Ninel' Tkachenko Vidéos
artiste lyrique, réalisateur ou réalisatrice
- soprano
- opéra
- Union soviétique, Russie
Dernière mise à jour
2024-05-11
Actualiser
Vitali Galimov Tkachenko Korolev Kuznetsov Piskunov
Dmitry Medvedev expressed his condolences to the families and friends of those killed in the plane crash near Yaroslavl and to all fans of the Lokomotiv ice hockey team. Acting on the President's instructions, First Deputy Chief of Staff of the Presidential Administration Vladislav Surkov and Plenipotentiary Presidential Envoy to the Central Federal District Oleg Govorun have gone to the crash site. Mr Medvedev instructed the Government to take the necessary organisational measures and ordered the Investigative Committee and relevant government bodies to do everything necessary to investigate the accident. The President is changing the programme of his upcoming visit to Yaroslavl for the Yaroslavl Political Forum. Upon arrival in the city on Thursday, Mr Medvedev will visit the accident site to pay his respects to the victims, and will then meet with senior officials from the Emergency Situations Ministry, Transport Ministry, Investigative Committee, and Presidential Executive Office. The plane carrying the Lokomotiv Yaroslavl ice hockey team (heading to Minsk to play against Dinamo Minsk) crashed today at 4:05 pm Moscow time. According to the latest reports, of the 45 people on board the aircraft, 43 were killed. People on board 37 passengers and 8 crew members Lokomotiv team players (name, age, country of Citizenship) Vitali Anikienko 24 Russia/Ukraine Mikhail Balandin 31 Russia Gennady Churilov 24 Russia Pavol Demitra 36 Slovakia Robert Dietrich 25 Germany Alexander Galimov 26 Russia (survived) Marat Kalimulin 23 Russia Alexander Kalyanin 23 Russia Andrei Kiryukhin 24Russia Nikita Klyukin 21 Russia Stefan Liv 30 Sweden Jan Marek 31 Czech Republic Sergei Ostapchuk 21 Belarus Karel Rachůnek 32 Czech Republic Ruslan Salei 36 Belarus Maxim Shuvalov 18 Russia Kārlis Skrastiņš 37 Latvia Pavel Snurnitsyn 19 Russia Daniil Sobchenko 20 Russia/Ukraine Ivan Tkachenko 31 Russia Pavel Trakhanov 33 Russia Yuri Urychev 20 Russia Josef Vašíček 30 Czech Republic Alexander Vasyunov 23 Russia Alexander Vyukhin 38 Russia/Ukraine Artem Yarchuk 21 Russia Team staff Brad McCrimmon 52 Canada Head Coach Alexander Karpovtsev 41 Russia Assistant Coach Igor Korolev 41 Russia Assistant Coach Yuri Bakhvalov Video operator Aleksandr Belyayev Equipment manager/massage therapist Nikolai Krivonosov Fitness coach Yevgeni Kunnov Massage therapist Vyacheslav Kuznetsov Massage therapist Vladimir Piskunov Administrator Yevgeni Sidorov Coach-analyst Andrei Zimin Team doctor Important: this video uses the screenshots of the web page: (http•••) based on the appropriate authorization from Presidential Press and Information Office: (http•••)
Cherry Birch Tkachenko Kyiv Bandurist Capella 1700 1948 1952 1954 1991
Welcome to my travelchannel.On my channel you can find almost 1000 films of more than 70 countries. See the playlist on my youtube channel.Enjoy! (http•••) Bandura Instruments: A bandura is a Ukrainian, plucked string, folk instrument. It combines elements of the zither and lute and, up until the 1940s, was also often referred to by the term kobza. Early instruments (c. 1700) had 5 to 12 strings. In the 20th century, the number of strings increased initially to 31 strings, and up to 68 strings on chromaticised 'concert' instruments. Musicians who play the bandura are referred to as bandurists. Some traditional bandura players, often blind, were referred to as kobzars. The back of a traditional bandura is usually carved from a solid piece of wood (either willow, poplar, cherry or maple). Since the 1960s, glued-back instruments have also become common; even more recently, banduras have begun to be constructed with fiberglass backs. The soundboard is traditionally made from a type of spruce. The wrest planks and bridge are made from hard woods such as birch.The instrument was originally a diatonic instrument and, despite the addition of chromatic strings in the 1920s, it has continued to be played as a diatonic instrument. Most contemporary concert instruments have a mechanism that allows for rapid re-tuning of the instrument into different keys. These mechanisms were first included in concert instruments in the late 1950s. Significant contributions to bandura construction were made by Hnat Khotkevych, Leonid Haydamaka, Peter Honcharenko, Ivan Skliar, Vasyl Herasymenko and William Vetzal. The Starosvitska or authentic traditional banduras: also sometimes referred to as classical or old-time bandura. These instruments usually have some 20–23 strings and are handmade, with no two instruments being exactly the same. The backs are usually hewn out of a single piece of wood. Wooden pegs hold the strings, which are tuned diatonically. Traditionally, these instruments had gut strings; however, at the beginning of the 20th century common performance practice changed over to steel strings. There has been a revival in interest in authentic performance in Ukraine, spearheaded by Heorhy Tkachenko and his followers—notably Mykola Budnyk, Kost Cheremsky, Mykola Tovkailo, Mykhilo Khai and Jurij