Antonio Vivaldi Sonate pour violon en ré majeur, Op. 2 n° 11 Vidéos
Dernière mise à jour
2024-05-04
Actualiser
Giuseppe Tartini Casazza Assisi Bohuslav Matěj Černohorský Matěj Francesco Maria Veracini Charles Burney Francesco Antonio Vallotti Antonio Stradivarius Karol Lipiński Grieg Beethoven Bach Vivaldi Debussy Brahms Handel Chopin Schubert Haydn Schumann Tchaikovsky 1710 1711 1715 1716 1721 1723 1725 1726 1750 1770
Subscribe and turn on notifications to be alerted of our uploads! (http•••) 00:00:00 Violin Sonata in G Major, Op. 6, No. 1 I. Adagio 00:03:00 Violin Sonata in G Major, Op. 6, No. 1 II. Allegro 00:05:59 Violin Sonata in G Major, Op. 6, No. 1 III. Presto 00:08:07 Violin Sonata in A Major, Op. 6, No. 2 I. Adagio 00:10:05 Violin Sonata in A Major, Op. 6, No. 2 II. Allegro 00:13:26 Violin Sonata in A Major, Op. 6, No. 2 III. Allegro 00:16:17 Violin Sonata in D Major, Op. 6, No. 3 I. Adagio 00:20:20 Violin Sonata in D Major, Op. 6, No. 3 II. Allegro 00:24:45 Violin Sonata in D Major, Op. 6, No. 3 III. Allegro con variazioni 00:32:16 Violin Sonata in A Major, Op. 6, No. 4 I. Adagio 00:35:29 Violin Sonata in A Major, Op. 6, No. 4 II. Allegro 00:38:40 Violin Sonata in A Major, Op. 6, No. 4 III. Allegro assai 00:40:57 Violin Sonata in B Major, Op. 6, No. 5 I. Adagio 00:43:22 Violin Sonata in B Major, Op. 6, No. 5 II. Allegro 00:48:41 Violin Sonata in B Major, Op. 6, No. 5 III. Allegro 00:51:07 Violin Sonata in B Major, Op. 6, No. 5 IV. Andante con variazioni 01:01:08 Violin Sonata in G Major, Op. 6, No. 6 I. Andante - Largo 01:03:38 Violin Sonata in G Major, Op. 6, No. 6 II. Allegro 01:06:12 Violin Sonata in G Major, Op. 6, No. 6 III. Allegro moderato Casazza Enrico Loreggian Roberto (P)(C) Tactus Sas Italy Image Licensed From Shutterstock.com User ID: 291872011 All Rights Reserved *Giuseppe Tartini: Violin Sonatas*/ Giuseppe Tartini: Violin Sonatas**/ Giuseppe Tartini: Violin Sonatas*** Giuseppe Tartini was an Italian Baroque composer and violinist born in the Republic of Venice He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he married Elisabetta Premazore, a woman his father would have disapproved of because of her lower social class and age difference. Unfortunately, Elisabetta was a favorite of the powerful Cardinal Giorgio Cornaro, who promptly charged Tartini with abduction. Tartini fled Padua to go to the monastery of St. Francis in Assisi, where he could escape prosecution. In Assisi he studied under Bohuslav Matěj Černohorský. Legend says when Tartini heard Francesco Maria Veracini's playing in 1716, he was impressed by it and dissatisfied with his own skill. He fled to Ancona and locked himself away in a room to practice, according to Charles Burney, "in order to study the use of the bow in more tranquility, and with more convenience than at Venice, as he had a place assigned him in the opera orchestra of that city". Tartini's skill improved tremendously and, in 1721, he was appointed Maestro di Cappella at the Basilica di Sant'Antonio in Padua, with a contract that allowed him to play for other institutions if he wished. In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti. Between 1723 and 1725 he was in Prague, where he was master of the chapel of the Count Kinsky. Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Salvini, who in turn gave it to the Polish composer and virtuoso violinist Karol Lipiński upon hearing him perform: the instrument is thus known as the Lipinski Stradivarius. Tartini also owned and played the Antonio Stradivarius violin ex-Vogelweith from 1711. In 1726, Tartini started a violin school which attracted students from all over Europe. Gradually, Tartini became more interested in the theory of harmony and acoustics and from 1750 to the end of his life he published various treatises, in which he also treated problems of music theory on a mathematical basis.[5] He died of gangrene on February 26, 1770 in Padua. Tartini's home town, Piran (Slovenia), now has a statue of him in the square, which was the old harbour, originally Roman, named Tartini Square (Slovene: Tartinijev trg, Italian: Piazza Tartini). Silted up and obsolete, the port was cleared of debris, filled, and redeveloped. One of the old stone warehouses is now the Hotel Giuseppe Tartini. His birthday is celebrated by a concert in the main town cathedral. Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief: (http•••) (http•••) (http•••) Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more: (http•••) We also have a fine selection with the best Baroque Music: (http•••) (http•••) #ClassicalMusic #Tartini #Violin
Henderson Vivaldi Bach Mozart Bourdon Massenet Handel Beethoven Haydn Gotham Loyola Sir John Tavener Moravec Lou Harrison Busby Kipnis Meredith Monk Hummel Tuttle Sanger Philharmonia Virtuosi Oratorio Society New York Collegiate Chorale Tanglewood Tanglewood Music Center Lincoln Center 1730 2001 2002 2005 2007
