Thomas Blunt Vidéos
Dernière mise à jour
2024-04-27
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Rubio Blunt Beltrán Hernandez Rodriguez Aguirre Domínguez Navarro Cisneros Molina Rossetti Medina Zamora Cristo Dominguez Hernández Quiroz
C. Tangana con Carín León y Adriel Favela – Cambia! EL MADRILEÑO (http•••) MERCHANDISING (http•••) IG (http•••) TW (http•••) FB (http•••) Créditos Cambia! Director SANTOS BACANA DoP PEPE GAY DE LIÉBANA Producido por CRIS TRENAS & MARÍA RUBIO Director México FELIX BOLLAIN Dop México LLUÍS MARTÍ Productor Landia EZEQUIEL AVARO Director Creativo SANTOS BACANA ROBERTO LOPEZ LOPEZ GRETA FERNANDEZ EVA BLUNT BELTRÁN CORROCHANO DOMINIC RAZIEL HERNANDEZ Jefes de Producción YAGO LÓPEZ ABRIL & CARLA LAPIEDRA 1er AD ENEIDA DE SOSA Coordinadora de Producción PALOMA ESPINÓS Ayudantes de Producción JOSÉ MARÍA SIERRA LUCÍA SANTOLAYA CARLOS URREA 1er AC ISMAEL FERNANDEZ 2º AC CARMINA HERRANZ Video Asistencia MONICA BLAZQUEZ Directora de Arte LEILA RODRIGUEZ Ayudantes de Arte IRENE MARTÍNEZ BEATRIZ FIGUEROLA Vestuario ALEX TURRIÓN & CARLA PAUCAR Maquillaje y Peluquería MIKY VALLÉS Directora de Casting MAIA DE ZAN Fotógrafa ROCÍO AGUIRRE Gaffer SERGIO FUIDIA Eléctricos CARLOS DOMÍNGUEZ NAVARRO ALEJANDRO LÓPEZ CISNEROS JAVIER ALFAYA Grip EDUARDO DE LA CUESTA Conductor de cámara RUBEN MOLINA Editor SANTOS BACANA Post producción JORGE DEVORA Color JULIA ROSSETTI Equipo ELDEMAZ Chave U. Alfaro & Patri Alfaro Sony Video Commissioner LUIS ANGELES Proveedores MADCREW CINELAB LONDON SERCIVI ROLLING TECNITRAN RODANDO EN VAN AUTOS CADENAS GRIPHOUSE NURSE ON SET Equipo MÉXICO 1er AD FITO STONE Gerente de Producción VIRIDIANA GUADARRAMA Coordinador de Producción JUAN PABLO MEDINA Asistente de Producción FERNANDA PRECIADO Coordinador de Transportes DANIEL CARRANZA 1er AC RICARDO ZAMORA Gaffer CRISTO DOMINGUEZ Eléctricos ÁNGEL LÓPEZ SOLIS JOSÉ MANUEL HERNÁNDEZ SERGIO QUIROZ ALAN RODRIGO LOPEZ Video Asistencia EDGAR MATEOS MEDRANO Encargado de Cámara ARMANDO HERNANDEZ Conductor FELIPE ROMÁN Fotógrafo FELIPE BARTOLOMÉ Director de Arte CARLOS MANCILLA Vestuario JOSELYN CORONA Maquillaje y Peluquería JUAN MENDEZ Asistente de Maquillaje MARGOT CORTAZAR
Franz Adolf Berwald Tobias Ringborg Ringborg Niklas Willén Blunt Felix Mendelssohn Carl Nielsen Forge Swedish Chamber Orchestra 1440 1796 1811 1822 1829 1835 1841 1866 1868 1911
Franz Adolf Berwald - Violin Concerto in C sharp minor, Op. 2, Tobias Ringborg (violin), Swedish Chamber Orchestra, Niklas Willén (conductor) I. Allegro moderato – 00:00 II. Adagio – 12:15 / III. Rondo. Allegretto – 14:40 Franz Adolf Berwald (born in Stockholm on July 23, 1796 and died there on April 3, 1868) was a Swedish Romantic composer who was generally ignored during his lifetime and had to make his living as an orthopedic surgeon and, later, as the manager of a saw mill and glass factory. He is now considered the finest Swedish composer of the 19th century, indeed probably the finest Swedish composer of any century. Berwald came from a family with four generations of musicians; his father, a violinist in the Royal Opera Orchestra, taught young Berwald the violin from an early age. He soon appeared in concerts. In 1811, Karl XIII (brother of Gustavus III) came to power and reinstated the Royal Chapel; the following year Berwald started working there, as well as playing the violin in the court orchestra and the opera, receiving