Fedynskyj. Several notable, present-day makers of the instrument include the late Mykola Budnyk, Mykola Tovkailo, Rusalim Kozlenko, Vasyl Boyanivsky, Jurij Fedynskyj, and Bill Vetzal. Kyiv-style bandura The Kyiv-style or academic bandura: these are the most common banduras in use today in Ukraine. These instruments have 55–64 metal strings tuned chromatically through five octaves, with or without re-tuning mechanisms. The instruments are known as Kyiv-style banduras because they are constructed for players of the Kyiv-style technique pioneered by the Kyiv Bandurist Capella. Because the playing style was based on the techniques of the kobzars from Chernihiv, the instrument is occasionally referred to as the Chernihiv-style bandura. These instruments exist in two main types: 'Standard Prima' instruments and 'concert' instruments, which differ from the 'Prima' instruments in that they have a re-tuning mechanism placed in the side of the instrument. 'Concert' Kyiv-style banduras were first manufactured in Kiev at a music workshop organized by Ivan Skliar from 1948–1954 and from 1952 by the Chernihiv Musical Instrument Factory. The Chernihiv factory stopped making bandurs in 1991. Another line of Kyiv-style banduras was developed by Vasyl Herasymenko and continues to be made by the Trembita Musical Instrument Factory in Lviv. Rarer instruments also exist from the now defunct Melnytso-Podilsk.
Cherry Birch Tkachenko Kyiv Bandurist Capella 1700 1948 1952 1954 1991
Welcome to my travelchannel.On my channel you can find almost 1000 films of more than 70 countries. See the playlist on my youtube channel.Enjoy! (http•••) Bandura Instruments: A bandura is a Ukrainian, plucked string, folk instrument. It combines elements of the zither and lute and, up until the 1940s, was also often referred to by the term kobza. Early instruments (c. 1700) had 5 to 12 strings. In the 20th century, the number of strings increased initially to 31 strings, and up to 68 strings on chromaticised 'concert' instruments. Musicians who play the bandura are referred to as bandurists. Some traditional bandura players, often blind, were referred to as kobzars. The back of a traditional bandura is usually carved from a solid piece of wood (either willow, poplar, cherry or maple). Since the 1960s, glued-back instruments have also become common; even more recently, banduras have begun to be constructed with fiberglass backs. The soundboard is traditionally made from a type of spruce. The wrest planks and bridge are made from hard woods such as birch.The instrument was originally a diatonic instrument and, despite the addition of chromatic strings in the 1920s, it has continued to be played as a diatonic instrument. Most contemporary concert instruments have a mechanism that allows for rapid re-tuning of the instrument into different keys. These mechanisms were first included in concert instruments in the late 1950s. Significant contributions to bandura construction were made by Hnat Khotkevych, Leonid Haydamaka, Peter Honcharenko, Ivan Skliar, Vasyl Herasymenko and William Vetzal. The Starosvitska or authentic traditional banduras: also sometimes referred to as classical or old-time bandura. These instruments usually have some 20–23 strings and are handmade, with no two instruments being exactly the same. The backs are usually hewn out of a single piece of wood. Wooden pegs hold the strings, which are tuned diatonically. Traditionally, these instruments had gut strings; however, at the beginning of the 20th century common performance practice changed over to steel strings. There has been a revival in interest in authentic performance in Ukraine, spearheaded by Heorhy Tkachenko and his followers—notably Mykola Budnyk, Kost Cheremsky, Mykola Tovkailo, Mykhilo Khai and Jurij Fedynskyj. Several notable, present-day makers of the instrument include the late Mykola Budnyk, Mykola Tovkailo, Rusalim Kozlenko, Vasyl Boyanivsky, Jurij Fedynskyj, and Bill Vetzal. Kyiv-style bandura The Kyiv-style or academic bandura: these are the most common banduras in use today in Ukraine. These instruments have 55–64 metal strings tuned chromatically through five octaves, with or without re-tuning mechanisms. The instruments are known as Kyiv-style banduras because they are constructed for players of the Kyiv-style technique pioneered by the Kyiv Bandurist Capella. Because the playing style was based on the techniques of the kobzars from Chernihiv, the instrument is occasionally referred to as the Chernihiv-style bandura. These instruments exist in two main types: 'Standard Prima' instruments and 'concert' instruments, which differ from the 'Prima' instruments in that they have a re-tuning mechanism placed in the side of the instrument. 'Concert' Kyiv-style banduras were first manufactured in Kiev at a music workshop organized by Ivan Skliar from 1948–1954 and from 1952 by the Chernihiv Musical Instrument Factory. The Chernihiv factory stopped making bandurs in 1991. Another line of Kyiv-style banduras was developed by Vasyl Herasymenko and continues to be made by the Trembita Musical Instrument Factory in Lviv. Rarer instruments also exist from the now defunct Melnytso-Podilsk.
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