Opéra Kroll Vidéos
bâtiment de l'arrondissement de Mitte, Berlin, Allemagne
Commémorations 2024 (Inauguration: opéra Kroll (arrondissement de Mitte))
- arrondissement de Mitte
- Allemagne
Dernière mise à jour
2024-06-11
Actualiser
Sieg Keitel Kroll Opera House 1918 1947
SIEG IM WESTERN (Reel 12 of 12) - National Archives and Records Administration - ARC 44317, LI 242-MID-6063 - DVD Copied by Nick Stoller. Series: Motion Picture Films From G-2 Army Military Intelligence Division, compiled 1918 - ca. 1947. German. Reel 12: CU, Rhine crossing under fire. Establishing shot, Vosges Mountains. MCU, follow shot, Colonel General Von Brauchitsch in command car with aides. MCU, German bicycle troops cross ponton bridge, infantry cross Rhine. CU, German engineer and infantry shock troops advance under fire. Ext and int, French defenders of Maginot Line in action. CU, German sappers cut barbed wire entanglements. MS, forefield of Maginot line with asparagus beds in foreground. Two good flame throwers actions against hill fortifications. Germans enter Maginot Line for occupation, a French Officer acts as guide. SEQ, Armistice negotiations in Compiegne; Hitler, Keitel, Goering and Raeder can be seen. French delegation arrives with Gen. Huntziger leading. Animation, demarcation between occupied and unoccupied France. Int, Hitler and general staff visit Strasbourg Cathedral, cut to Berlin, Bradenburg Gate, Hitler arrives at Kroll Opera House; several ints of Kroll Opera House and ReichStag in session. Reel ends with patriotic montage.
Marie Dietrich Johann Strauss II Lande Winkler Ferdinand Jäger Jäger Pauline Viardot Manuel Garcia Maria Malibran Lortzing Emilie Herzog Herzog Bayreuth Emmy Destinn Julius Lieban Adalbert Lieban Schumann Schwarzkopf Opera Stuttgart Kroll Opera House Königliches Opernhaus 1852 1859 1865 1888 1891 1907 1912 1915 1923 1933 1940 1982
Part III: Rare and unknown voices. Please open the bar to read more! Marie Dietrich, Soprano +••.••(...)) Johann Strauss II - DIE FLEDERMAUS (The Bat) Spiel ich die Unschuld vom Lande Conducted by Bruno Seidler-Winkler (Recorded 1907) My personal opinion: I´m very sorry I can´t present you another picture in better quality, but it´s almost impossible to find some verified informations about the german soprano Marie Dietrich, who studied at the conservatory of Stuttgart (with Ferdinand Jäger, who was Vienna´s first Siegfried) and later became the leading soprano of the Berlin Court Opera House. Marie Dietrich also was a pupil of the famous Pauline Viardot-Garcia (the daughter of the even more famous spanish tenor Manuel Garcia and sister of the even far more famous Maria Malibran) in Paris. After a short career as a concert singer, Marie Dietrich started her operatic career in 1888 at the Court Opera in Stuttgart and came to Berlin in 1891. As early as in 1912 she gave her farewell to the stage in the role of Marie in WAFFENSCHMIED by Lortzing. The public always compared her with her colleague Emilie Herzog +••.••(...)), the unrivaled star of many performances at the Kroll Opera House (later "Neues Königliches Opernhaus"). Dietrich was a shy person, not the type of star who liked to travel - although she had successfully appeared in Bayreuth in 1888 as the Flower Girl in PARSIFAL. Dietrich prefered the more intimate atmosphere of Berlin (and to avoid the competition with the more ambitious Emilie Herzog, she renounced most of the great primmadonna roles). She remained in the Court Opera House till 1915. She married tenor Robert Philipp +••.••(...)). After his death, Marie Dietrich led a very secluded life. Today, I´m sure she would be forgotten completely, if she not have participated in some important historic recordings. In the very first CARMEN on records (with Emmy Destinn, sung in german), Marie Dietrich was Frasquita under the direction of Bruno Seidler-Winkler - in my opinion a mediocre performance. One year earlier, in the spring of 1907, Dietrich sang Adele in the very first FLEDERMAUS-recording alongside Emilie Herzog as Rosalinde, husband Robert Philipp as Eisenstein and the famous Julius Lieban as Alfred (brother of Adalbert Lieban, who sang Dr. Blind). Her second aria as Adele became one of the most reviewed performances in the history of recording: The scene is simply brilliant, and includes a flawless trill lasting 15 seconds, "but it lacks the sparkle and coquettry of a Schumann or a Schwarzkopf" wrote producer Keith Hardwick 1982 in his notes for "A Record of Singers". Yes, I agree: Marie Dietrich possessed a voice used with consummate skill, but often lacking heart. And so, all what´s left is a remarkable party piece, a curiosity. This is not much, but possibly something you can estimate as an oddity from another age of self-expression and singing. Some call it "The Golden Age" In this delightful scene, the chambermaid Adele tries to persuade the prison-director Frank of her theatrical qualities.
Giacomo Puccini Maria Müller Tino Pattiera Eduard Habich Leo Blech Krolloper Staatsoper Staatsoper Berlin 1927
"Will ich allein des Abends in Paris mich ergehen" - Walzerlied der Musetta aus der Oper "La Bohème" von Giacomo Puccini. Unveröffentlichter Mitschnitt einer Konzertveranstaltung aus der Krolloper Berlin. Matrize CWR 1408-1. Weitere Mitwirkende: Maria Müller, Tino Pattiera, Robert Philipp, Eduard Habich, Theodor Scheidl und Otto Helgers. Orchester der Staatsoper Berlin, Leitung: Leo Blech