Xavier Boisselot Vidéos
compositeur, Facteur de piano Boisselot & fils
- piano
- opéra
- France
- compositeur ou compositrice, facteur ou factrice de pianos, pianiste
Dernière mise à jour
2024-05-11
Actualiser
Joseph Haydn Viviana Sofronitsky Vladimir Sofronitsky Liszt Boisselot Chopin Pleyel Stein Beethoven Schubert Brahms Streicher Oberlin Bach Hofmann Anton Bruckner Badura Skoda Nikolaus Harnoncourt Bilson Kristian Bezuidenhout Ronald Brautigam Trevor Pinnock Leonhardt Lancaster Peres Bach Tage Berlin Wigmore Hall Opera Copenhagen Schola Cantorum 1774 1792 1819 1830 1846
Haydn sonata performed on Walter fortepiano! This is the Finale, Molto Vivace. Joseph Haydn himself owned a Walter (now in Eisenstadt Haydn-Haus museum) It is specially interesting that the lid of Haydn's personal Walter is made from the same piece of wood as the lid of Mozart's personal Walter, now in Salzburg museum. The piano, used in recording is a concert quality copy made by modern fortepiano builder Paul McNulty. Please subscribe to our YouTube cannel for more fortepiano videos! Paul McNulty fortepianos website: (http•••) McNulty's Facebook Page: (http•••) Paul McNulty's Instagram: (http•••) Viviana Sofronitsky website: (http•••) If you like to hear and compare sound of different fortepiano models please listen to Viviana Sofronitsky performing on FIVE different instruments by Paul McNulty - fortepianos after Liszt's personal Boisselot 1846, Chopin's Pleyel 1830, Graf 1819, Walter 1792 and Stein 1774 - (http•••) Viviana Sofronitsky recording and live performances reveal the most colourful effects of classical and romantic composers music. Her collection of top-quality pianos also includes Mozart’s and Beethoven’s favorite Walter and Stein, Schubert’s Graf, Brahms's Streicher. Viviana began studying music following her father, Vladimir Sofronitsky. After DMA from the Moscow Conservatory, she studied early music in Oberlin, USA and received a historical fortepiano and harpsichord performance degrees from the Royal Conservatory in The Hague. Viviana was awarded the First Prize at the Bach Tage Berlin competition and main prizes at the Musica Antiqua competition at the MAFestival, Brugge. She performed at leading festivals and concert halls, like Wigmore Hall in London, in Nantes, in Leipzig, in Flanders Festival, in Gent, in Oslo, in Berlin and in Germany, etc. V.Sofronitsky has recorded with "Suoni e colori", "Globe", "Passacaille", “Avi”, “ETCetera”, "Pro Musica Camerata” - complete Mozart concertos. PAUL McNULTY became interested in instrument building after Peabody Conservatory in Baltimore. Having studied piano technology in Boston, he earned guild qualification as a tuning examiner. Paul McNulty has built more than 300 fortepianos after Silbermann, Stein, Walter, Hofmann, Fritz, Buchholtz, Graf, Pleyel and Streicher. His fortepianos owned by such musicians and musical institutions as Warsaw Chopin Festival, Competition & Institute (Graf 1819, Pleyel 1830 & Chopin’s "Warsaw piano" Buchholtz), Klassik Stiftung Weimar (copy of Liszt's personal 1846 Boisselot piano), Royal Academy of Music and Royal College of Music in London, Paris Conservatoire, Trossingen Hochschule fur Musik, Koeln, Augsburg and Hannover Hochschule, Paris Sorbonne, Stanford, Cornel & Harvard University, Oberlin College, Basel Musik Hochschule, Schola Cantorum Musik-Akademie Basel, Musik und Kunst Privatuniversität der Stadt Wien, Turin Conservatorium, Vicenza Conservatory, Amsterdam and Den Haague Conservatory, Anton Bruckner Privatuniversität Linz, Glyndebourne Festival, UK, Opera National de Paris, Royal Danish Opera Copenhagen, Center and many others Prof.Paul Badura-Skoda, Alice and