Konstantin Saradzhev Vidéos
musicien russe
Commémorations 2024 (Décès: Konstantin Saradzhev)
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2024-04-19
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Tchaikovsky Konstantin Saradzhev Lso Philharmonia Orchestra Covent Garden 1877 1953 1954 2009
Tchaikovsky's "Cherevichki" was a revision of his earlier opera "Vakula the Smith." In its new form it has had numerous titles in translation, including "The Slippers," "The Little Shoes," "The Tsarina's Slippers," "The Empress's Slippers," "The Golden Slippers," "The Little Slippers" and "Les caprices d'Oxane," otherwise known as "Oxana's Caprices." Constantin Saradjeff (also named as Konstantin Saradzhev, 1877-1954, an Armenian conductor) arranged a 20-minute Orchestral Suite from the opera and this was published by Jurgenson under the title "Les caprices d'Oxane." In 1953, Anatole Fistoulari and the Philharmonia Orchestra recorded it on a 'Parlophone' LP which opted for "The Slippers." However, when 'Guild' reissued the recording on CD, they preferred "The Tsarina's Slippers," the title which had been used by the Royal Opera House, Covent Garden, in its 2009 presentation of the work. Saradjeff's Orchestral Suite consists of the following movements: (1) Introduction to Act 1- Exorcism and Snow Storm - Minuet (2) Introduction to Act 3 - Russian Dance (3) Cossack Dance (4) Finale Fistoulari's appears to be the only recording of this Suite, so hopefully this upload will inspire some other conductors to take it into their repertoire! This Wiki entry gives full details of the opera ... (http•••)
Prokofiev Frederick Stock Serge Koussevitzky Samuil Feinberg Konstantin Saradzhev Chicago Symphony Orchestra 1828 1913 1916 1921 1922 1925
S. Prokofiev — Piano Concerto N. 3 in C major, Op. 26 Prokofiev began his work on the concerto as early as 1913 when he wrote a theme with variations which he then set aside. Although he revisited the sketches in 1916–17, he did not fully devote himself to the project until 1921 when he was spending the summer in Brittany. Prokofiev himself played the solo part at the premiere on 16 December 1921 in Chicago with the Chicago Symphony Orchestra conducted by Frederick Stock. The work did not gain immediate popularity and had to wait until 1922 to be confirmed in the 20th century canon, after Serge Koussevitzky conducted a lavishly praised performance in Paris. The first Soviet performance was on 22 March 1925, by Samuil Feinberg, with the Orchestra of the Theatre of the Revolution under Konstantin Saradzhev. 00:00 — Andante 08:56 — Andantino 18:28 — Allegro, ma non troppo #piano #concerto #prokofiev
Prokofiev Frederick Stock Serge Koussevitzky Samuil Feinberg Konstantin Saradzhev Chicago Symphony Orchestra 1913 1916 1921 1922 1925
Prokofiev began his work on the concerto as early as 1913 when he wrote a theme with variations which he then set aside. Although he revisited the sketches in 1916–17, he did not fully devote himself to the project until 1921 when he was spending the summer in Brittany. Prokofiev himself played the solo part at the premiere on 16 December 1921 in Chicago with the Chicago Symphony Orchestra conducted by Frederick Stock. The work did not gain immediate popularity and had to wait until 1922 to be confirmed in the 20th century canon, after Serge Koussevitzky conducted a lavishly praised performance in Paris. The first Soviet performance was on 22 March 1925, by Samuil Feinberg, with the Orchestra of the Theatre of the Revolution under Konstantin Saradzhev.[The concerto consists of three movements of roughly equal length which last just under 30 minutes in total. I. Andante – Allegro II. Tema con variazioni (in E minor) III. Allegro, ma non troppo Of the five piano concertos written by Prokofiev, the third piano concerto has garnered the greatest popularity and critical acclaim.] The concerto radiates a crisp vitality that testifies to Prokofiev's inventive prowess in punctuating lyrical passages with witty dissonances, while maintaining a balanced partnership between the soloist and orchestra. Unlike the examples of piano concertos set by many of Prokofiev's Romantic forebears, the orchestra rises above subsidiary accompaniment to play a very active part in this work
Sergei Prokofiev Sviatoslav Richter Kirill Kondrashin Tcherepnin Konstantin Saradzhev Anton Rubinstein Rubinstein Alexander Glazunov 1911 1912 1914 1947 1952
Sergei Prokofiev Piano Concerto n. 1 in D flat major op 10 Sviatoslav Richter, piano Moscow Youth Symphony Orchestra Kirill Kondrashin, conductor 1952 Recording Picture: Minor White, Devil’s Slide, San Mateo County, California, 1947, The Minor White Archive, Princeton University Art Museum, bequest of Minor White Trustees of Princeton University Sergei Prokofiev set about composing his Piano Concerto n. 1 in D flat major op. 10 in 1911 and finished it in 1912. A one-movement concerto, it is the shortest of his five complete piano concertos, lasting only around a quarter of an hour. The concerto can be divided into three sections as follows: 1. Allegro brioso 2. Andante assai 3. Allegro scherzando The first and last sections have a clear thematic relationship, as the concerto begins and ends with the same spacious D flat major theme. The middle section (G sharp minor) is darker but hardly less glorious than the other two, its climax abysmal rather than overbearing. Prokofiev dedicated his first piano concerto to the "dreaded Tcherepnin." The concerto was first performed in Moscow on 25 July/7 August 1912, with the composer as soloist and Konstantin Saradzhev conducting. Prokofiev later wrote that Saradzhev "realized splendidly all my tempos." Prokofiev won the Anton Rubinstein Prize for his pianistic accomplishments in a performance of the work before the Saint Petersburg Conservatory on 18 May 1914. Prokofiev proposed his own concerto for the competition programme, reasoning that though he may not be able to win with a classical concerto, with his own concerto the jury would be "unable to judge whether he was playing it well or not." The rules of the competition, however, required that the piece be published; Prokofiev found a publisher willing to produce twenty copies in time for the competition. The performance went well and the jury, headed by Alexander Glazunov, awarded Prokofiev the prize, albeit rather reluctantly. (http•••)
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