Thomas Brigham Bishop Vidéos
Dernière mise à jour
2024-05-16
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Maria Ivogün Meyerbeer Verdi Brunswick Massenet Lark Shakespeare Schubert Kreisler Eckert Arditi Chopin Tosti Odeon 1891 1917 1919 1923
Maria Ivogün II * 18. November 1891 Budapest Ihr edlen Herrn allhier Arie des Pagen Urban aus "Die Hugenotten" (Meyerbeer) Aufgenommen 1919 Odeon LXX 76997 (Matr. Nr. XXB 6384) 2. Version Teurer Name dessen Klang (ital. ges.) Arie der Gilda aus "Rigoletto" (Verdi) Aufgenommen 1923 Brunswick 50081 B Je marche sur tons les chemins Szene der Manon manon" (Massenet) Aufgenommen 1923 Brunswick 50081 A Charmant Oiseau Arie aus "Perle du Bresil" (David) Aufgenommen 1923 Brunswick 30101 A Lo, here the gentle lark (Bishop-Shakespeare) Aufgenommen 1923 Brunswick 10174 B Horch! Horch! die Lerch (Schubert-Shakespeare) Aufgenommen 1923 Brunswick 10119 A Die Post (Schubert-Müller) Aufgenommen 1923 Brunswick 10119 B G’schichten aus dem Wiener Wald, Walzer (Strauß) Aufgenommen 1923 Brunswick 30107 A An der schönen blauen Donau, Walzer (Strauß) Aufgenommen 1923, Brunswick 10174 A O schöner Mai, Walzer (strauß) Aufgenommen 1923 Brunswick 50050 B : (30105 B) Liebesfreud (Kreisler) Aufgenommen 1923 Brunswick 50050 A : (30105 A) Schweizer Echolied (Eckert) Aufgenommen 1923 Brunswick 30107 B II Bacio (Arditi) ital ges. Aufgenommen 1923 Brunswick 30101 B Vilanelle (del Acqua) franz. ges. Aufgenommen 1917 Odeon XX 76981 (Matr. Nr. XXB 6331) Nocturne (Chopin-Tosti) . Aufgenommen 1917 Odeon LXX 76975 (Matr, Nr. XXB 6332)
New Philharmonia Orchestra Sir Adrian Boult Sir Edward Elgar 1976 1986
Provided to YouTube by Warner Classics The Dream of Gerontius, Op. 38, Part 1: No. 1, Prelude · New Philharmonia Orchestra/Sir Adrian Boult Elgar: The Dream of Gerontius & The Music Makers ℗ 1976 Warner Classics, Warner Music UK Ltd Digital remastering (p) 1986 Warner Classics, Warner Music UK Ltd Producer: Christopher Bishop Unknown: Christopher Parker Orchestra: New Philharmonia Orchestra Conductor: Sir Adrian Boult Composer: Sir Edward Elgar Auto-generated by YouTube.
Benjamin Britten Anthony Rolfe Johnson Rolfe Mallinson Renner Knab Atlanta Symphony Orchestra Atlanta Boy Choir 1989
Provided to YouTube by Universal Music Group Britten: War Requiem, Op. 66: I. Requiem aeternam · Robert Shaw · Atlanta Symphony Orchestra · Atlanta Symphony Orchestra Chorus · Anthony Rolfe Johnson · The Atlanta Boy Choir Britten: War Requiem, Op. 66 ℗ 1989 Telarc International Corp., Distributed by Concord. Released on: 1989-07-01 Producer, Recording Producer: James Mallinson Producer, Assistant Producer: Elaine Martone Studio Personnel, Recording Engineer: Jack Renner Studio Personnel, Editor: E. Amelia Rogers Studio Personnel, Asst. Recording Engineer: Michael Bishop Studio Personnel, Asst. Recording Engineer: Thomas Knab Composer: Benjamin Britten Auto-generated by YouTube.
Johannes Brahms Eugen Jochum Klaus Tennstedt Bruno Walter Bruckner Abbado Beethoven London Philharmonic Orchestra Berlin Philharmonic 1702 1976 2003
00:00 - I. Un poco sostenuto — Allegro – Meno allegro 17:02 - II. Andante sostenuto 25:52 - III. Un poco allegretto e grazioso 30:36 - IV. Adagio — Più andante — Allegro non troppo, ma con brio – Più allegro Recorded: 29-30.VI, 1-5.VII and 1-3 & 8-9.X, 1976 Kingsway Hall, London (http•••) (http•••) Brummy21 5.0 out of 5 stars Wonderful and Inspired Brahms Reviewed in the United Kingdom on 7 November 2003 "It is difficult to concentrate on writing this while I listen to Jochum's Brahms 1st which just sweeps you along with its inspired conducting, wonderful orchestral playing and brilliant sound. These Jochum performances of three of Brahms' four symphonies, together with the Academic Festival and Tragic overtures, are vintage 1970s Kingsway Hall recordings, remastered on a 2CD bargain price issue from EMI. And what a bargain ! Eugen Jochum, steeped in the Germanic tradition, knows exactly how he wants these symphonies to sound and the London Philharmonic Orchestra rise to the occasion with playing they have probably never bettered, with producer Christopher Bishop giving them a sound to match. A dramatic First Symphony is followed by a wonderfully lyrical Second and a warm and weighty Third. What a pity then, that to complete the Jochum Brahms Symphony set you will have to buy another 2CD bargain EMI issue to get the Fourth, but coupled with a far less inspiring Brahms German Requiem and Schicksalslied, from Klaus Tennstedt. Still, don't let that put you off these 2CDs of inspired Brahms at almost a giveaway price. This set has replaced my Bruno Walter discs as my first choice listening for these Brahms symphonies - there can be no higher praise !" (http•••) "Brahms: I've written elsewhere about Jochum's extraordinary achievements in the symphonic works of Brahms and – aside from Bruckner – this is the music for which the conductor is most remembered. Jochum's first cycle was made with a post-war Berlin Philharmonic, and not only did he obtain staggering results given the time period, but nobody in Berlin has yet been able to match it (though Abbado comes close!) Late in his career, Jochum led the London Philharmonic in these marvelous performances. At first, it might have been disappointing to listeners to discover the Philharmonic had been chosen. After all, EMI had been making important recordings in Dresden, Vienna, and Berlin. The London Philharmonic would have (rightly) been seen as inferior, and maybe it still is. Even for modern listeners, there's a good chance that some of us missed these recordings the first time around. The cycle was split across two two-disc sets a few years back, and while that might have made sense at EMI, it would probably have been best to just box the cycle up and call it a day. Here at last, everything is sensibly collected, along with the overtures and a smattering of overtures by Beethoven from elsewhere in London. The cycle shows the London Philharmonic in absolutely smashing form. Jochum elicits stunning virtuosity from his players, to the point where one doesn't regret the choice of orchestra at all. Again, comparisons with Furtwangler are telling, because at no point does the older conductor come close to executing similar results in his Brahms. Sure, Furtwangler has perhaps some of the greatest "conceptions" of Brahms ever, but what is a conception if you can't hear it outside of the conductor's head? Each disc in this box is generously filled, sounds great, and represents each composer faithfully within the "Romantic" and Germanic tradition. Purists will undoubtedly prefer a lighter and more (currently) idiomatic sound, but for those of us who like this kind of thing (and admit it, there's still lots of us), this Icon set is one of the brightest and best in terms of how to acquire all of this music at once. I say this a lot these days, but both seasoned veterans and curious listeners will find endless enjoyment here." Brian Wigman (http•••)
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- chronologie: Compositeurs (Amérique du Nord).
- Index (par ordre alphabétique): B...