Heichal Hatarbut Vidéos
- Tel Aviv
- Israël
Dernière mise à jour
2024-06-16
Actualiser
Orquesta Filarmónica Unam Weber Franz Joseph Haydn Carlos Chávez José Pablo Moncayo Ramos Hernández Aguilar Philippe Cuper Eduardo Mata Palacio Cultura 1732 1786 1809 1826 2007 2010 2011 2012 2021
OFUNAM | Temporada otoño 2021 | Programa 6 Orquesta Filarmónica de la UNAM Temporada otoño 2021 Programa 6 13 de noviembre de 2021 Rodrigo Sierra Moncayo, director huésped Edgar Lany Flores, clarinete Consulta el programa de mano aquí: (http•••) Carl Maria von Weber +••.••(...)) «Concierto para clarinete núm. 2 en mi bemol mayor, Op. 74» I. Allegro II. Romanza. Andante con moto III. Polacca Franz Joseph Haydn +••.••(...)) «Sinfonía núm. 96 en re mayor, Hob I: 96, Milagro» I. Adagio - Allegro II. Andante III. Menuetto - Trio IV. Finale: Vivace Originario de la Ciudad de México, Rodrigo Sierra Moncayo estudió piano con Ninowska Fernández-Britto en la Escuela Nacional de Música de la UNAM, donde se tituló con mención honorífica. Formó parte del Taller de Dirección Orquestal en el Sistema Nacional de Fomento Musical, donde fungió durante cuatro años como director asistente de la Orquesta Sinfónica Juvenil Carlos Chávez. Fue director artístico adjunto de la Orquesta Sinfónica de la Universidad Autónoma de Tlaxcala. Ha sido director huésped de la Filarmónica de la UNAM, entre otras orquestas de México. En 2012 dirigió y coordinó un homenaje al compositor José Pablo Moncayo —su abuelo— con motivo del centenario de su nacimiento en la edición XL del Festival Internacional Cervantino. Actualmente es director artístico de la Orquesta Sinfónica Juvenil de Zapopan y del Palacio de la Cultura y los Congresos en Jalisco. Edgar Lany Flores nació en Santiago Lalopa en Oaxaca. Estudió clarinete en la Escuela Nacional de Música de la UNAM (ENM, actualmente Facultad de Música) con Luis Humberto Ramos y Manuel Hernández Aguilar. Ha tomado clases magistrales con Philippe Cuper, Corrado Giufreddi, Pascual Martínez Forteza y Sócrates Villegas. Ganó el Concurso Nacional de Clarinete en 2007, 2010, 2011 y 2012. Ha participado en festivales nacionales e internacionales. Ha sido integrante de la Sinfónica de la ENM, la Orquesta Juvenil Universitaria Eduardo Mata y la Filarmónica de Jalisco, entre otras. Actualmente tiene el puesto de clarinete principal de la Orquesta Filarmónica de la UNAM. / ¡Síguenos en nuestras redes sociales! Twitter: (http•••) Facebook: (http•••) Instagram: (http•••) Sitio Web: (http•••) #MúsicaUNAM
Yuja Wang Lahav Shani Wolfgang Amadeus Mozart Bronfman Menahem Pressler Daniel Harding Israel Philharmonic Orchestra Charles Bronfman Auditorium Verbier Festival 1756 1791 1987 1989 2013
Wolfgang Amadeus Mozart +••.••(...)) Concerto No.10 for Two Pianos and Orchestra in E flat major, K365 Score is from Gory: •••@••• Live Recording Event: Israel Philharmonic Orchestra 80th Anniversary Live Recording Place: Heichal Hatarbut-Charles Bronfman Auditorium, Tel Aviv, Israel Live Recording Date: 2016.December 31. 00:00 1.Allegro WITH SCORE 09:22 2.Andante WITH SCORE 16:34 3.Allegro WITH SCORE 23:22 1.Allegro, LIVE VIDEO 33:03 2.Andante, LIVE VIDEO 40:17 3.Allegro, LIVE VIDEO 1.Piano: Yuja Wang (1987-) 2.Piano & dirigent: Lahav Shani (1989-) Israel Philharmonic Orchestra PS: It exists an another Yuja's live video for this Mozart Concerto. Overthere at the 1.piano: Menahem Pressler and at the 2.piano is Yuja Wang Info: 2013-08-03, Salle des Combins, Verbier Festival Orchestra, conducted by Daniel Harding IMHO, Yuja is great but the 1.pianist really nightmare with a lot (L-O-T) of wrong piano keys. The tempo is slow and the whole sound is boring. The orchestra with conductor is weak, weightless. Along maximal pain I can't make score animation for this recording, unfortunately. Sorry for that. Another score animation for Yuja Wang's recording (from me): (http•••) Yuja Wang, pianist ★ HOMEPAGE: (http•••) ★ YT-CHANNEL: (http•••) ★ FACEBOOK: (http•••) ★ INSTAGRAM: (http•••) ★ TWITTER: (http•••) ★ WIKIPEDIA: (http•••) Lahav Shani, pianist conductor ★ YT-CHANNEL: (http•••) ★ WIKIPEDIA: (http•••)
