Lucile Grétry Vidéos
compositrice, deuxième fille d'André-Ernest-Modeste Grétry
- opéra
- France
- compositeur ou compositrice
Dernière mise à jour
2024-05-13
Actualiser
Handel Hoiby Gounod Offenbach Donizetti Cimarosa 2022
Enjoy an evening of scenes in the intimate setting of NEC's Plimpton Shattuck Black Box Theatre. These concerts display the work that goes on daily in NEC's opera program, as faculty prepare student singers for performing careers. Perkin Opera Scenes at NEC appear under the generous sponsorship of longtime NEC supporter Winifred Perkin Gray and the Perkin Fund. Learn more: (http•••)
Jean Philippe Rameau Rondeau Raymond Leppard Grétry English Chamber Orchestra 1967
Provided to YouTube by Universal Music Group Rameau: Le temple de la gloire / Suite - 1. Passepied en rondeau · English Chamber Orchestra · Raymond Leppard Rameau: "Le Temple de la Gloire" - Suite / Grétry: Opera Ballet Music ℗ 1967 Decca Music Group Limited Released on: 1967-01-01 Composer: Jean-Philippe Rameau Author: Voltaire Contributor, Work Editor: Raymond Leppard Auto-generated by YouTube.
1773 Mozart/Grétry, album available here: (http•••) 1773 was a key year for orchestral music. Mozart composed his “little G minor Symphony”, no. 25, and began work on the music for the play Thamos, König in Ägypten. In Paris, Grétry perfected the opéra-comique, a genre combining the light and the serious, and completely renewed the musical drama. Is it a mere coincidence that their compositions of that year show the same intensity and dramatic efficacy? Martin Wåhlberg, at the head of his Orkester Nord, thinks not. Here he paints a bold picture: that of a Mozart taking inspiration from the new French theatre music, while retaining his own exceptional inventiveness and sense of form. The works recorded here enable us to trace the evolution of the emerging symphony, from the French theatre, with instrumental music from Grétry’s Céphale et Procris, to the German theatre, with Mozart’s music for the play Thamos, then the Mozart symphony, with his K.183, combining all of those elements in a purely orchestral work. video by JBP / Aparté Music • Website: (http•••) • Newsletter: (http•••) Social Media • Facebook: (http•••) • Instagram: (http•••) • Twitter: (http•••) • YouTube: (http•••) Listen : • Spotify: (http•••) • Apple Music: (http•••) • Deezer: (http•••) • Qobuz: (http•••) • Amazon Music: (http•••) • YouTube Music: (http•••) #mozart #orkesternord #grétry
Scaremberg Perrin Grétry Nellie Melba Pedro Gailhard Gluck Opéra Comique Covent Garden Théâtre Monnaie Palais Garnier 1863 1893 1896 1897 1898 1903 1904 1905 1907 1938 2012
Emile Scaramberg - Faust - Salut, demeure - Fonotipia 56045 enrgistré en 1904-1905 Emile Scaramberg (Scaremberg) (Tenor) (Besancon, France 1863 – Besancon, France 1938) He studied at the Paris Sainte-Marie Institute in and later with the tenor É. Perrin. He completed his vocal training with Charles Nicot and made his debut in 1893 at the Paris Opéra-Comique in ‘’Richard Coeur-de-Lion’’of Grétry. He remained two years at the Opéra-Comique and then sang at the opera houses of Nantes, Nice, Marseille, Bordeaux and Vichy. Guest performances followed in London (Covent Garden. 1897) and Monte Carlo. In the 1896-97 season he performed at the opera house of Nice as a partner of Nellie Melba. In 1897 Scaramberg was in Antwerp where he sang in Wagner’s ‘’Tannhauser’’. In the 1898-99 season he appeared at the Théâtre de la Monnaie in Brussels. Recruited by Pedro Gailhard, director of the Opéra, who heard him in Bordeaux, Scaramberg made his Palais Garnier debut as Lohengrin in 1903. From 1903 to 1907 he was a member of the Grand Opéra in Paris (beginning role: Lohengrin). Here he appeared among other things in 1905 in an important performance of Gluck’s ‘’Armide’’. In 1907 he suddenly lost his voice and had to give up his career and lived then as a pedagogue in Besancon. Source: (http•••)
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- chronologie: Compositeurs (Europe).
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