lessons from Edouard du Puy. He also started composing. The summers were off-season for the orchestra, and Berwald travelled around Scandinavia, Finland and Russia. His early compositions were not well received, with a critic writing, “It seems as if Herr Berwald’s hunt for originality and his constant striving to impress with great effects has deliberately banished all melodiousness from his compositions.” Berwald’s reply was equally blunt, and he basically managed to alienate the entire musical establishment of Stockholm. As such he applied for a grant from the king to travel to Germany in 1822. After several unsuccessful applications, Berwald finally managed to depart for Berlin in 1829 and met with Felix Mendelssohn. However, a number of operatic projects failed to reach fruition, and as his funding dried up he decided to make a living by founding an orthopedic institute in 1835. His foray into bone setting turned out to be rather successful, and apparently, some of the orthopedic devices he invented were still in use decades after his death. He also ran a saw-mill and a glass works. Once, when he was asked if he was a composer his reply was "No, I'm a glassblower". Financially more stable, Berwald sold his business and moved to Vienna in 1841 to resume his compositional career. In 1866, Berwald received the Swedish Order of the Polar Star, in recognition of his musical achievements. The following year, the Board of the Royal Musical Academy appointed Berwald professor of musical composition at the Stockholm Conservatory, only to have the Conservatory Board reverse the decision a few days later, and appoint another. The royal family stepped in, and Berwald got the post. At around that time he was also given many important commissions, but he did not live to fulfill them all. Berwald died in Stockholm in 1868 of pneumonia and was interred there in the Norra begravningsplatsen (Northern Cemetery). The second movement of the Symphony No. 1 was played at his funeral. „Both the man and his music were often misunderstood. We now appreciate his musical legacy, particularly his symphonies and opera overtures, his tone poems and his music for violin. But relatively little of his music was performed in his own lifetime - and that which was performed was sometimes badly received and reviewed. A reputation for arrogance and reserve probably didn't help either and he was outspoken in his criticism of the Swedish musical establishment. Yet he was also capable of great generosity to friends, students, and even to complete strangers.” Almost completely forgotten, it was not until the beginning of the 20th century that Berwald’s music became a reference point for a younger generation of Swedish composers. Carl Nielsen wrote in 1911, “Neither the media, money nor power can damage or benefit good Art. It will always find some simple, decent artists who forge ahead and produce and stand up for their works. In Sweden, you have the finest example of this: Berwald.”
Remi Geniet Mozart Concerto for piano and orchestra K.466 in D minor ~ cadenzas by Beethoven Queen Elisabeth 2013 piano competition,,,. Remi Geniet was the second place winner of the historical competition from England. He is at the present time the youngest prize winner of the Bonn International Beethoven competition. To be quite blunt, he plays this concerto as if he has known it all of his young life!!!
