Sergueï Liapounov Vidéos
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Commémorations 2024 (Décès: Sergueï Liapounov)
- piano
- symphonie
- Empire russe
- compositeur ou compositrice, pianiste, professeur ou professeure de musique, professeur ou professeure d'université
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Dernière mise à jour
2024-05-14
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Kashperova Gubaidulina Ustvolskaya Firsova Alexander Tcherepnin Tcherepnin Anton Rubinstein Rubinstein Balakirev Glazunov Lyapunov Prokofiev 1872 1918 1922 1940
1 - Andante; 2 - Allegro moderato / There are several prominent female Russian composers of the post-war era - Gubaidulina, Ustvolskaya and Firsova come to mind - but here in the UK one rarely hears of Russian woman composers prominent in earlier eras. One exception seems to have been Leocadia Kashperova ( Леокадия Александровна Кашперова )+••.••(...)). She is probably remembered now - if at all - for having been a piano teacher of Alexander Tcherepnin at the St. Petersburg conservatory, but she herself had studied there with Anton Rubinstein, and was an associate of Balakirev and Glazunov, some of whose works she premiered. She married a revolutionary and moved to Rostov-on-Don in 1918, but settled in Moscow in 1922. Kashperova wrote a piano concerto, a cantata, and two cello sonatas, as well as piano music. These pieces - 'Two Autumn Leaves' - come from a collection called СРЕДИ ПРИРОДЫ (= 'In Nature' - the published French title is used for the video), dedicated to the composer's sister. The first piece seems reminiscent of Lyapunov, but the energy and directness of expression of the second piece looks ahead to the Prokofiev of the 'Visions Fugitives'. / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Anthony Goldstone Sergei Mikhailovich Lyapunov 2013
Provided to YouTube by NAXOS of America Nocturne in D-Flat Major, Op. 8 · Anthony Goldstone Russian Piano Music Series, Vol. 4 - Lyapunov ℗ 2013 Divine Art Released on: 2013-04-01 Artist: Anthony Goldstone Composer: Sergei Mikhailovich Lyapunov Auto-generated by YouTube.
Sergei Mikhailovich Lyapunov Anthony Goldstone Nikolai Rubinstein Rubinstein Karl Klindworth François Liszt Sergei Taneyev Pyotr Ilyich Tchaikovsky Mily Balakirev Hans Winderstein Ricardo Viñes Zimmermann Anatoly Lyadov Nikolai Rimsky Korsakov Louis Kentner 1859 1878 1883 1885 1893 1897 1904 1907 1910 1911 1923 1924 1927 1949
LIKE and SUBSCRIBE for more score videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Sergei Lyapunov - Mazurka 8 in G minor, Op. 36 (Anthony Goldstone) [Audio + Score] BIOGRAPHY Sergei Mikhailovich Lyapunov (30 November 1859 – 8 November 1924) was a Russian composer, pianist and conductor. Lyapunov was born in Yaroslavl in 1859. After the death of his father, Mikhail Lyapunov, when he was about eight, Sergei, his mother, and his two brothers (one of them was Aleksandr Lyapunov, later a notable mathematician) went to live in the larger town of Nizhny Novgorod. There he attended the grammar school along with classes of the newly formed local branch of the Russian Musical Society. On the recommendation of Nikolai Rubinstein, the Director of the Moscow Conservatory of Music, he enrolled in that institution in 1878. His main teachers were Karl Klindworth (piano; a former pupil of Franz Liszt), and Sergei Taneyev (composition; a former pupil of Pyotr Ilyich Tchaikovsky and his successor at the Conservatory). He graduated in 1883, more attracted by the nationalist elements in music of the New Russian School than by the more cosmopolitan approach of Tchaikovsky and Taneyev. He went to St. Petersburg in 1885 to seek Mily Balakirev, becoming the most important member of Balakirev's latter-day circle. Balakirev, who had himself been born and bred in Nizhny Novgorod, took Lyapunov under his wing, and oversaw his early compositions as closely as he had done with the members of his circle during the 1860s, now known as The Five. Balakirev's influence remained the dominant influence in his creative life. Conductor Hans Winderstein (far left), Sergei Lyapunov, pianist Ricardo Viñes (standing) and publisher Julius Heinrich Zimmermann (far right) in Leipzig in 1907. In 1893, the Imperial Geographical Society commissioned Lyapunov, along with Balakirev and Anatoly Lyadov, to gather folksongs from the regions of Vologda, Vyatka (now Kirov) and Kostroma. They collected nearly 300 songs, which the society published in 1897. Lyapunov arranged 30 of these songs for voice and piano and used authentic folk songs in several of his compositions during the 1890s. Lyapunov recording for the Welte-Mignon reproducing piano in St. Petersburg or Moscow in January 1910. From 1904, Lyapunov made appearances as a conductor, mounting the podium by invitation in Berlin and Leipzig in 1907. He also enjoyed a successful career as a pianist. In the spring of 1910, Lyapunov recorded some of his own works for the reproducing piano Welte-Mignon (Op. 11, Nos. 1, 5, and 12; Op. 35). Lyapunov made several tours of Western Europe, including one of Germany and Austria in 1910–1911. He succeeded Nikolai Rimsky-Korsakov as assistant director of music at the Imperial Chapel, became a director of the Free Music School, then its head, as well as a professor at the St. Petersburg Conservatory in 1911. After the Revolution, he emigrated to Paris in 1923 and directed a school of music for Russian émigrés, but died of a heart attack the following year. For many years the official Soviet line was that Lyapunov had died during a concert tour of Paris, no acknowledgement being made of his voluntary exile. Lyapunov is largely remembered for his Douze études d'exécution transcendente. This set completed the cycle of the 24 major and minor keys that Franz Liszt had started with his own Transcendental Études but had left unfinished. Not only was Lyapunov's set of études as a whole dedicated to the memory of Franz Liszt, but the final étude was specifically titled Élégie en mémoire de François Liszt. In the UK the pianist Edward Mitchell was an early advocate, first performing and broadcasting the Douze études in 1927. Louis Kentner made the premiere recording in 1949.
Nikolai Rimsky Korsakov Lyapunov Nikolayev Sokolov Steinberg Vyshnegradsky 1901 1926 1927 1929 1930 1965
Born 1901 St Petersburg: died 1965 same. Acoustician, teacher and composer. Grandson of Nikolai Rimsky-Korsakov. Graduated 1926 from the Leningrad Conservatoire, where his teachers included Lyapunov, Nikolayev, Sokolov and Steinberg. In 1929 he completed post-graduate study with Asaf’yev. Held research and teaching positions including at the conservatoire from 1927-62. Was the founder of the Nikolai Rimsky-Korsakov museum at Tikhvin. He is most noted as one of the founders of quarter-tone music – he conducted research into music theory, modal rhythm and quarter-tone music and was co-inventor of the emiriton in 1930 – an electronic keyboard instrument which was a precursor of the synthesizer. He composed original works for this instrument. He also established a society of composers which discussed, composed and performed quarter-tone music, and maintained correspondence with Vyshnegradsky in Paris. His innovation and experimentation into quarter-tone music was heavily frown upon by the Soviet authorities and the majority of his music, especially those scores linked to his quarter-tone experiments - were destroyed with the exception of one piece of music later re-discovered amidst papers held by Vyshnegradsky. This work apparently was never published and remains as manuscript which you can see here. The score: (http•••)
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