Giusy Devinu Vidéos
soprano italien
- soprano
- Italie
- artiste lyrique
Dernière mise à jour
2024-05-10
Actualiser
Pauls Emīls Dārziņš Sgambati 1875 1878 1898 1902 1904 1909 1910 1966
Avots: kanāls Labais, (http•••) Visas tiesības pieder autoriem, izpildītājiem un producentiem. Pauls Sakss +••.••(...) ) / Autors : Emīls Dārziņš +••.••(...) ). Pauls Sakss dzimis 1878. gada 14. janvārī Vidzemē, Taurupes pagastā. Sakss dzimis dzirnavnieka ģimenē, kur, klausoties meitu dziedāšanā un puišu instrumentu spēlē, pamanīta nākamā operdziedātāja interese par mūziku, kā arī muzikālā apdāvinātība.[1] Deviņu gadu vecumā Pauls Sakss sācis dziedāt Debesbraukšanas pareizticīgo skolā Rīgā, vēlāk iestājies garīgajā seminārā, kur uzņemts ceturtajā klasē bīskapa korī kā tenors. Pēc mācībām seminārā Pauls Sakss apgūst dziedāšanu pie Pāvula Jurjāna. Paula Saksa pirmā publiskā uzstāšanās datējama ar 1898. gadu, bet pirmais patstāvīgais dziesmu vakars Melngalvju namā noticis 1902. gadā. Mācījies Itālijā, Romas Mūzikas akadēmijā no 1904. līdz 1909. gadam, kur absolvējis Antonio Kotonji un Džovanni Sgambati dziedāšanas klasi. Vokālajā pedagoģijā papildinājies pie Mario Kotonji, Bretšneidera un Bonuči.
Devinu Donizetti Anna Bolena Andrea Rost Rossini Bellini Verdi Fanny Tacchinardi Persiani Persiani Mathilde Marchesi Nellie Melba 1835 1837 1889 1960 1982 1997 2007
THE SONGBIRD: Italian soprano Giusy Devinu +••.••(...)) was born in Sardinia and received her musical training at the Cagliari Conservatory. She made her debut as Violetta in 1982 in Spoleto (under her given name Giuseppina Devinu). This was a role she would sing nearly 300 times in her career. In the 1980s, she appeared across Italy (Genoa, Ravenna, Rome, Trieste, Bologna, Pesaro, etc.) in roles such as Oscar, Queen of the Night, Rosina, and Gilda. In the 1990s, she sang Norina and Mozart's Countess in Venice, Marie in Rome, Violetta in Paris and Vienna, Anna Bolena in Brussels, Amina in Warsaw, Giulietta in Genoa, Liu and Maria Stuarda in Turin, and Donna Anna in her hometown, Cagliari. Her U.S. debut as Gilda came in 1997 in San Francisco, replacing Andrea Rost on short notice. Sadly, Devinu died at age 46 from an incurable disease that she had fought and kept private for at least three years. THE MUSIC: Donizetti's "Lucia di Lammermoor" has become one of the quintessential operas for a coloratura soprano / it's one of the most widely produced bel canto operas in the world and the title character is a benchmark role for this voice type. Donizetti composed it in 1835, which was a peak of his artistic and popular success / Rossini had recently retired, Bellini had just died, and Verdi had not yet had his first premiere ("Oberto" in 1837). Based on Walter Scott's novel, the opera premiered in Naples. The plot in a nutshell: after being tricked into marrying a man she doesn't love, and lied to that her true love has betrayed her, Lucia loses her mind and murders the groom on her wedding night. The mentally unstable young woman appears in a bloodied gown and sings a long, complex, and haunting "mad scene" mixing delusion and grief that is a tour-de-force of bel canto vocalism and gripping tragedy. The primary section of the mad scene culminates in a long cadenza with a flute (and occasionally the glass harmonica). Donizetti allowed the original Lucia, Fanny Tacchinardi Persiani, to improvise her own cadenza (she apparently had a talent for this). The most commonly performed cadenzas for the past 100+ years are based closely on three that were written and published by Mathilde Marchesi, including one for her famous student Nellie Melba when she sang the role in Paris in 1889.
Marchisio Donato Renzetti Donizetti Teatro Lirico Teatro Lirico Cagliari
Concorso Lirico Internazionale “Giusy Devinu” Città di Cagliari Stefano Marchisio, baritono “Come Paride vezzoso” - L’Elisir d’Amore - G. Donizetti Orchestra del Teatro Lirico di Cagliari Dir. Donato Renzetti Teatro Lirico di Cagliari
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