Jon Garrison Vidéos
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2024-05-13
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Louis Varney Michel Trempont Garrison Abbot 1844 1880 1908 1978
Louis Varney +••.••(...)) Air "Pour faire un brave mousquetaire", extrait de l'Opérette "Les Mousquetaires au couvent", Les Mousquetaires ... d'Artagnan... Aramis ... Athos... Porthos : des noms dont l'Histoire et les récits nous ont transmis la légende nimbée de gloire !!! The Musketeers ... d’Artagnan... Aramis ... Athos... Porthos: names whose history and stories have given us the legend of glory!!! "Pour faire un brave mousquetaire Il faut avoir l'esprit joyeux Bon cœur et mauvais caractère Se bien battre et boire encore mieux Et pour fuir toute folle ivresse Où se perdrait notre raison Comme on change de garnison Il sied de changer de maîtresse Oui, l'abbé, c'est bien là Se conduire en vrai mousquetaire {Refrain:} À nous les folles nuits d'ivresse Vin généreux, cœurs sans façons À nous plaisirs, gloire et maîtresses Vive l'amour Vive l'amour et les chansons ! Triste, songeur et solitaire Gontran, tout à son noir souci Garde avec des airs de mystère Des façons d'amoureux transi Contre ce mal qui l'importune Je lutte en vain et je le vois Qui, rêveur, tandis que je bois Rime des sonnets à la lune Ah, l'abbé, est-ce là Se conduire en vrai mousquetaire ?" To make a brave musketeer You have to have a happy spirit Good heart and bad character Fight well and drink even better And to run away from all drunkenness Where our reason would be lost As we change garrison It’s time to change your mistress Yes, the abbot, it is there Act like a true musketeer {Refrain:} To us the crazy nights of drunkenness Generous wine, heartless hearts To our pleasures, glory and mistresses Long live love Long live love and songs! Sad, dreamy and lonely Gontran, all to her dark concern Guard with an air of mystery The ways of a transient lover Against this evil that bothers him I struggle in vain and I see him Who, dreamer, while I drink Rhyme of sonnets to the moon Ah, the abbot, is that there Acting like a true musketeer?" Michel Trempont , baryton Orchestre Symphonique de la RTB Conductor Edgar Doneux Editor CLUB 1978 Choix comparatif aléatoire C (3 interprétations prévues) Remerciements à l'Association d'Artagnan, Village de Madame d'Artagnan - (71) Sainte-Croix-en-Bresse. Concept MusicHorama (Musique classique + Visuels artistiques + Montage) Son direct vinyl original (http•••) (2600 vidéos musicales publiées) Association d'intérêt général habilitée à délivrer reçu fiscal pour dons et mécénat.
Mabel Garrison Siemonn Clement George Siemonn McDaniel Herbert Witherspoon Aborn Verdi Bizet Tales Hoffman Maschera Metropolitan Opera Aborn Opera Company Chicago Civic Opera Olympia Berlin State Opera Cologne Opera 1886 1903 1908 1912 1914 1917 1921 1925 1933 1963
Mabel Garrison sings 'Charmant oiseau,' with orchestra conducted by Josef Pasternack and flute obbligato by Clement Barone, recorded at Camden on 13 June 1917. Garrison is almost forgotten nowadays, but her records are well worth seeking out. Michael Scott referred to her as 'the admirable Mabel Garrison,' and it's a good description of this well-schooled singer with a pleasant soprano voice which she used well. From Wikipedia: Mabel Garrison Siemonn (April 24, 1886 – August 20, 1963), was an American coloratura soprano who sang at the Metropolitan Opera from 1914 to 1921. Garrison was born in Baltimore, Maryland on April 24, 1886. She graduated from Western Maryland College (now McDaniel College) in 1903. She went on to study singing at the Peabody Conservatory. In 1908 she married the professor of harmony, George Siemonn and then studied further with Oscar Saenger and Herbert Witherspoon in New York. She made her debut in 