Marguerite Long Vidéos
pianiste française
Commémorations 2024 (Naissance: Marguerite Long)
- piano
- musique classique
- France
- pianiste, professeur ou professeure de musique
Dernière mise à jour
2024-04-10
Actualiser
Johann Sebastian Bach Dag Jensen Jensen Christian Ferdinand Abel Zimmermann Stinson Johann Peter Kellner Dreyfus Peters Collegium Musicum Café Zimmermann 1079 1723 1729 1976 1991 2013
00:00 - I. Adagio 04:06 - II. Allegro ma non tanto 07:38 - III. Andante 09:54 - IV. Allegro moderato / Bassoon: Dag Jensen Harpsichord: Knut Johannessen Year of Recording: 2013 / "The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s. Although the dating of Bach's three sonatas for viola da gamba and cembalo has presented problems for musicologists, because only an autograph score of the first sonata BWV 1027 survives, there is now general consensus that the works were written in Leipzig at some time in the late 1730s and early 1740s. Prior to that commentators had suggested that they dated from an earlier period when Bach was in Cöthen or even beforehand: the viola da gamba player Christian Ferdinand Abel was one of the court musicians of Prince Leopold at Cöthen. Bach moved to Leipzig as Thomaskantor in 1723 and in 1729 was appointed director of the Collegium Musicum, a chamber music society that put on weekly concerts at the Café Zimmermann. Other versions of BWV 1027 exist: there is a trio sonata for two transverse flutes and continuo (BWV 1039); as well as a trio sonata for organ in three movements. Russell Stinson has determined that the organ work, with the first two movements transcribed from BWV 1039/i and BWV 1039/ii and the last from BWV 1027/iv, is not by Bach but most probably by Johann Peter Kellner. In the late 1980s four new editions of the sonatas appeared, including the Urtext edition of Laurence Dreyfus for C.F. Peters; in a long accompanying text Dreyfus presented detailed arguments for the works to be dated to Bach's period in Leipzig. In a subsequent study of Bach's chamber music, Wolff (1991) came to the same conclusion and gave provisional dates for many of Bach's chamber music and concertos in his Leipzig period. No precedence had been given to BWV 1027 or BWV 1039, beyond the fact that long notes are easier to sustain on a transverse flute than a harpsichord. The dating of BWV 1027–1028 is explained in detail by Jones (2013) in his analysis of Bach's instrumental works. including his flute sonata in E major (BWV 1035), the triple concerto in A minor for flute, violin and harpsichord (BWV 1044) and the trio sonata for flute, violin and continuo from the Musical Offering (BWV 1079)." (Wikipedia) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Johann Sebastian Bach Claudio Abbado Giuliano Carmignola Michala Petri Christian Ludwig Giuseppe Verdi Herbert Karajan Orchestra Mozart Vienna State Opera Berlin Philharmonic Teatro Municipale Valli Milan Scala 1685 1718 1720 1721 1750 1933 1968 1984 1989 2002 2004 2007 2011 2014
Claudio Abbado and the Orchestra Mozart perform Johann Sebastian Bach’s Brandenburg Concerto No. 4 in G major, BWV 1049, at the Teatro Municipale Valli in Reggio Emilia, Italy (2007). This Brandenburg Concerto No. 4 has a very special line-up: principal violin (Giuliano Carmignola), two recorders (Michala Petri and Nikolaj Tarasov) and a string orchestra. Bach described the recorders as "Fiauti d'echo", or "echo flutes", although it’s not quite clear what he meant by that. The fourth of the Brandenburg concerts is the only work that uses "echo flutes" as far as we know today. The Brandenburg Concerto No. 4 was probably written in 1720 as one of the last or even the last of the six Brandenburg Concertos. 00:00 I. Allegro 07:11 II. Andante 10:54 III. Presto The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach (1685 – 1750) are a collection of six instrumental works, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in 1721. They are regarded as some of the best orchestral compositions of the Baroque era. The concerts were, however, likely composed between 1718 and 1721, for Bach’s Köthener Hofkappelle. Bach’s original title, Six Concerts with Various Instruments, describes exactly what is special about these concerts; the varied use of several instruments – with different strings, wind instruments, or solo harpsichord for the concertini. Watch the other 5 Brandenburg Concertos with Abbado and the Orchestra Mozart: (http•••) (http•••) (http•••) (http•••) (http•••) The Orchestra Mozart was founded in 2004 to afford talented, young musicians the opportunity to play in a world-class orchestra, with world-class conductors. Claudio Abbado +••.••(...)) is considered one of the greatest conductors of all time. In 2011, Classic Voice music magazine named Abbado the most important of the top 100 living conductors. He was born into a family of musicians in Milan, Italy, on June 26, 1933. Following his study of conducting, piano, and composition at the Giuseppe Verdi Conservatory in Milan, he furthered his education at the Vienna Music Academy. In 1968, Abbado became head conductor of the Milan Scala. In the subsequent years, he could be seen on the world’s great concert stages; in Milan, London, and Chicago. Following his 1984 debut at the Vienna State Opera, he became the city’s general music director. In October of 1989, the members of the Berlin Philharmonic elected him artistic director, succeeding Herbert von Karajan. He remained in Berlin until 2002. Abbado died in Bologna on January 20, 2014, aged 80, following a long battle with cancer. EuroArts Music International GmbH Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #JohannSebastianBach #BrandenburgConcertos #ClaudioAbbado
Johann Sebastian Bach Claudio Abbado Ottavio Dantone Christian Ludwig Giuseppe Verdi Herbert Karajan Giuliano Carmignola Jacques Zoon Orchestra Mozart Vienna State Opera Berlin Philharmonic Teatro Municipale Valli Milan Scala 1050 1403 1685 1718 1721 1750 1933 1968 1984 1989 2002 2004 2007 2011 2014
