Karl-Friedrich Dürr Vidéos
artiste lyrique allemand
- baryton-basse
- Allemagne
- artiste lyrique
Dernière mise à jour
2024-06-01
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Johann Sebastian Bach Wächter Alessio Bax Bax Wilhelm Kempff Perlman Philipp Nicolai George Ratcliffe Woodward Woodward Dürr Heil Freund 1599 1724 1731 1858 1906 1908 1983 2007 2009 2015 2017
Tema utilizado para la película "Call Me By Your Name" realizada en 2017./ I do not own claim to own this material (Music & Photos). This video is purely for entertainment purposes and not for profit, I give full credit to the artist and to the owners of the song, No copyright infringement intended!/ Album: "Call Me By Your Name (Original Motion Picture Soundtrack)" Track 6: “Zion Hört Die Wächter Singen” From Cantata BWV 140 “Wachet Auf, Ruft Uns Die Stimme” Movement 4 Composer: Johann Sebastian Bach Piano: Alessio Bax Piano Transcription: Wilhelm Kempff Courtesy: Signum Records Copyright (p): Signum Records LTD. Label: Masterworks Phonographic Copyright (p): Sony Pictures Classics Inc. Phonographic Copyright (p): Madison Gate Records, Inc. Copyright (c): Madison Gate Records, Inc. Licensed: Sony Music Entertainment Production Company: Frenesy Film Company, La Cinéfacture, RT Features, M.Y.R.A. Entertainment, Water's End Productions Distributed: Sony Pictures Classics Call Me by Your Name is a 2017 romantic coming-of-age drama film directed by Luca Guadagnino and written by James Ivory, based on the 2007 novel of the same name by André Aciman. It is the third and final installment in Guadagnino's thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015). Set in Northern Italy in 1983, Call Me by Your Name chronicles the romantic relationship between Elio Perlman (Timothée Chalamet), a 17-year-old living in Italy, and his father's American assistant, Oliver (Armie Hammer). The film also stars Michael Stuhlbarg, Amira Casar, Esther Garrel, and Victoire Du Bois. "Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906) "Wake, Awake, for Night Is Flying" (Catherine Winkworth, 1858) or "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). The hymn is known as the foundation of Johann Sebastian Bach's chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, as well as being the foundation of settings by other composers. Wachet auf, ruft uns die Stimme (Awake, calls the voice to us), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the hymn appears unchanged in movements 1, 4 and 7. An unknown author supplied poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second (movement 4) in the style of a chorale prelude, and the third as a four-part chorale. Bach used movement 4 of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order". Movements of Wachet auf, ruft uns die Stimme, BWV 140: 1. Wachet auf, ruft uns die Stimme/2. Er kommt/3. Wann kommst du, mein Heil?/4. Zion hört die Wächter singen/5. So geh herein zu mir/6. Mein Freund ist mein!/7. Gloria sei dir gesungen. The fourth movement, "Zion hört die Wächter singen" (Zion hears the watchmen singing), is based on the second verse of the chorale. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in unison by the violins (without the violino piccolo) and the viola, accompanied by the basso continuo. Bach later transcribed this movement for organ (BWV 645), and it was subsequently published along with five other transcriptions Bach made of his cantata movements as the Schübler Chorales. Source: Wikipedia
Arnold Schoenberg Riedel Bernhard Schneider Chris Merritt Irena Bespalovaite Frisch 2006
Provided to YouTube by NAXOS of America Act I Scene 3: Ich hab ihn gesehn, als eine feurige Flamme (I saw him as a burning flame) (Young Girl, Young Man... Chorus) · Wolfgang Schone Schoenberg: Moses Und Aron ℗ 2006 Naxos Released on: 2006-08-29 Artist: Alois Riedel Composer: Arnold Schoenberg Artist: Bernhard Schneider Artist: Chris Merritt Artist: Emma Curtis Artist: Irena Bespalovaite Artist: Karl-Friedrich Durr Artist: Michael Ebbecke Choir: Polish Radio Choir Conductor: Roland Kluttig Artist: Sasa Vrabac Artist: Stephan Storck Choir: Stuttgart State Opera Children's Chorus Choir: Stuttgart State Opera Chorus Orchestra: Stuttgart State Orchestra Artist: Ulrich Frisch Artist: Wolfgang Schone Auto-generated by YouTube.
Arnold Schoenberg Riedel Bernhard Schneider Chris Merritt Irena Bespalovaite Frisch 2006
Provided to YouTube by NAXOS of America Act I Scene 2: Du Sohn meiner Vater... (Son of my fathers...) (Aaron, Moses) · Wolfgang Schone Schoenberg: Moses Und Aron ℗ 2006 Naxos Released on: 2006-08-29 Artist: Alois Riedel Composer: Arnold Schoenberg Artist: Bernhard Schneider Artist: Chris Merritt Artist: Emma Curtis Artist: Irena Bespalovaite Artist: Karl-Friedrich Durr Artist: Michael Ebbecke Choir: Polish Radio Choir Conductor: Roland Kluttig Artist: Sasa Vrabac Artist: Stephan Storck Choir: Stuttgart State Opera Children's Chorus Choir: Stuttgart State Opera Chorus Orchestra: Stuttgart State Orchestra Artist: Ulrich Frisch Artist: Wolfgang Schone Auto-generated by YouTube.
Arnold Schoenberg Riedel Bernhard Schneider Chris Merritt Irena Bespalovaite Frisch 2006
Provided to YouTube by NAXOS of America Act I Scene 1: Einziger, ewiger... und unvorstellbarer Gott! (Only, eternal... and unimaginable God!) (Moses) · Wolfgang Schone Schoenberg: Moses Und Aron ℗ 2006 Naxos Released on: 2006-08-29 Artist: Alois Riedel Composer: Arnold Schoenberg Artist: Bernhard Schneider Artist: Chris Merritt Artist: Emma Curtis Artist: Irena Bespalovaite Artist: Karl-Friedrich Durr Artist: Michael Ebbecke Choir: Polish Radio Choir Conductor: Roland Kluttig Artist: Sasa Vrabac Artist: Stephan Storck Choir: Stuttgart State Opera Children's Chorus Choir: Stuttgart State Opera Chorus Orchestra: Stuttgart State Orchestra Artist: Ulrich Frisch Artist: Wolfgang Schone Engineer: Peter Braun Producer: Thomas Angelkorte Auto-generated by YouTube.
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