Nikolaus Harnoncourt, Prof.Malcolm Bilson, Katia & Marielle Labeque, Kristian Bezuidenhout, Ronald Brautigam, Robert Levin, Trevor Pinnock, John Irving, Trudelies Leonhardt, Geoffrey Lancaster and Neal Peres da Costa. Please listen to the beautiful sounds of historical keyboard instruments - fortepianos after Pleyel, Walter, Stein, Graf, Streicher, Buchholtz, Fritz and Boisselot. As many other musical instruments, pianos were very different in classical and romantic times. Period piano is not only museum instrument. Their beautiful sounds are very different from the modern piano and they help you to discover the unique music world of Bach, Mozart, Beethoven, Schubert, Chopin, Liszt and Brahms. Concert fortepiano replicas of modern piano maker Paul McNulty brings classical music back to our time. You can buy & rent new concert pianos after Mozart's Walter & Stein, Chopin's Pleyel, Beethoven's Graf, Liszt's Boisselot, Brahms's Streicher. Please visit our website to purchase fortepiano. Thank you for watching. Please subscribe and visit our channel If you want to know more about fortepianos, classical music and piano manufacturer secrets. Classical music can be your hobby and help your study, but will increase your relaxation, rest and mental health. It will help you to increase positive feelings, bring love to your soul and harmony to your mind. Classical music played on historical instruments will make you feel free through a peaceful passage of time, help you to rest in deep sleep and increase your positive energy when you will wake up. #fortepiano #PaulMcNulty #Haydn #sonata #classicalmusic #Sofronitsky #piano #Walterpiano
Carlo Zecchi Platania Falchi Giovanni Sgambati Boisselot Franz Liszt Francesco Cilea Alfredo Casella Remigio Renzi Renzi Consolo Luigi Ferrari Trecate 1867 1884 1885 1893 1894 1926 1934
Francesco Bajardi ballata in C Minor pianista Carlo Zecchi registrazione del 1926 Francesco Bajardi nacque a Isnello (PA) il 23/4/1867. Fu allievo, a Palermo, del M.° Caracciolo (pianoforte) e del M.° Platania (composizione). A Roma studiò composizione con i M.i De Sanctis e Falchi e pianoforte con il grande M.° Giovanni Sgambati, allievo di Franz Listz. In qualche autorevole recensione si dice che lo stesso Bajardi fu allievo di Listz. Il Bajardi si esibì a Londra nel 1884, vinse il premio Casa musicale F. Boisselot nel 1885 e il premio pianistico Franz Liszt nel 1893. Nel 1894 diede un concerto a Pietroburgo. Partecipò attivamente alla vita musicale romana e italiana del periodo post-unitario insieme ad altri suoi importanti amici, allievi anch'essi del Maestro Sgambat. Francesco Bajardi fu docente di pianoforte al Conservatorio S. Cecilia in Roma e nel 1926 fu componente di una delle dieci commissioni ministeriali incaricate di redigere i programmi di esame di pianoforte e organo insieme a Francesco Cilea, Alfredo Casella, Remigio Renzi, Florestano Rossomandi, Ernesto Consolo e Luigi Ferrari-Trecate. Gli allievi del Bajardi hanno ricordato con affetto e grande dedizione il loro Maestro: Dante Alderighi da Taranto, Mario Bartoccini, Carlo Zecchi il quale giudicò sempre prezioso lo studio con Francesco Bajardi, e che riconosceva in quel suo primo maestro soprattutto una inclinazione poetica. Francesco Bajardi è autore di diverse composizioni per pianoforte solo e per pianoforte e orchestra. Morì a Roma il 17 settembre 1934. La casa natale di Isnello, in Corso Vittorio Emanuele, espone una targa commemorativa dei suoi natali madoniti e la storica Banda Musicale di Isnello è intitolata al suo nome.
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- chronologie: Compositeurs (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): B...