Claudio Abbado and the Orchestra Mozart perform Johann Sebastian Bach’s Brandenburg Concerto No. 5 in D major, BWV 1050, at the Teatro Municipale Valli in Reggio Emilia, Italy (2007). Bach’s fifth Brandenburg Concerto is special in two respects: It includes a ‘concertino’ with harpsichord, transverse flute and violin, in which the three solo instruments confront the string orchestra as if in a kind of dialogue. And the slow middle movement is played by the three soloists without any string orchestra at all. This second movement is a restrained lament in which violin, flute and harpsichord enter into a canonic dialogue with each other. What is also special about the Fifth Brandenburg Concerto is that Bach gave the harpsichord a prominent role. In the first movement, this tradition-steeped keyboard instrument has a three-minute solo passage that is brilliantly handled by Ottavio Dantone (05:56). Because of this harpsichord solo, the Brandenburg Concerto No. 5 is considered perhaps the earliest example of a solo concerto for a keyboard instrument. 00:00 I. Allegro 09:00 II. Affettuoso 14:03 III. Allegro Dantone plays a harpsichord from the workshop of William Horn, which is also a feast for the eyes with its many decorations on a bright red base in the middle of the stage. The Latin quotation in the lid of the ornate keyboard instrument ‘Nulla scientia melior musica animae harmonia’ (There is no science better than the music of the soul) could have been written just for this Brandenburg Concerto, which seems to have drawn its rhythm from the pulse of the human soul. The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach (1685 – 1750) are a collection of six instrumental works that Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in 1721. They are regarded as some of the best orchestral compositions of the Baroque era. The concerts were, however, likely composed between 1718 and 1721, for Bach’s Köthener Hofkappelle. Bach’s original title, Six Concerts with Various Instruments, describes exactly what is special about these concerts; the varied use of several instruments – with different strings, wind instruments, or solo harpsichord for the concertini. Watch the other 5 Brandenburg Concertos with Abbado and the Orchestra Mozart: (http•••) (http•••) (http•••) (http•••) (http•••) The Orchestra Mozart was founded in 2004 to afford talented young musicians the opportunity to play in a world-class orchestra, with world-class conductors. Claudio Abbado +••.••(...)) is considered one of the greatest conductors of all time. In 2011, Classic Voice music magazine named Abbado the most important of the top 100 living conductors. He was born into a family of musicians in Milan, Italy, on June 26, 1933. Following his study of conducting, piano, and composition at the Giuseppe Verdi Conservatory in Milan, he continued his education at the Vienna Music Academy. In 1968, Abbado became head conductor of the Milan Scala. In the subsequent years, he could be seen on the world’s great concert stages, in Milan, London, and Chicago. Following his 1984 debut at the Vienna State Opera, he became the city’s general music director. In October of 1989, the members of the Berlin Philharmonic elected him artistic director, succeeding Herbert von Karajan. He remained in Berlin until 2002. Abbado died in Bologna on January 20, 2014, aged 80, following a long battle with cancer. Giuliano Carmignola – Violin Ottavio Dantone – Harpsichord Jacques Zoon – Flute Orchestra Mozart Claudio Abbado – Conductor EuroArts Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #JohannSebastianBach #BrandenburgConcertos #ClaudioAbbado
Johann Sebastian Bach Dag Jensen Jensen Christian Ferdinand Abel Zimmermann Stinson Johann Peter Kellner Dreyfus Peters Collegium Musicum Café Zimmermann 1079 1723 1729 1976 1991 2013
00:00 - I. Adagio 01:59 - II. Allegro 05:43 - III. Andante 10:26 - IV. Allegro / Bassoon: Dag Jensen Harpsichord: Knut Johannessen Year of Recording: 2013 / "The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s. Although the dating of Bach's three sonatas for viola da gamba and cembalo has presented problems for musicologists, because only an autograph score of the first sonata BWV 1027 survives, there is now general consensus that the works were written in Leipzig at some time in the late 1730s and early 1740s. Prior to that commentators had suggested that they dated from an earlier period when Bach was in Cöthen or even beforehand: the viola da gamba player Christian Ferdinand Abel was one of the court musicians of Prince Leopold at Cöthen. Bach moved to Leipzig as Thomaskantor in 1723 and in 1729 was appointed director of the Collegium Musicum, a chamber music society that put on weekly concerts at the Café Zimmermann. Other versions of BWV 1027 exist: there is a trio sonata for two transverse flutes and continuo (BWV 1039); as well as a trio sonata for organ in three movements. Russell Stinson has determined that the organ work, with the first two movements transcribed from BWV 1039/i and BWV 1039/ii and the last from BWV 1027/iv, is not by Bach but most probably by Johann Peter Kellner. In the late 1980s four new editions of the sonatas appeared, including the Urtext edition of Laurence Dreyfus for C.F. Peters; in a long accompanying text Dreyfus presented detailed arguments for the works to be dated to Bach's period in Leipzig. In a subsequent study of Bach's chamber music, Wolff (1991) came to the same conclusion and gave provisional dates for many of Bach's chamber music and concertos in his Leipzig period. No precedence had been given to BWV 1027 or BWV 1039, beyond the fact that long notes are easier to sustain on a transverse flute than a harpsichord. The dating of BWV 1027–1028 is explained in detail by Jones (2013) in his analysis of Bach's instrumental works. including his flute sonata in E major (BWV 1035), the triple concerto in A minor for flute, violin and harpsichord (BWV 1044) and the trio sonata for flute, violin and continuo from the Musical Offering (BWV 1079)." (Wikipedia) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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- chronologie: Interprètes (Europe).
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