Johann Carl Friedrich Rellstab Vidéos
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2024-05-21
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Schubert Liszt Rellstab Chopin Schumann Philip Glass Ludovico Einaudi 2016
Enregistrement live extrait du récital "Voyages intérieurs" donné le 2 novembre 2016 au Queen's Theatre de Barnstaple (GB) Ständchen, lied D957 de Schubert transcrit par F. Liszt pour piano seul, poème de Ludwig Rellstab. "Voyages intérieurs" est un récital original et une plongée subtile au cœur d’harmonies et d'ambiances hypnotisantes où des chefs d’œuvre de Schubert, Chopin et Schumann dialoguent avec les œuvres minimalistes de grands compositeurs du XXe : l’américain Philip Glass et Ludovico Einaudi. www.donasevene.com
Hübner Mendes Rellstab Oliveira Ribeiro
O que significa um Estado decretar emergência climática? Alessandro Molon e Caroline Prolo discutem o papel do legislativo no fortalecimento da cultura climática e democrática. O podcast Revoar é uma produção da Rádio Novelo para o LAUT, o Centro de Análise da Liberdade e do Autoritarismo. A segunda temporada é apresentada por Conrado Hübner Mendes e Joana Setzer. Novos episódios às quintas. Para ouvir os demais episódios, acesse a playlist (http•••) ou visite o site do programa (http•••) O podcast é uma produção da Rádio Novelo para o LAUT Apresentação: Conrado Hübner Mendes e Joana Setzer Coordenação: Paula Scarpin e Vitor Hugo Brandalise Produção: Clara Rellstab Edição: Claudia Holanda Pesquisa: Alice Amorim e Marcelo Oliveira Música original: Mari Romano Finalização e mixagem: João Jabace Coordenação digital: Iara Crepaldi e Bia Ribeiro Distribuição: Bia Ribeiro Redes sociais: Andressa Maciel Para falar com a equipe: •••@•••
Beethoven Eder Franz Liszt Rellstab Alessandro Simonetto 1748 1799 1800 1804 1806 1835 1838
Beethoven: Piano Sonatas Opp. 13, 27, 57 / Gala Chistiakova 00:00 Sonata No. 8 in C Minor, Op. 13 'Pathètique' - I. Grave - Allegro di molto e con brio 12:26 Sonata No. 8 in C Minor, Op. 13 'Pathètique' - II. Adagio cantabile 17:48 Sonata No. 8 in C Minor, Op. 13 'Pathètique' - III. Rondo. Allegro 22:58 Piano Sonata No. 13 in E-flat major, Op. 27 'Quasi una fantasia' - I. Andante - Allegro - Andante 28:40 Piano Sonata No. 13 in E-flat major, Op. 27 'Quasi una fantasia' - II. Allegro molto e vivace 30:52 Piano Sonata No. 13 in E-flat major, Op. 27 'Quasi una fantasia' - III. Adagio con espressione 39:35 Piano Sonata No. 14 in C sharp minor, Op. 27 'Quasi una fantasia' - I. Adagio sostenuto 45:14 Piano Sonata No. 14 in C sharp minor, Op. 27 'Quasi una fantasia' - II. Allegretto 47:43 Piano Sonata No. 14 in C sharp minor, Op. 27 'Quasi una fantasia' - III. Presto agitato 55:52 Piano Sonata No. 23 in F minor, Op. 57 - I. Allegro assai 1:06:30 Piano Sonata No. 23 in F minor, Op. 57 - II. Andante con moto 1:14:26 Piano Sonata No. 23 in F minor, Op. 57 - III. Allegro ma non troppo. Presto Gala Chistiakova, Piano In the first decade of his career as a published composer, Ludwig van Beethoven completed an enormous amount of music. Some of the most beloved sonatas for piano belong to this prolific period, marked not only by the desire to be acknowledged as an emerging composer of his time, but also by wonderfully creative inspiration and innovation. All of these sonatas are crucial in the way Beethoven understood both musical forms and the possibilities of the piano as the new household instrument. The Sonata in C Minor, Op. 13 was published in 1799 by Eder as “Grande sonate pathétique” – a title not by Beethoven but by the publisher, and which the composer nonetheless liked (Eder found the piece’s dramatic sonorities greatly affecting). The frontispiece indicates that the work is composed for harpsichord or piano - to increase sales, since many people in Vienna still owned harpsichords (all the sonatas for piano that Beethoven published until then were sold as