Olivia Bonelli Vidéos
artiste lyrique
- soprano
- États-Unis
Dernière mise à jour
2024-05-11
Actualiser
Bonelli Anneleen Lenaerts Haag 2016
Karin Bonelli & Anneleen Lenaerts spielen den 3 Satz, Rondo - Allegro, aus dem Konzert für Flöte, Harfe und Orchester in C-Dur KV 299 von W. A. Mozart, bei einem Konzert der Sinfonia Christkönig unter der Leitung von Eduard Matscheko am 24 April 2016 in der Friedenskirche in Linz. W.A. Mozart - Concerto for flute and harp K 299 C major Tonaufnahme: Oliver Haag (http•••) Kamera & Schnitt: Christian Huemer •••@•••
Richard Bonelli Bonelli Teschemacher Brunswick Jenkins Jean Reszke Gounod Catalani Carnevale Verdi Claudia Muzio Antonio Cortis Rossini Flotow Gatti Casazza Lily Pons Tito Schipa Ezio Pinza Rosa Ponselle Burke Armand Tokatyan Leoncavallo Ashton Donizetti Puccini Frank Guarrera Lucine Amara Norman Mittelmann Edward Johnson Titta Ruffo Robert Merrill Giovanni Martinelli Elisabeth Rethberg Brooklyn Academy Music Lincoln Center Music Academy West San Carlo Opera Company Chicago Opera Company San Francisco Opera Chicago Civic Opera Metropolitan Opera 1889 1915 1922 1923 1924 1925 1926 1927 1931 1932 1935 1936 1940 1941 1942 1945 1949 1966 1980
Richard Bonelli sings 'Calling Me Home to You,' recorded for Brunswick on 11 October 1927. Bonelli had an excellent voice, but Brunswick's 'light ray' method of recording was temperamental. Sometimes, it produced quite good results. At other times, the sound was intermodulated and distorted. In general terms, the process improved with time, until it was quietly dropped in favour of more conventional recording methods.Regrettably, this relatively late example of the process is a good advertisement for its defects, but it is still worth listening to. From Wikipedia: Richard Bonelli (February 6, 1889 – June 7, 1980) was an American operatic baritone active from 1915 to the late 1970s. Bonelli was born George Richard Bunn to Martin and Ida Bunn of Port Byron, New York. His family later moved to Syracuse and soon George preferred to be called Richard. Prior to deciding on a career in music, Bonelli was a friend of race car driver and later mayor of Salt Lake City, Ab Jenkins. Bonelli studied at Syracuse University and his voice teachers included Arthur Alexander in Los Angeles, Jean de Reszke and William Valonat in Paris. Bonelli's operatic debut came on April 21, 1915 at the Brooklyn Academy of Music as Valentin in Gounod's Faust. He toured with the San Carlo Opera Company between 1922 and 1924. In 1923 he made his European debut as Dardano in Catalani's Dejanice during the Carnevale season in Modena, Italy. He returned to Europe in 1924 to sing at the Monte Carlo Opera and was eventually engaged by the Théâtre de la Gaîté in Paris. Between 1925 and 1931 Bonelli performed with the Chicago Opera Company and between 1926 and 1942 frequently performed at the San Francisco Opera. His Chicago debut in 1925 was in the role of Germont in Verdi's La Traviata with Claudia Muzio (Violetta) and Antonio Cortis (Alfredo). His debut role in San Francisco was Figaro in Rossini's Il Barbiere di Siviglia, after appearing in Flotow's Martha at the Los Angeles Grand Opera earlier in September 1926. Seizing the opportunity of a one-year collapse of Chicago Civic Opera, the Met impresario Giulio Gatti-Casazza quickly engaged Bonelli for leading baritone roles in New York. His first performance with the Metropolitan Opera was on 29 November 1932, again as Rossini's Figaro, at the company's tour to Philadelphia. (It was also the role for his last Met stage performance on 14 March 1945.) The cast included Lily Pons (Rosina), Tito Schipa (Count Almaviva), and Ezio Pinza (Don Basilio). Bonelli's New York Metropolitan Opera debut came on December 1, 1932 as Giorgio Germont in Verdi's La traviata opposite Rosa Ponselle as Violetta and Tito Schipa as Alfredo. He remained on the Met's active roster until 1945, making his final performance as Rossini's Figaro on March 14 that year. He was the Tonio in the first ever live telecast of opera, from the Met on March 10, 1940 alongside Hilda Burke and Armand Tokatyan. He returned to the Met in 1966 as an honored guest at the 'Gala Farewell' marking the last performance by the Metropolitan Opera in the old opera house at Broadway and 39th Street, before moving to the Lincoln Center. Of his many roles, Bonelli was known best for his Verdi repertory as Giorgio Germont, Di Luna, Renato, Rigoletto and Amonasro, and also for his portrayals of Valentin in Gounod's Faust, Wolfram in Wanger's Tannhäuser, Tonio in Leoncavallo's Pagliacci, Rossini's Figaro, Enrico Ashton in Donizetti's Lucia and Sharpless in Puccini's Madama Butterfly. In Italy, he performed under the name Riccardo Bonelli. He also appeared in two movies; a supporting role in 1935's Enter Madame and a cameo appearance in 1941's The Hard-Boiled Canary. After retiring from singing, Bonelli became a successful voice teacher at the Curtis Institute of Music in Philadelphia, the Music Academy of the West in Santa Barbara, and in New York. Among his students were Frank Guarrera, Enrico Di Giuseppe, Lucine Amara, and Norman Mittelmann. In 1949 when Edward Johnson retired from his position of general manager of the Metropolitan Opera, Bonelli was a contender for the job though it ultimately went to Rudolf Bing. Bonelli's favorite baritone was Titta Ruffo. American baritone Robert Merrill had stated that Bonelli was his inspiration to study singing, after hearing him perform the Count di Luna at the Met alongside Giovanni Martinelli and Elisabeth Rethberg in 1936. Even after retiring from teaching, he periodically performed on stage into his 80s. His later appearances were more on the West Coast of the United States. He was actor Robert Stack's uncle. Bonelli died in Los Angeles on June 7, 1980 at the age of 91.
