Michał Kleofas Ogiński Vidéos
compositeur ou compositrice, diplomate, personnalité politique
Commémorations 2025 (Naissance: Michał Kleofas Ogiński)
- opéra
- république des Deux Nations, Empire russe, grand-duché de Toscane
Dernière mise à jour
2024-05-11
Actualiser
Sychra Oleg Timofeyev Michal Kleofas Oginski 1998
Provided to YouTube by NAXOS of America Polonaise No 13 in A Minor, "Farewell to the Fatherland" (arr. A.O. Sychra) · Oleg Timofeyev Guitar Recital: Timofeyev, Oleg - Sychra, A.O. / Oginski, M.K. / L'Vov, A.F. / Alferiev, V.S. / Aksionov, S. (The Golden Age of the Russian Guitar) ℗ 1998 Sono Luminus Released on: 1998-01-01 Artist: Oleg Timofeyev Composer: Michal Kleofas Oginski Composer: Andrey Osipovich Sychra Auto-generated by YouTube.
Joseph Johann Baptist Wölfl Een Schwartz Leopold Mozart Michael Haydn Haydn Ogiński Beethoven Schikaneder Fétis Cherubini 1751 1773 1783 1786 1790 1792 1795 1798 1804 1805 1812 1830
★ Follow music ► (http•••) Composer: Joseph Johann Baptist Wölfl +••.••(...)) Work: Sonata (in d) pour le piano-forte, Op.33 No.2 (1805) Performers: Vladimir Pleshakov (piano) Sonata (in d) pour le piano-forte (1805) 1. Allegro 0:00 2. Andante 4:13 3. Alla pollaca 8:38 Drawing: Anoniem - Interieur met een man voor een boekenkast Image in high resolution: (http•••) Painting: Johann Baptist Edler von Lampi d. Ä. +••.••(...)) - Josef Wölfl (c.1795) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Joseph (Johann Baptist) Wölfl [Wölffl, Woelfl] (Salzburg, 24 December 1773 - London, 21 May 1812) Austrian pianist and composer. His earliest musical instruction was as a chorister at Salzburg Cathedral from 1783 to 1786, where he studied with Leopold Mozart and Michael Haydn. In 1790, on his father’s advice, he went to Vienna, apparently to study with the younger Mozart, though it is unclear whether he ever became his pupil and how close their relationship actually was. Some authorities claim, however, that it was through Mozart’s intervention that Wölfl was appointed composer to Count Ogiński in Warsaw, where in 1792 he made his first public appearance as a pianist. Having established a reputation both as a performer and a teacher, Wölfl returned to Vienna in 1795, where his talents propelled him to the forefront of public attention. He was soon regarded as the only serious rival to Beethoven; indeed, the Allgemeine Musikalische Zeitung preferred his ‘unpretentious, pleasant demeanour’ to Beethoven's more emotionally charged style and praised him for playing that showed ‘not just a pleasing originality, but also a very rare combination of power and delicacy’. In 1798 he married the singer Therese Klemm and the following year embarked on a lengthy concert tour that took him to Brno, Prague, Dresden, Leipzig, Hamburg, Berlin and Paris. He was well received everywhere, but nowhere more so than Paris, where his welcome was every bit as rapturous as that he had received in Vienna, with the Journal de Paris describing him as ‘one of the most exciting pianists in Europe’. In addition to his activities as a performer, Wölfl was also establishing a reputation as a composer. His first opera, Der Höllenberg, to a libretto by Schikaneder, was well received on its first performance in Vienna in 1795, as was Der Kopf ohne Mann three years later and the pasticcio Liebe machen kurzen Prozess. In Vienna he also began to compose instrumental music in earnest, dedicating his three piano trios op.5 to Haydn and his set of three piano sonatas op.6 to Beethoven. These activities continued in Paris, where in early 1804 his opera L’amour romanesque was performed to considerable acclaim. The reasons for Wölfl's sudden departure from Paris in 1805 are unclear. Some authorities ascribe it to the lukewarm reception accorded his next opera, Fernando, though that seems unlikely given the high regard in which he was otherwise held. What is almost certainly true is that neither of two other popular explanations has any basis in fact: either, as Fétis would have it, that he fell in with the bass singer Ellenreich, who was a notorious card sharp and dragged Wölfl into some unspecified scandal; or, according to Schilling, that he became music master to the Empress Josephine, accompanied her to Switzerland following her divorce, and thence made his way to England. In May 1805 Wölfl arrived in London and immediately set about establishing his reputation. He was enthusiastically fêted both as a performer and as a composer. His G major Piano Concerto op.36 (known as ‘Le calme’) was especially popular and performed at four concerts within the space of just two months; among his orchestral works, the G minor Symphony op.40, which he dedicated to Cherubini, was highly regarded. As in Paris, Wölfl tried to make his mark as an operatic composer, but apart from two well-received ballets, given at the King's Theatre, he failed to secure a commission. He died suddenly in May 1812, but for almost two years there was speculation, fuelled in part by the Allgemeine Musikalische Zeitung, that he was still alive.