works written for both instruments). Here Beethoven experiments with novel ideas about form in the outer movements - innovations which will influence contemporaneous and future composers. The Two Sonatas, Op. 27, composed in the year 1800, were subtitled by Beethoven “Sonata quasi una fantasia” for the freedom with which their structures were conceived. Both sonatas present unusual features – the first, in E-flat major, almost cyclical, structurally evokes a fantasy wherein different movements are played without interruption. The structure is made more complex by the return of slow movement at the end of the work, before the closing coda. The second sonata, in C-sharp minor, presents two movements in sonata form - the first an Adagio, and the second featuring unusual harmonic relations between the two main thematic blocks. Franz Liszt aptly proclaimed that the second movement, a simple minuet in the key of D-flat major in ABA form, is “a flower between two abysses.” The second sonata from Op. 27 was nicknamed Mondschein (“Moonlight”) by the German critic Ludwig Rellstab in 1835, as its first movement evoked in his mind the silvery moon reflecting on the placid Lake Lucerne. Composed between 1804 and 1806, the Sonata in F Minor, Op. 57 was posthumously nicknamed “Appassionata” – a title given by the publisher of a four-hand version of the work in 1838, a title which still remains today. At the time of its composition, it was one of Beethoven’s most impressive works for the piano, perhaps matched in difficulty only by the Sonata Op. 53. Its nickname perfectly portrays the highly charged emotional content of the sonata’s framework. Dramatic dynamic contrasts in the outer movements create a compelling narrative, ending in a tragic, virtuosic coda. The andante movement is a series of variants based on the exponential development of rhythmic figurations. Gala Chistiakova, a rising talent on the world scene, offers an original reading of these famous Beethoven works, with great refinement and riveting control. The recordings was made by producer Alessandro Simonetto using two historical pairs of Brüel & Kjær microphones matched with more modern Prism Sound pres and converters equipments. Original album may be found here: (http•••) Don't forget to share our music and to subscribe to our channel: (http•••) Want to license our music? Check this: (http•••)
Beethovenfest Bonn Beethoven Rellstab 1801 1832 2016 2020
"Mondscheinsonate" (Moonlight Sonata), the Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27, No. 2 is one of the most popular compositions by Ludwig van Beethoven, who played a significant role in the transition between the classical and romantic eras of classical music.. This sonata was composed in 1801, and premiered by the composer himself in the following year [1]. At that time, Beethoven was living in Vienna, and his hearing was gradually deteriorating. The name "Mondscheinsonate" was actually given by the German music critic and poet Ludwig Rellstab in 1832 in a review, in which he associated the first movement with the moonlight shining upon Lake Lucerne in Switzerland [2]. This year is Beethoven's 250th birthday, and the city Bonn was set to celebrate the festival by several concerts. Due to the spread of Coronavirus disease, there is a temporary social contact ban enacted by the German government. Hence, this small concert is held without any human in the concert hall. Hopefully the audience can still enjoy the beautiful music by Beethoven as well as find tranquility and inner peace. Let us appreciate the moonlight and wait for the warm sun. References: [1] Betsy Schwarm. "Moonlight Sonata." Encyclopædia Britannica. Encyclopædia Britannica, inc. 10 April 10, 2016. [2] Wikipedia contributors. "Piano Sonata No. 14 (Beethoven)." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 March 2020.
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