Teatro Quirino Rubino Venuti Nava Bonelli 2014
Il 15 dicembre 2014 ha avuto luogo il concerto "Serenata per Roma"al Teatro Quirino. Evento che è giunto proprio quando Roma è stata al centro di scandali politici, eppure questa meravigliosa città, troppo spesso spesso maltrattata e quasi mai celebrata, si è provato a farla "accarezzare" da un grande gruppo di artisti fantastici : Alessandro Mannarino, Noemi Official, Dolcenera, Renzo Rubino Official, Diodato, Nathalie, ZIBBA, Jack Savoretti, Mario Venuti, RAIZ Official Page e Fausto Mesolella, Mariella Nava e Elena Bonelli. Sul palco con loro a dirigere l'orchestra, come sempre, Stefano Mannucci che ha ricordato ancora una volta l'impegno della ONLUS Insieme per la Ricerca PCDH19 in favore della scienza.
Brito Sánchez Rinaldi Oliva Arrigoni Ponce Bonelli Fernández Latorre Bernal Casanova Vigna 2017
Programa emitido el viernes 20 de octubre de 2017 en eltrece. Este viernes 20 de octubre, Consuelo Peppino completó la ronda de ritmo libre y se conocieron las parejas que el próximo lunes deberán bailar el duelo. UN CIERRE SIN TANTO CONSUELO En el arranque del programa, Consuelo Peppino y Agustín Reyero completaron la ronda de ritmo libre con una performance titulada “La vida me sorprendió”, basada en el cambio que significó para ambos su participación en el Bailando. “Me gustó cómo contaron su historia, pero estuvo más o menos”, opinó De Brito (5). “Vi otras galas mejores de Consuelo. Me quedé con ganas de ver a la Consuelo de siempre”, coincidió Pampita (voto secreto). “Me ofrecieron mucha emoción, pero a Consuelo la vi perdida todo el tiempo. Su actitud es fantástica, pero hoy no me gustó”, comentó Moria (4). En tanto, Polino (7) rescató que “fueron emotivos pero no ostentosos”. Total: 16 puntos. DUELO PARA CINCO A continuación, Marcelo hizo pasar a todas las parejas que bailaron el ritmo libre. Conocidos los votos secretos de Pampita, aseguraron su continuidad en el certamen: Lourdes Sánchez y Gabo Usandivaras +••.••(...) = 36), La Chipi –quien tuvo un cruce con Anita, una de las bailarinas del staff– y Mauro Caiazza +••.••(...) = 23), Hernán Piquín y Macarena Rinaldi +••.••(...) = 37), Melina Lezcano y Maximiliano Buitrago +••.••(...) = 29), Rocío Guirao Díaz y Nicolás Paladini +••.••(...) = 26), Sol Pérez –quien se defendió de las acusaciones de plagio– y Fernando Bertona +••.••(...) = 30), Jey Mammon y Laura Oliva +••.••(...) = 32), Gladys “La Bomba Tucumana” –quien volvió a enfrentarse con Lourdes– y Facundo Arrigoni +••.••(...) = 38), Nancy Pazos y Cristian Ponce +••.••(...) = 40), Chechu Bonelli –quien discutió con el periodista Lizardo Ponce por acusaciones de plagio– y Facundo Insúa +••.••(...) = 23), El Polaco y Solange Báez +••.••(...) = 28), y Tyago Griffo y Barby Silenzi +••.••(...) = 23). En cambio, no alcanzaron el puntaje mínimo (23 puntos) y cayeron en la sentencia: Federico Bal y Laurita Fernández (4 + 5 = 9), Mica Viciconte y Jorge Moliniers +••.••(...) = 17), Yanina Latorre y Carlos Bernal +••.••(...) = 17), Agustín Casanova y Flor Vigna +••.••(...) = 22), y Consuelo Peppino y Agustín Reyero +••.••(...) = 22). Por falta de tiempo, el duelo recién se realizará el próximo lunes, cuando se conocerá el nuevo eliminado del Bailando 2017.
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- chronologie: Artistes lyriques (Amérique du Nord).
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