Tandberg Dundas Cavalli Blunt Soria Pauli Prytz Ahlström Jacobsen Gustafsson Backer Dahl Stalheim Munch 1842 1881 1883 1884 1893 1894 1896 1899 1900 1904 1906 1914 1931 1936 1949 1954 1956 1958 1961 1962 1963 1970 1975 1976 1998 2003 2012 2013 2014 2015 2016 2017 2018 2019 2021 2022
Versjon uten tegnspråktolkning: (http•••) Version with audioguide in English: (http•••) Bli med inn i Nasjonalmuseet for kunst, arkitektur og design, og opplev utvalgte høydepunkter fra samlingen. Dette er en helt ny måte å gå på museum! Baldisholteppet, Edvard Munchs «Skrik», Hannah Ryggen, Sverre Fehn-rommet, Harriet Backers «Blått interiør», «Undo» av Vibeke Tandberg, og Norges ‘nasjonalmaleri’ «Vinternatt i Rondane» av Harald Sohlberg. Lyd fra audioguide: Svarttrost produksjoner AS Tegnspråktolking ved Kathrine Goborg Rehder og Marianne Bjerg Musikk: Nasjonalmuseet og Universal Production Music Video: NEP/Hi5 Opphavsrett til kunstverk: Verkene er gjengitt etter avtale med BONO (Billedkunst Opphavsrett i Norge) – 2022 Verksliste Máret Ánne Sara, “Pile o’Sápmi Supreme”, 2017 Unidentified artist, “The Baldishol Tapestry”, 1040–1190 Vernon, Silkehuset, “Coronation Dress for Queen Maud”, 1906 Archive photo: DigitaltMuseum Archive photo: Nasjonalbiblioteket Peter Dundas, “Ciaras dress for The Met Gala 2019. Camp: Notes on Fashion”, 2019 Peter Dundas, Emilio Pucci, “Poppy Delevingne’s Dress”, 2014 Peter Dundas, Emilio Pucci, “Gala Dress for H.R.H. Crown Princess Mette-Marit”, 2012 Peter Dundas, Roberto Cavalli, “Kim Kardashian‘s Gala Dress”, 2015 Peter Dundas, “Emily Ratajkowski’s jumpsuit”, 2017 Peter Dundas, “Emily Blunt’s gold outfit”, 2018 Sol LeWitt, “Wall Drawing #839”, 1998/2021 Theodor Kittelsen, “Far, far away Soria Moria Palace shimmered like Gold”, 1900 Theodor Kittelsen, “The Water Sprite”, 1904 Hanna Pauli, “The Princess”, 1896 Theodor Kittelsen, “The Sea Monster”, 1881 Dyre Kristofer Vaa, “The Fairy Tale”, 1931 Theodor Kittelsen, “Illustration for ‘The Bear and the Fox’”, 1884 Sverre Fehn, “Norwegian Pavilion for the World Exposition in Brussels”, 1956–58 Sverre Fehn, “Nordic Pavilion for the Venice Biennale”, 1962 Pavilion in Venice, 1962. Foto: Ferruzzi Pavilion in Brussels, 1958. Foto: Lucien Hervé Sverre Fehn, “Venice Chair”, 1963 Enrico Ciuti, Marco Del Corno, “Decima Triennale di Milano”, 1954 Arne Korsmo, Grete Prytz Kittelsen, “The Herring Table”, 1954 Arne Korsmo, Grete Prytz Kittelsen, prod. J. Tostrup, Server, “Lazy Susan”, 1954 Prod. PLUS, Table runner, ca. 1970 Terje Ekstrøm, prod. Tandbergs radiofabrikk, Speaker, “Fasett, serie 2”, 1975 Hans Ehrich og Tom Ahlström, prod. Checkpoint Systems Inc., Queue ticket dispenser, “D 80”, 1976 Jac. Jacobsen, prod. Luxo ASA, Desk lamp, “Luxo L-1P”, 1961 Mathias Molden, Safety light, “Bluss”, 2018 Emil Gustafsson, Brooch, “Social Distance Alert”, 2015 Prod. Earin AB, Wireless earbuds, “Earin M-1”, 2015 Christian Lockenwitz, prod. Oticon Medical, Hearing aid, “Neuro 2”, 2017 Snø Designstudio AS, No Isolation AS, Robot, “AV1”, 2016 Vibeke Tandberg, “Undo # 4”, 2003 Vibeke Tandberg, “Undo # 7”, 2003 Torbjørn Kvasbø, “Tube Forms Floor”, 2012–2013 Hannah Ryggen, “Daybreak”, 1936 Hannah Ryggen, “Horror”, 1936 Hannah Ryggen, “The Use of Hands”, 1949 Harriet Backer, “Blue Interior”, 1883 Johan Christian Dahl, “View From Stalheim”, 1842 Harald Sohlberg, “Winternight in the Mountains”, 1914 Edvard Munch, “The Scream”, 1893 Edvard Munch, “Madonna”, 1894 Edvard Munch, “Death in the Sickroom”, 1893 Edvard Munch, “Dance of Life”, 1899–1900
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- chronologie: Chefs d’orchestre.
- Index (par ordre alphabétique): B...