John Guest Vidéos
Dernière mise à jour
2024-05-01
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Notre Dame Gustav Holst Thomas Tallis Ralph Vaughan Williams 2023
The Notre Dame Symphony Orchestra presents a complete performance of Gustav Holst's monumental orchestral suite The Planets. Also on the program is Fantasia on a Theme of Thomas Tallis by Ralph Vaughan Williams, with special guest soloists The Euclid Quartet.
Concerto Málaga José Serebrier Granados Gálvez Prieto Szabó Manzano Sanz Janis
Grabación para SOMM Recordings de la Serenata española de Impresiones de España compuesta por Joaquín Malats e incluida en el álbum “Serebrier concucts Granados" Recording for SOMM Recordings of Serenata española from Impresiones de España composed by Joaquín Malats, included in the album “Serebrier concucts Granados” Concerto Málaga, spanish string orchestra José Manuel Gil de Gálvez (leader), Elisa Prieto, Orsolia Szabó-Yélamo, Javier Navascués, Marina Picazo, Mireia Pérez, Alejandro Manzano, Ignacio Sanz de Galdeano, Carlos Picazo, Victor Yélamo, Misael Lacasta (guest), Janis Steinbergs, Juan Pablo Gamarro. Director: JOSÉ SEREBRIER
Medina Mela Cairo Opera House 1969 1990 1992 1997 1999 2000 2012
Ashraf Sharif Khan was born in 1969 in Lahore, Pakistan, as the son of the renowned sitar master Ustad Muhammad Sharif Khan Poonchwala. Like his father and grandfather, Ashraf Sharif Khan belongs to the illustrious Poonch Gharana school of traditional sitar. Ashraf’s music combines an astonishing technical proficiency with perfection in musical expression. The melodic beauty of his style, accentuated by his dynamic rhythmic development and the virtuoso technique, produce a unique musical experience, equally appreciable to novices and connoisseurs of South Asian music. His music transcends regional boundaries, and is accessible to all. Following his first public performance at the age of eleven, Ashraf toured throughout Pakistan. In 1990, he was awarded the Khwaja Khurshid Anwar Prize and the Hazrat Amir Khusro Prize. In 1992, he was chosen to represent Pakistan at the International Sound Celebration Festival in Louisville, Kentucky (USA). In 1997, he received the Colombo University Kelaniya Award (Sri Lanka). In 1999, he performed at the prestigious Medina Festival in Tunis, at the Sugar Hall in Okinawa, Japan, at the Symphony Space in New York, and at the Cairo Opera House in Egypt. Since 2000 Ashraf Sharif Khan has mainly lived in Hamburg and Oslo. Performances in various European cities alongside many international musicians led to new projects in the areas of jazz and world music, for example with Terlog Gurthu, Nasil Shama and Tina Tandler. Ashraf has headlined and performed at numerous festivals, including Arabesque in Montpellier, Monde Arabe in Montreal, Oslo Mela World Festival, Fusion in Neustrelitz, Oberjazz in Hamburg, Kharky in Tunis, Tahzeeb in Karachi and the All Pakistan Music Conference in Lahore. He has also been a frequent guest on Norwegian, British and Pakistani television and radio, starred in the film Enzo Avitabile Music Life (2012) by Oscar-winning director Jonathan Demme, and released four studio and live albums. He teaches classical South Asian music at the Norwegian Academy of Music in Slot-machine. The session will be moderated by Prof. Shahbaz Ali.
Carl Friedrich Abel Robert Rønnes Christian Ferdinand Abel Johann Sebastian Bach Johann Adolph Hasse Merlin Johann Christian Bach Haydn Theresa Cornelys Wolfgang Amadeus Mozart 1723 1725 1748 1758 1759 1762 1764 1765 1775 1782 1785 1787 2013
+••.••(...)) Carl Friedrich Abel: Sonata in e minor for Bassoon and Harp. (Original for Viola Da Gamba) Arranged and performed for Bassoon and Mac Playback Harp by Robert Rønnes, 1st June 2013. / About the composer: ( From Wikipedia) Carl Friedrich Abel (22 December 1723 / 20 June 1787)[1] was a German composer of the Classical era. (The Chambers Biographical Dictionary gives his year of birth erroneusly as 1725.)[2] He was a renown player of the viola da gamba, and composed important music for that instrument. Abel was born in Köthen, the son of Christian Ferdinand Abel, the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomaschule, where he was taught by Bach. On Bach's recommendation in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for ten years. In 1759 (or 1758 according to Chambers),he went to England and became chamber-musician to Queen Charlotte. He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin. In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart—evidently for study purposes—while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7.
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- chronologie: Compositeurs (Europe).
- Index (par ordre alphabétique): G...