Louis Nicolas Clérambault Claire Debono Doret Zucker Heichal Hatarbut
Louis-Nicolas Clérambault +••.••(...))- Médée Cinquième cantate à voix seule & simphonie (Cantates Françaises I, Paris 1710) Claire Debono- soprano Ensemble Mezzo- Divina Insania Doret Florentin- recorder Lilia Slavny- baroque violin Benny Aghassi- baroque bassoon Ophira Zakai- theorbo Zvi Meniker- harpsichord "The voice of love" Live recording by Rafi Eshel Zucker Hall, Heichal HaTarbut, Tel-Aviv, Israel 1/1/2020 Video: Daniel Meniker Editing: Zvi Meniker Follow us at: (http•••) (http•••) Text: L’amante de Jason aux rives de Colchos Avait forcé l’Enfer à prendre sa défence. L’amour et la reconnaisance Devait dans ses liens retenir ce héros, Mais bientôt elle apprend qu’un nouvel hymenée De son volage époux fait les plus doux souhaits. “Dieux!” dit-elle, “a quels maux m’avez vous condamnée Si je perds Jason pour jamais. Séduite par les soins de sa fausse tendresse J’osai trahir et mon père et les dieux. C’est par moi que, vainqueur des taureaux furieux, Il revient triomphant dans le sein de la Grèce, El le perfide immole en ce funeste jour Le devoir, la gloire et l’amour. Non, non, n’écoutons plus qu’un courroux légitime; L’amour désespéré demande une victime! J’aime, je suis trahie, et mon cœur est jaloux. Venéz, haine, fureur! L’amour me livre à vous. Courons à la vengeance! Dépit mortel, allumez mon couroux. Que l’ingrat qui m’offence Périsse sous vos coups. Faisons tomber sur sa tête coupable Les foudres menaçants de ma juste fureur. La haine devient implacable Quand l’amour l’allume en un coeur. Que dis-je? Hélas! Mon cœur à moi mème rebelle, De son péril fatal commence à s’alarmer. Prète à punir Jason, sa trahison cruelle Contre lui ne peut m’animer. Je ne vois plus dans l’infidèle Que ce qui me le fit aimer. L’amour dans ses fers me ramène. Malgré tout mon dépit il triomphe è son tour. En vain un tendre cœur s’abandonne à la haine; Il revient toujours à l’amour. Mais quelle est mon erreur extrème? Pour sauver un ingrat je me trahis moi mème, Tandis que le perfide aux pieds des immortels Peutêtre en ce moment s’unit a ce qui’il aime. C’est trop souffrir des affronts si cruels! Vengeons ma flâmme malheureuse! Livrons l’ingrat Jason à des maux éternels En perdant ma rivale heureuse. Cruelle fille des enfers, Démon fatal, affreuse jalousie Pour venger ma flamme trahie Venez, sortez, vos gouffres sont ouverts. Venez, venez, punissez ma rivale Des maux affreux que j’ai souferts. Rendez sa peine à ma fureur égale, Que son supplice étonne l’univers. Le charme est fait, les cruelles Furies Sortent du ténébreux séjour. Le dieu brillant dont j’ai reçu le jour Se trouble de leur barbaries. Volez, Demons, volez! Servez ma colère fatale Brûles, ravages ce palais, Que la flamme infernale Détruise ces lieux pour jamais. Portez dans tous les cœurs le trouble et l’épouvante. Redoublez l’horreur de vos feux. Offrez dans ce désordre affreux Aux regards de Jason ma rivale mourante!” In order to see the translation go to: (http•••)
Beethoven Bronfman Benjamin Zander Israel Philharmonic Orchestra Charles Bronfman Auditorium
L.V. Beethoven, Symphony No.5, the Young Israel Philharmonic Orchestra, conducted by Benjamin Zander Young Israel Philharmonic Orchestra Celebrates 10 years of Activities at the Jerusalem Music Centre. Filmed at Heichal Hatarbut , Charles Bronfman Auditorium in Tel Aviv. 21.7.16. Don’t forget to Subscribe now for more high quality Classical Music content. Support a Young Musician: (http•••) Learn more about the Jerusalem Music Center: (http•••) Visit the Jerusalem Music Centre’s Homepage: (http•••) Join our Facebook Community: (http•••) Young Israel Philharmonic Facebook Page: (http•••) Follow us on Instagram: (http•••) Contact us via Email - •••@••• or Phone - +••.