PROGRAM Violin Sonata in A minor: Preludio-Largo & Capriccio-Presto – Vivaldi Sarabande (from Cello Suite No. 2 in D minor) – J. S. Bach Andante (from Violin Concerto No. 1) – J. S. Bach Adagio in E – Mozart Andantino Religioso – Bourdon Meditation (from Thaïs) – Massenet Violin Sonata in D major: Affettuoso-Allegro-Larghetto-Allegro – Handel ABOUT THE ARTISTS Jorge Ávila has won attention as an outstanding violinist through numerous appearances as a soloist, recitalist, concertmaster, and chamber musician. A recipient of numerous awards and honors, Jorge received his resident status in the United States under the “Extraordinary Talent” category. He was also awarded first prize at the 2001 Mu Phi Epsilon International Music Competition. Hailed as “a strong violinist” by the NY Times after his performance as a soloist and concertmaster in The Sacred Music in a Sacred Space concert of Beethoven’s Missa Solemnis and Haydn Symphonia concertante; Jorge has also performed as a soloist with orchestras in Europe, the U.S., Central and South America. In the New York City area, he has appeared as a soloist with the Ridgefield Symphony, Colonial Symphony, Riverside Orchestra, Hofstra Symphony, New Amsterdam Symphony, City Island Chamber Orchestra, and The Bronx Arts Ensemble. Jorge has appeared as concertmaster with numerous groups in the tri-state area, including the Stamford Symphony, Greenwich Symphony, Colonial Symphony Orchestra, Westfield Symphony, Oratorio Society, Musica Sacra, Philharmonia Virtuosi, St., Grace Church Orchestra, Gotham Opera, National Chorale, Verismo Opera, José Limón Dance Company, Sonos Chamber Orchestra, Bachanalia, the New Amsterdam Symphony, Tanglewood Music Center, and the Mannes College of Music Orchestra. Proclaimed as a “distinguished chamber musician of impressive virtuosity” by Consort Magazine, Arthur Fiacco is principal cellist for the Orchestra of the Oratorio Society of New York, the Musica Sacra Orchestra, Orchestra of St. Ignatius Loyola, the Cathedral Church of St. John the Divine and St. Patrick’s Cathedral. He is also a member of the renowned Orchestra of St. Luke’s. Mr. Fiacco performed the American premiere of Sir John Tavener’s Requiem and the world premiere of Paul Moravec’s Pulitzer Prize-Nominated cello concerto Montserrat on the acclaimed Sacred Music in a Sacred Space series. Other premieres include compositions by Lou Harrison, Juraj Filas, Gerald Busby, Meyer Kupferman, and the infamous rock band The Pixies. Mr. Fiacco has performed at the Caramoor, Tanglewood, Ravinia, Mostly Mozart, Music Mountain, and Lincoln Center Festivals. As a soloist, he has appeared in numerous concerto and sonata programs and with Broadway legend Patti LuPone, Harpsichordist Igor Kipnis, Kent Tritle, performance artist Meredith Monk, and the Mark Morris Dance Company. Mr. Fiacco’s recording of the late Mozart symphonies in Hummel’s piano quartet transcription has garnered praise as “first rate” and “definitive” by the New York Times. Mr. Fiacco plays a cello made by the Venetian Master “Carlo Tononi” dated 1730. Andrew Henderson has served as Director of Music & Organist at Madison Avenue Presbyterian Church in New York City since 2005, where he oversees an extensive liturgical and choral program, including the 45-voice Saint Andrew Chorale, the New York City Children’s Chorus, in addition to the Saint Andrew Music Society’s Music on Madison concert series. He also serves as the chair of the organ department at the Manhattan School of Music, as the organ instructor at Teachers College, Columbia University, and as Associate Organist at New York City’s Temple Emanu-El. Dr. Henderson, a native of Thorold, Ontario, holds degrees in music from Cambridge, where he was organ scholar at Clare College, Cambridge, and Yale Universities. In 2007 he was awarded the Doctor of Musical Arts degree at The Juilliard School. He was a finalist in the international competition Grand Prix de Chartres in France in 2002, and won first prize in the Royal Canadian College of Organists’ biennial National Organ Playing Competition the following year. Recent performances include organ and continuo playing with the New York Philharmonic, Musica Sacra, Voices of Ascension, The Oratorio Society of New York and The Collegiate Chorale, and solo recitals in Poland, Canada, and throughout the USA. A Fellow of the Royal Canadian College of Organists, his teachers have included John Tuttle, Barrie Cabena, David Sanger, Thomas Murray and John Weaver. For more information on this season’s Music on Madison concerts, visit: mapc.com/music/sams/concerts.
