Virginie Haussmann Vidéos
cantatrice française
- France
- artiste lyrique
Dernière mise à jour
2024-05-15
Actualiser
Haussmann Palais Garnier Opéra Bastille 1864 1879 1989 2021
A WALK IN PARIS PARIS WALKING TOUR WALKING TOUR AROUD IN AVENUE L'OPERA IN PARIS 4K UHD The Avenue de l'Opéra was created from 1864 to 1879 as part of Haussmann's renovation of Paris. It is situated in the center of the city, running northwest from the Louvre to the Palais Garnier, the primary opera house of Paris (until the opening of the Opéra Bastille in 1989). The avenue itself is very popular with tourists and is lined with shops selling fancy souvenir Parisian merchandise (articles de Paris), as well as travel agencies and banks.A small Japanese district is nearby, in the rue Sainte-Anne. Unlike most Parisian avenues, there are no trees. This was the result of a compromise between Haussmann and Charles Garnier, the architect of the opera house, who desired the best view possible of the main facade of the Opera at the end of the avenue. He did not want the view to be obstructed by the leaves and branches. FILMED ON 01/09/2021 In today's tour i started to walk from rue Rivoli and walking along through the Avenue de L'Opera then walk around the garnier palace and i finished it in the place Opera. I hope you will like my videos Please subscribe and support the channel (http•••) I will work harder to give you a quality and intresting walking tour video.Thanks For your support . Walking tour videos: Paris walking tour : (http•••) Châtelet Les Halles: (http•••) Paris saint-lazare : (http•••) Paris Montmartre : (http•••) Paris Sacré coeur : (http•••) Paris La Défense : (http•••) #paris #4kwalks #citywalks #parisfrance #paris2021
Wallingford Constantine Riegger Haussmann Max Bruch Edgar Stillman Kelley Stillman Drake Paderewski Charles Ives Henry Cowell Carl Ruggles Johnston Stadttheater Würzburg Blüthner Orchestra 1885 1900 1904 1907 1910 1914 1916 1917 1920 1922 1923 1926 1931 1932 1941 1948 1961 1976 1995
00:00 - I. Moderato 02:15 - II. Allegretto grazioso 05:55 - II. Allegro / Bassoon: Donald MacCourt Clarinet: Charles Neidlich Flute: Samuel Baron Oboe: Ronald Roseman Year of Recording: 1995 / "American composer Wallingford Riegger was a proponent of none of the major twentieth century "schools" of composition, and until the very end of his long career he received little more than cursory notice from the American musical establishment. Nevertheless, his 75 completed compositions have proved a source of enrichment to several generations of musicians who are drawn to Riegger's unique brand of modernism. Riegger was born into a musically rich Georgia family in 1885, and was taught piano and violin from an early age. Riegger added the cello to his musical pursuits when the family decided to form a private string quartet in 1900. After a year at Cornell University (1904), Riegger enrolled at the newly formed Institute of Musical Arts in New York as a student of both cello and composition. After graduating from the Institute in 1907, Riegger traveled to Germany, where he took cello lessons from Robert Haussmann, and studied composition with Max Bruch and Edgar Stillman-Kelley. Riegger found employment as a cellist with the St. Paul Orchestra upon returning to the United States in 1910, but by 1914 he found himself back in Germany, working first as an opera conductor (Stadttheater of Würzburg) and then, during the 1916-1917 season, as conductor of the Blüthner Orchestra in Berlin. Riegger was lured back to the United States by the prospect of becoming professor of cello at Drake University in Iowa, a position which would offer him enough flexibility to pursue composition in a more serious way. His first published work, the Piano Trio Op.1 from (1920) was awarded the Paderewski Prize and gained Riegger some national attention, but during the next few years he began to question the long-term merits of his conservative musical style. From 1923 to 1926 he retired from active composition to sort out his own personal views on the future of music. By the late '20s, Riegger had aligned himself with progressive composers Charles Ives, Henry Cowell, and Carl Ruggles, adopting a more dissonant but still fiercely independent, compositional language. This new language appears fully developed in the 1932 orchestra work Dichotomy. Unfortunately, this new musical direction failed to bring any recognition and financial reward. After he resigned from Drake University in 1922, Riegger was forced to work as an editor and musical arranger to make ends meet. During the 1930s, an interest in modern dance led the composer to write almost exclusively for leaders in that field, including Martha Graham and José Limon. By 1941 Riegger had tired of his increasing isolation from other musicians and he recommitted himself to instrumental composition, this time with greater financial and popular success. The premiere of the Symphony No.3 in 1948 provided him national exposure, and he remained in the front rank of American composers until his death in 1961. Later works employ 12-tone techniques in a very free manner." (Blair Johnston) / Note: As there was not a title page for the score of this piece, I have instead put an image of the dedicatee alongside the composer. / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Johann Sebastian Bach Himmel Griswold Lorenz Christoph Mizler Haussmann 1711 1746 1747 1778
Canonic Variations on Vom himmel hoch da komm' ich her, BWV 769 Johann Sebastian Bach Marvin Mills, organist Recorded live in Leith Symington Griswold Hall, Peabody, Institue, Baltimore, MD Written in 1747 upon Bach's entrance into Lorenz Christoph Mizler's +••.••(...)) "Correspondierende Societät der musicalischen Wissenschaften"/Corresponding Society of the Musical Sciences, and one of the few published during his lifetime. Bach uses canon in the five variations to create a technical marvel which is simultaneously pleasing to the ear and soul. 1 - Canon at the octave 2 - Canon at the fifth 3 - Canon at the seventh 4 - Canon in augmetation (octave) 5 - Canon inverted at sixth, third, second, ninth, diminution and stretto This painting was done by Elias Gottlob Haussmann in 1746 showing Bach holding his Riddle Canon also for the CSMW.
Masson Henry Purcell Tiburtio Massaino Johann Pezel Gabrielli Matthew Locke Jean Baptiste Lully André I Danican Philidor Danican Philidor Valentin Haussmann Georg Friedrich Händel Sigismund Neukomm Pierre Thibaud Thibaud Roger Delmotte 1557 1612 1632 1639 1647 1659 1677 1685 1687 1694 1695 1730 1759 1778 1858
Henry Purcell +••.••(...)) 00:00 Trompettes et Airs Tiburtio Massaino (c1550-c1608) 03:01 Canzone N° 34 Johann Pezel +••.••(...)) 05:18 Suite: Intrada - Courante - Bal - Sarabande Giovanni Gabrielli +••.••(...)) 10:24 Canzone N° 13 Henry Purcell 13:00 Suite: Allegretto - Air - Gigue - Allegro Matthew Locke (c1621-1677) 18:31 Music for His Majesty's: Air - Courante - Allemande - Sarabande Jean-Baptiste Lully +••.••(...)) 23:05 Marche des Régiments du Roi 24:35 Marche de Monsieur de Turenne André I Danican Philidor l´Ainé +••.••(...)) 25:37 Marche des Boulonnois Valentin Haussmann (c1560-c1614) 26:40 Trois Danses André I Danican Philidor l´Ainé 29:16 Marche Liègeoise Jean-Baptiste Lully 30:44 Marche de Thésée Georg Friedrich Händel +••.••(...)) 32:02 Marche de Judas Machabée Sigismund Neukomm +••.••(...)) 33:49 La Blofreville Ensemble de Cuivres - Gabriel Masson, direction Trumpets: Pierre Thibaud & Roger Delmotte Trombones: Gabriel Masson, Roger Rouyer & Serge Tevet French Horn: Jacky Magnardi
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