••(...) The Young Israel Philharmonic Orchestra (YIPO): The YIPO is Israel’s national youth orchestra, comprising 100 of Israel’s most talented young players of orchestral instruments between the ages of 14 and 18. The JMC believes strongly that outstanding young musicians from throughout the country should have a chance to come together to interact with their musical peers and experience music making at the highest level and, irrespective of their place of residence or financial means. Over their 3-4 years in the orchestra, YIPO members study between 15 and 20 major symphonic works, working with numerous conductors and instrumentalists along the way. In addition, the gala concerts that conclude the courses, held at the Jerusalem Theatre, and the Bronfman Auditorium (Heichal Hatarbut) in Tel Aviv, broadcast live on Israeli radio, to a combined audience of thousands. Over 90% of YIPO graduates go on to higher education (undergraduate and graduate degrees) in music, and many go on to take up prominent positions in the Israel Philharmonic and other orchestras in Israel and abroad. The Jerusalem Music Centre (JMC): The JMC was founded in 1973 by legendary violinist Isaac Stern and Jerusalem Mayor Teddy Kollek, with the assistance of Yad Hanadiv (a Rothschild foundation) and the Jerusalem Foundation. The JMC’s purpose was to provide a musical centre that would find and nurture the finest musical talents from all over Israel, and today, as a result of more than 40 years of work, many such talents can be heard performing on prominent concert stages across the world. As part of its work helping young Israeli talents to find their way onto the global stage, the JMC is also deeply proud of its tradition of bringing the world’s finest musicians to Israel to play and teach. As a truly global centre for musical excellence, the JMC has hosted many of the pre-eminent musicians of the 20th century, including Arthur Rubinstein, Pablo Casals, Leonard Bernstein, Yo-Yo Ma, Itzhak Perlman and Alfred Brendel. Today, headed by renowned pianist Murray Perahia, the JMC continues to imbue each successive generation of young Israeli musicians with the very same love, passion, and respect for their art shared by their predecessors, and indeed by great musicians throughout the centuries. Our Purpose: To find, nurture and promote outstanding young musicians from throughout Israel, providing them with uniquely tailored programmes that hone their skills both as soloists, and as ensemble and orchestral players. To support the musical and pedagogical development of instrumental teachers across the country, bringing them into contact with the world’s leading musicians and musical pedagogues. To provide a musical centre of global stature at the heart of Israel’s capital, enriching the city and its residents through its world-class concert series. Our Vision: Music has the ability to touch so uniquely and directly upon the very essence of human experience. To gain true, authentic mastery of its performance is a lifelong journey that, over and above innate ability, requires commitment, dedication, and humility. The JMC seeks out those extraordinary young Israelis who wish to, and are capable of embarking upon this journey with us. Around such individuals, we create a musical community of peers and great masters that nurtures, supports and challenges them throughout their formative years and beyond; a community that is there again and again to encourage and remind these budding artists that there is always more to be understood, experienced, and communicated through the language of music. Through this process of musical contact, these youngsters develop from promising talents into true musicians, who make artistic and interpretative choices knowingly and authentically, as part of an ongoing search for meaning and honest communication in music.
ou
- carte: Salles de concerts - Asie
- Index (par ordre alphabétique): H...