Borkowski Andrzejewski Nowak Wróbel Dąbrowska 1900
/// JACOB BORKOWSKI SHOW /// Środy /// 19:00 /// YouTube SUBSKRYBUJ kanał programu: (http•••) Obserwuj JBS na INSTAGRAM: (http•••) Obserwuj Kubę na INSTAGRAM: Jacob Borkowski Show: (http•••) Prowadzący show- Kuba Borkowski, po współpracy z Loganem Paulem i głośnym wyjeździe do USA, debiutuje w internecie ze swoim autorskim programem. Zaproszonymi gośćmi są najciekawsze osobowości telewizyjne, internetowe, sportowcy i topowe gwiazdy show-biznesu. Ciekawe rozmowy, tematy bez tabu, pozytywny vibe- to główne założenia programu. Miłego oglądania! —————————— Kontakt/management: Igor Pilewicz •••@••• +••.••(...) —————————— Gośćmi Kuby byli: Wojtek Gola @wojtekgola Mikołaj MIXER Magdziarz @therealmixer Prowadzący: Jacob Borkowski Pomysłodawca i twórca programu: Igor Pilewicz Producent: Igor Pilewicz Reżyseria: Igor Pilewicz II Reżyser: Szymon Źródłowski Asystent Reżysera: Sara Pilewicz Pawel Pochwalski Producent wykonawczy: Pawel Pochwalski Kierownictwo produkcji: Szymon Źródłowski Patryk Wąsowski Piotr Marcisz Scenariusz: Igor Pilewicz Szymon Źródłowski Patryk Wąsowski DOP, zdjęcia, realizacja: Jakub Lada Asystent realizatora: Michalina Kula Operatorzy kamer: Maciej Gromak Bartosz Podkowiński Krystian Andrzejewski Patryk Jot Adam Szych Szymon Źródłowski Mistrz oświetlenia: Romek Machała Realizator Światła: Piotr Oginski Band, piosenka tytułowa: BEMY Mattia Rosinski Ellie Rosinski Konrad Załęski Wojciech Hefal Trusewicz Realizator dźwięku: Damian Poplawski Wojciech Hefal Trusewicz Mix, mastering audio: Wojciech Hefal Trusewicz Obsługa techniczna audio: Kamil Kamas Montaż: Szymon Źródłowski Igor Pilewicz Patryk Wąsowski Koloryzacja: Szymon Źródłowski Czołówka, animacje: Szymon Źródłowski Patryk Wąsowski Fotosista: Paweł Baczewski Scenografia: Szymon Źródłowski Pawel Wdowski Pomoc techniczna: Pawel Wdowa Wdowski Marcin Nowak Pomoc na planie: Sara Pilewicz Research: Jakub Borkowski Igor Pilewicz Patryk Wąsowski Julia Deja Sara Pilewicz Redakcja, obsługa gości, booking: Patryk Wąsowski Igor Pilewicz Pawel Pochwalski Sara Pilewicz Projekt logo: Sylwia Wróbel Coaching prowadzącego: Julia Deja Stylizacje prowadzącego: Patryk Wąsowski Charakteryzacja- make up, fryzjer: Eliza Stepniewska Aleksandra Puzio Współpraca: Angelika Dąbrowska Obsługa prawna: Pawel Janc Zabezpieczenie medyczne: Mirosław Szczepanik Kafar: Michal Waleszczyński-Lis Opisywanie imion: Roland Pieczkowski Program prowadził: Jakub Borkowski Specjalne podziękowania: Praga Centrum Heliograf All For Movies Fastmedia Produkcja: WTB Igor Pilewicz Angelika Dąbrowska Program realizowany ze środków FWK
Mikalojus Konstantinas Čiurlionis Ogiński Zygmunt Noskowski 1875 1878 1886 1889 1893 1894 1899 1901 1902 1904 1905 1906 1907 1909 1910 1911 1958 1995
Mikalojus Konstantinas Čiurlionis - Fugue Piano - Aleksandra Juozap ————————————————————————— Mikalojus Konstantinas Čiurlionis (Polish: Mikołaj Konstanty Czurlanis; 22 September [O.S. 10 September] 1875 – 10 April [O.S. 28 March] 1911) was a Lithuanian painter, composer and writer. Čiurlionis contributed to symbolism and art nouveau, and was representative of the fin de siècle epoch. He has been considered one of the pioneers of abstract art in Europe. During his short life, he composed about 400 pieces of music and created about 300 paintings, as well as many literary works and poems. The