Vivaldi Respighi Brusilovsky Levina Ivanov Chumakova 1977
Vivaldi: Sonata in D Major, RV 10 (arr. Respighi) Alexander Brusilovsky, violin Anna Levina, piano From a Melodiya stereo LP, 33C 10-07269-70(a), released in 1977. The recording engineer was V. Ivanov, and the editor was I. Chumakova. The Sonata is in four movements: 1. Moderato a fantasia 2. Allegro moderato (at 3:02) 3. Largo (at 5:35) 4. Vivace (at 7:32)
Johannes Brahms Liszt Bach Dillon Paul Klengel Klengel Clara Schumann Schumann Satie Mozart Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Schubert Mendelssohn Rachmaninoff Wagner
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) Available for licensing: (http•••) More Information: (http•••) Social media: Brilliant Classics Facebook: (http•••) Brilliant Classics Instagram: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Composer: Johannes Brahms Artists: Francesco Dillon (cello), Emanuele Torquati (piano) Arrangements of the First Violin Sonata and groups of songs and Hungarian dances, made by Brahms’s contemporaries for an idiom close to the composer’s heart, in new recordings by an experienced partnership. Brahms, like most composers, had no scruple about arranging his own music for other forces, whether to disseminate it further or earn useful income or both. Sometimes he undertook the transcription of his orchestral works for the popular domestic market of piano duet; on other occasions he left the work to trusted friends and colleagues. Although the composer did not apparently have any other instrument in mind when he wrote the First Violin Sonata, the piece sitspeculiarly well on the cello once transposed to the key of D major by the cellist Paul Klengel; its pervasive mood of profound melancholy is even enhanced by the cello’s voice. Clara Schumann recognised the sonata as one of Brahms’s most tender yet regretful tributes to her, and wished that it should be played at her funeral, to which purpose Klengel’s transcription is eminently suited. Tracklist: 00:00:00 Johannes Brahms: Violin Sonata in D Major, Op. 78: I. Vivace ma non troppo 00:11:12 Johannes Brahms: Violin Sonata in D Major, Op. 78: II. Adagio 00:18:27 Johannes Brahms: Violin Sonata in D Major, Op. 78: III. Allegro molto moderato 00:27:46 Johannes Brahms: Feldeinsamkeit, Op. 85 00:30:22 Johannes Brahms: Wie Melodien, Op. 105 00:32:32 Johannes Brahms: Sapphische Ode, Op. 94 00:34:26 Johannes Brahms: Wiegenlied, Op. 49 00:36:22 Johannes Brahms: Liebestreu, Op. 3 00:38:34 Johannes Brahms: Minnelied, Op. 71 00:41:06 Johannes Brahms: 21 Hungarian Dances, Op. 21: II. Allegro non assai 00:44:47 Johannes Brahms: 21 Hungarian Dances, Op. 21: IV. Poco sostenuto 00:49:45 Johannes Brahms: 21 Hungarian Dances, Op. 21: V. Allegro 00:52:43 Johannes Brahms: 21 Hungarian Dances, Op. 21: IX. Allegro non troppo 00:54:55 Johannes Brahms: 21 Hungarian Dances, Op. 21: XIII. Andantino grazioso 00:56:37 Johannes Brahms: 21 Hungarian Dances, Op. 21: XIV. Un poco andante 00:58:49 Johannes Brahms: 21 Hungarian Dances, Op. 21: XVI. Con moto 01:01:34 Johannes Brahms: 21 Hungarian Dances, Op. 21: XIX. Allegretto 01:03:34 Johannes Brahms: 21 Hungarian Dances, Op. 21: XX. Poco allegretto Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Music #Composer #ClassicalMusic #JohannesBrahms, #FrancescoDillon #EmanueleTorquati #piano
ou
- Les plus grandes œuvres pour orchestre de chambre
- Oeuvres incontournables: période baroque
- Index (par ordre alphabétique): S...