Théâtre Philharmonique National D’Azerbaïdjan Vidéos
salle de concert à Bakou, en Azerbaïdjan
Commémorations 2024 (Inauguration: Théâtre philharmonique national d’Azerbaïdjan (Bakou)) 2025 (Fermeture: Théâtre philharmonique national d’Azerbaïdjan (Bakou))
- Bakou
- Azerbaïdjan
Dernière mise à jour
2024-04-29
Actualiser
Cahangir Cahangirov Asaf Zeynally Azerbaijan State Philharmonic Hall 1921 1944 1950 1959 1960 1963 1964 1992
compositor: Cahangir Cahangirov singer : Şövkət Ələkbərova Jahangir Shirgasht oglu Jahandirov (Azerbaijani: Cahangir Şirgəşt oğlu Cahangirov; 20 July 1921 – 25 March 1992) was a Soviet Union and Azerbaijani composer, conductor and choirmaster; he was named People's Artist of the Azerbaijan SSR in 1964.[1] Jahangir Jahangirov was born on 20 July 1921 in Balakhany township of Baku. He graduated from musical school named after Asaf Zeynally and then from Baku Academy of Music. From 1944 to 1960, he led the choir of Broadcasting Committee of the Azerbaijan SSR. Majority of songs, composed by him for the first time were played by the chorus, which he led. After that he was the artistic director of the Song and Dance Ensemble at Azerbaijan State Philharmonic Hall. In 1950, Jahangir Jahangirov was awarded the USSR State Prize, and in 1963, he received People’s Artist status of the Azerbaijan SSR.[2] Füzuli kantatası — bəstəkar Cahangir Cahangirov tərəfindən 1959-cu ildə yazılmış və elə həmin il Azərbaycan Dövlət Opera və Balet Teatrında premyerası baş tutmuş kantata. Əsərdə klassik Azərbaycan şairi Məhəmməd Füzulinin qəzəllərindən və Rəsul Rzanın Füzuliyə həsr edilmiş şerindən istifadə edilmişdir. Cahangir Cahangirov Fuzuli kantatası,Fuzuli kantatası,Cahangirov,Cahangir,Cahangir Cahangirov Fuzuli,Shovkat Alakbarova,Şövkət Ələkbərova,Şövkət,Şövkət Fuzuli kantatası,Şövkət Fuzuli Cahangir Cahangirov,Cahangir Cahangirov partitur,sheet Cahangir Cahangirov,mix,sheet,Cahangir Cahangirov music,ballets,walts,karayev sheet,Cahangir Cahangirov score,Cahangir Cahangirov partitura,Fuzuli kantatası score
Witold Lutosławski Qara Qarayev Azerbaijan State Philharmonic Hall 1968 2011
U.Hajibeyli Azerbaijan State Symphonic Orchestra Conductor Rauf Abdullayev. The 4th Qara Qarayev International Contemporary Music Festival. Opening concert. 02.04.2011, Azerbaijan State Philharmonic Hall. Baku, Azerbaijan
György Ligeti Qara Qarayev Azerbaijan State Philharmonic Hall 1967 2013
U.Hajibeyli Azerbaijan State Symphonic Orchestra, Conductor Rauf Abdullayev. The 5th Qara Qarayev International Contemporary Music Festival. Closing of the Festival:"Three Crossroads". 19.04.2013, Azerbaijan State Philharmonic Hall. Baku, Azerbaijan
Fikret Amirov Leopold Stokowski Rimsky Korsakov Khachaturian Houston Symphony Orchestra Azerbaijan State Philharmonic Hall 1922 1940 1941 1944 1946 1947 1948 1949 1953 1961 1968 1977 1979 1984
Fikret Amirov (1922, Ganja - 1984, Baku) was a prominent Azerbaijani composer of the Soviet period. In 1941, when Nazi Germany attacked the USSR, Amirov, 19 at the time, was drafted to the Soviet army. He was wounded near Voronezh, hospitalized and demobilized from the military service, returning to Baku to continue his studies at the Azerbaijan State Conservatoire. Amirov's music was strongly influenced by Azeri folk melodies. He created a new genre called symphonic mugam. Amirov's symphonic mugams were based on classical folk pieces and were performed by many renowned symphony orchestras throughout the world, such as the Houston Symphony Orchestra conducted by Leopold Stokowski. Amirov was a prolific composer. His most famous pieces include symphonic works such as "Shur" (1946), Kurd Ovshari (1949), "Azerbaijan Capriccio" (1961), "Gulustan Bayati-Shiraz" (1968), "The Legend of Nasimi" (1977), "To the Memory of the Heroes of the Great National War" (1944), "Double Concerto for Violin, Piano and Orchestra" (1948) etc. His ballets include "Nizami" (1947) and Arabian Nights, which premiered in 1979. Amirov wrote the opera "Sevil" in 1953. He also wrote a number of pieces for the piano including "Ballad," "Ashug's Song," "Nocturne," "Humoreska," "Lyrical Dance," "Waltz," "Lullaby" and "Toccata." He also wrote numerous film scores. In 1940, frequent musical nights and concerts were held in the Azerbaijan State Philharmonic Hall. Fikret Amirov took part in these concerts and became more familiar with the works of Western and Russian composers, and used their musical language. He also attended in the symphonic orchestra exercises. His pieces was built on folk traditions of Azerbaijan and Middle East. However, the folkloric elements can be identified in them whether they are Azerbaijani or Arabic, as in the case of his ballet “Arabian Nights,” his “Concerto on an Arabian Theme for the Piano and Orchestra” (together with Elmira Nazirova) and “The Song of the Blind Arab”. As the composer used to do a lot of research before starting his pieces, strong folkloric elements can be observed in his compositions. For example, prior to composing his ballet "Arabian Nights," he visited several Arabic countries-Iraq, Yemen and Egypt-and brought back tapes and records. His orchestral suites, based on the style of Azerbaijan Mugams often contain melodies that are reminiscent of Rimsky-Korsakov, Khachaturian and Turkish music. One of his early success outside the USSR was Kyurd Ovsharï suite conducted by Leopold Stokowski. / 0:00 Ashug "An Ashik (Azerbaijani: aşıq; Turkish: aşık; Armenian: աշուղ) was traditionally a singer who accompanied his song—be it a dastan (traditional epic story, also known as hikaye) or a shorter original composition—with a long necked lute (bağlama) in Turkish culture and related Turkic cultures. The modern Azerbaijani ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs. The heroic poems, which they recited to the accompaniment of the kopuz, flattered the sensibilities of an entire people." 0:42 Humoreske 1:41 On the hunt 2:26 Waltz 4:01 Toccata 4:47 March I think the last two pieces here are my favorites. Especially the waltz is so catchy to me for some reason, I really like the ideas in it. Also note how short the pieces are, and the folklore elements in the music are really standing out.
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