majority of his paintings are housed in the M. K. Čiurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture. Mikalojus Konstantinas Čiurlionis was born in Senoji Varėna, a town in southeastern Lithuania that at the time was in the Russian Empire. He was the oldest of nine children of his father, Konstantinas, and his mother, Adelė née Radmanaitė (Radmann), who was descended from a Lutheran family of Bavarian origin. Like many educated Lithuanians of the time, Čiurlionis's family spoke Polish, and he began learning Lithuanian only after meeting his fiancée in 1907. In 1878, his family moved to Druskininkai, 30 mi. (50 km) away, where his father went on to be the town organist. Čiurlionis was a musical prodigy: he could play by ear at age three and could sight-read music freely by age seven. Three years out of primary school, he went to study at the musical school of Polish Prince Michał Ogiński in Plungė, where he learned to play several instruments, in particular the flute, from 1889 to 1893. Supported by Prince Ogiński's 'scholarship' Čiurlionis studied piano and composition at Warsaw Conservatory from 1894 to 1899. For his graduation, in 1899, he wrote a cantata for mixed chorus and symphonic orchestra titled De Profundis, with the guidance of the composer Zygmunt Noskowski. Later he attended composition lectures at the Leipzig Conservatory from 1901 to 1902. He returned to Warsaw in 1902 and studied drawing at the Warsaw School of Fine Arts from 1904 to 1906, and became a friend with Polish composer and painter Eugeniusz Morawski-Dąbrowa. His main teacher in Warsaw was symbolist painter Kazimierz Stabrowski, who was also the founder of the first lodges of the Theosophical Society in Poland and passed to Čiurlionis an interest in Theosophy and other esoteric subjects. After the 1905 Russian Revolution, which resulted in the loosening of cultural restrictions on the Empire's minorities, he began to identify himself as a Lithuanian. He was one of the initiators of, and a participant in, the First Exhibition of Lithuanian Art in 1907 at Vileišis Palace, Vilnius. Soon after this event, the Lithuanian Art Society was founded, and Čiurlionis was one of its 19 founding members. In 1907, he became acquainted with Sofija Kymantaitė (1886–1958), an art critic. Through this association Čiurlionis learned to speak better Lithuanian. Early in 1909, he married Kymantaitė. At the end of that year, he traveled to St. Petersburg, where he exhibited some of his paintings. On Christmas Eve, Čiurlionis fell into a profound depression and at the beginning of 1910 was hospitalized in a psychiatric hospital "Czerwony Dwór" (Red Manor) in Marki, Poland, northeast of Warsaw. While a patient there, he died of pneumonia in 1911 at 35 years of age. He was buried at the Rasos Cemetery in Vilnius. He never saw his daughter Danutė (1910–1995). Čiurlionis felt that he was a synesthete; that is, he perceived colors and music simultaneously. Many of his paintings bear the names of musical pieces: sonatas, fugues, and preludes. ————————————————————————— I, in no way, mean to make any money via my videos. I make them to allow others to discover classical music, and help them by (sometimes) providing sheet music.
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- chronologie: Compositeurs (Europe).
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