartet from 1926 to 1933. His solo recital debut at New York's Town Hall in 1928 was under the auspices of the Naumburg Award. Subsequently, he performed chamber music with Pablo Casals, Mischa Elman, Jascha Heifetz, Fritz Kreisler, Gregor Piatigorsky, and Efrem Zimbalist. He was an accomplished violinist, playing 15-minute radio recitals when he was asked to play the soundtrack for Ernst Lubitsch's movie The Merry Widow; this performance opened up a long career in performing soundtracks for Hollywood films, including such classics as Casablanca, Gone with the Wind, The Diary of Anne Frank, Wuthering Heights, The Grapes of Wrath, and Spartacus. It is variously estimated that he made 400 solo performances for movies and acted as the concertmaster for several hundred. He also premiered a number of pieces by notable 20th century composers, including works by Aaron Copland, Darius Milhaud, and Bohuslav Martinů, and made the premiere recording of Samuel Barber's violin concerto. He and his wife, the pianist Annette Kaufman (née Leibole) often performed together. In September 2003, she published his memoir A Fiddler's Tale - How Hollywood and Vivaldi Discovered Me with the University of Wisconsin Press (ISBN 0-299-18380-7), with Louis Kaufman as principal author and Annette Kaufman as co-author. The couple donated a large collection of personal papers to the Library of Congress in 2000, which included papers from such notables as Leonard Bernstein, Jascha Heifetz, and others. They also donated a large art collection to the National Gallery of Art and Syracuse University. His parents were Rumanian Jews, from a remarkable beneficent culture.
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