1912 with the Aborn Opera Company as Philine in Mignon. She made her Metropolitan Opera debut on February 15, 1914 in a Sunday afternoon concert singing arias from operas by Verdi and Mozart. Her first role at the Met was Frasquita in Bizet's Carmen. Other roles included Adina in L'Elisir d'Amore, Bertha in Euryanthe, Biancofiore in Francesca da Rimini, Crobyle in Thaïs, the Dew Fairy in Hansel and Gretel, Gilda in Rigoletto, Olympia in The Tales of Hoffman, Lady Harriet in Martha, Oscar in Un Ballo in Maschera, the Queen of the Night in The Magic Flute, the Queen of Shemakha in The Golden Cockerel, Rosina in Il Barbiere di Siviglia, and Urbain in Les Huguenots among others. Her last performance at the Met was as the title role in Lucia di Lammermoor on January 22, 1921. In 1921, Garrison made guest appearances at the Berlin State Opera in Hamburg and at the Cologne Opera. Later that year, she made a world concert tour. She was a member of the Chicago Civic Opera during the 1925-26 season. She was a teacher at Smith College after 1933. Garrison had an admirably trained coloratura soprano voice, as she demonstrated in both opera and concert and in several fine recordings she made for the Victor Talking Machine Company. She died in New York City on August 20, 1963.
Mabel Garrison Siemonn George Siemonn McDaniel Herbert Witherspoon Aborn Verdi Bizet Tales Hoffman Maschera Metropolitan Opera Aborn Opera Company Chicago Civic Opera Olympia Berlin State Opera Cologne Opera 1886 1903 1908 1912 1914 1916 1921 1925 1933 1963
Mabel Garrison sings the Polonaise from 'Mignon,' recorded at Camden on 15 June 1916 with orchestra conducted by her husband George Siemonn. Garrison is almost forgotten nowadays, but her records are well worth seeking out. Michael Scott referred to her as 'the admirable Mabel Garrison,' and it's a good description of this well-schooled singer with a pleasant soprano voice which she used with considerable artistry. From Wikipedia: Mabel Garrison Siemonn (April 24, 1886 – August 20, 1963), was an American coloratura soprano who sang at the Metropolitan Opera from 1914 to 1921. Garrison was born in Baltimore, Maryland on April 24, 1886. She graduated from Western Maryland College (now McDaniel College) in 1903. She went on to study singing at the Peabody Conservatory. In 1908 she married the professor of harmony, George Siemonn and then studied further with Oscar Saenger and Herbert Witherspoon in New York. She made her debut in 1912 with the Aborn Opera Company as Philine in Mignon. She made her Metropolitan Opera debut on February 15, 1914 in a Sunday afternoon concert singing arias from operas by Verdi and Mozart. Her first role at the Met was Frasquita in Bizet's Carmen. Other roles included Adina in L'Elisir d'Amore, Bertha in Euryanthe, Biancofiore in Francesca da Rimini, Crobyle in Thaïs, the Dew Fairy in Hansel and Gretel, Gilda in Rigoletto, Olympia in The Tales of Hoffman, Lady Harriet in Martha, Oscar in Un Ballo in Maschera, the Queen of the Night in The Magic Flute, the Queen of Shemakha in The Golden Cockerel, Rosina in Il Barbiere di Siviglia, and Urbain in Les Huguenots among others. Her last performance at the Met was as the title role in Lucia di Lammermoor on January 22, 1921. In 1921, Garrison made guest appearances at the Berlin State Opera in Hamburg and at the Cologne Opera. Later that year, she made a world concert tour. She was a member of the Chicago Civic Opera during the 1925-26 season. She was a teacher at Smith College after 1933. Garrison had an admirably trained coloratura soprano voice, as she demonstrated in both opera and concert and in several fine recordings she made for the Victor Talking Machine Company. She died in New York City on August 20, 1963.
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