Gerhart Münch Vidéos
pianiste et compositeur allemand, 1907-1988
- piano
- opéra
- Allemagne
- compositeur ou compositrice, pianiste
Dernière mise à jour
2024-06-10
Actualiser
Rezitation: Gerd Wameling Text: Hinüber wall ich, Und jede Pein Wird einst ein Stachel Der Wollust sein. Noch wenig Zeiten, So bin ich los, Und liege trunken Der Lieb' im Schoß. Unendliches Leben Wogt mächtig in mir Ich schaue von oben Herunter nach dir. An jenem Hügel Verlischt dein Glanz / Ein Schatten bringet Den kühlenden Kranz. O! sauge, Geliebter, Gewaltig mich an, Daß ich entschlummern Und lieben kann. Ich fühle des Todes Verjüngende Flut, Zu Balsam und Äther Verwandelt mein Blut / Ich lebe bei Tage Voll Glauben und Mut Und sterbe die Nächte In heiliger Glut. Bilder: Edvard Munch
Münch Johann Sebastian Bach 1958 2013 2014
Provided to YouTube by Believe SAS Messe in B Minor, BWV 232, Gloria: Cum Sancto Spiritu · Orchestre municipal de Strasbourg, Fritz Münch, Choeur de Saint-Guillaume Bach: Messe in B Minor, BWV 232 (Mono Version) ℗ 1958 - BNF Collection 2013 Released on: 2014-03-10 Author: Anonymous Music Publisher: D.R Composer: Johann Sebastian Bach Auto-generated by YouTube.
Münch Johann Sebastian Bach 1958 2013 2014
Provided to YouTube by Believe SAS Messe in B Minor, BWV 232, Gloria: Gloria in excelsis · Orchestre municipal de Strasbourg, Fritz Münch, Choeur de Saint-Guillaume Bach: Messe in B Minor, BWV 232 (Mono Version) ℗ 1958 - BNF Collection 2013 Released on: 2014-03-10 Author: Anonymous Music Publisher: D.R Composer: Johann Sebastian Bach Auto-generated by YouTube.
André Watts Seiji Ozawa Rachmaninoff Leonard Bernstein Fleischer Norton Nagano Beethoven Hideo Saito Charles Munch Koussevitzky Herbert Karajan Matsumoto New York Philharmonic Orchestra Philadelphia Orchestra Boston Symphony Orchestra Toronto Symphony Orchestra San Francisco Symphony Orchestra Metropolitan Opera Vienna State Opera Tanglewood Ravinia Festival Saito Kinen Festival Matsumoto 1602 1935 1959 1964 1965 1968 1969 1970 1973 1976 1988 1992 1998 2002 2010 2011 2015
I. Allegro ma non tanto (D minor) 0:06 II. Intermezzo: Adagio (A Major-D♭ Major-C♯ Major) 16:02 III. Finale: Alla breve (D minor-D Major) 25:50 Andre Watts, piano Seiji Ozawa, conductor New York Philharmonic Orchestra ANDRE WATTS: "André Watts is a German-born American pianist who was known for a surpassing technique and understated manner that made him a favoured concert performer. Watts was the son of an African American soldier and a Hungarian mother. At age nine he made his debut at a Philadelphia Orchestra children’s concert. He attracted wide attention when at age 16 he performed on television under conductor Leonard Bernstein. Though already a mature musician, he chose to continue study with Leon Fleischer. In 1976 he gave a concert that was the first live television broadcast of a solo recital in history. His popularity continued into the 21st century. Watts was the recipient of numerous honours, including the Avery Fisher Prize (1988) and the National Medal of Arts (2011)." SEIJI OZAWA: "American orchestra conductor Seiji Ozawa is noted for his energetic style and sweeping performances of 19th-century Western symphonic works. Among the honors he received throughout his career were two Emmy Awards for his performances on public television specials, the French Chevalier de la Légion d’Honneur, and honorary doctorates in music from Harvard University, the University of Massachusetts, the New England Conservatory of Music, and Wheaton College in Norton, Massachusetts. In February 1998 he joined musicians around the world via satellite link to close the opening ceremonies at the Winter Olympics in Nagano, Japan, with Ludwig van Beethoven’s Ode to Joy. Seiji Ozawa was born on September 1, 1935, in Hoten, Manchukuo (now in China), of Japanese parents. He grew up in Japan and showed interest in Western music as a child. He had hoped to become a pianist, but at age 16 he injured his hands. Ozawa then turned to conducting, studying with Hideo Saito at the Toho School in Tokyo. In 1959, after conducting with the NHK (Nippon Hoso Kyokai) Symphony Orchestra of Japan and the Japanese Philharmonic, Ozawa went to Europe, where he won the Besançon International Conductors’ Competition. The following summer he studied in the United States under Charles Munch at the Berkshire Music Festival in Tanglewood, Massachusetts, where he won the Koussevitzky Prize. At that time he began a long and fruitful association with the Boston Symphony Orchestra. After a further year of study with Herbert von Karajan in Berlin, Ozawa was engaged as an assistant conductor of the New York Philharmonic by Leonard Bernstein. From 1964 to 1968 Ozawa served as music director of the Ravinia Festival in Chicago. He became music director of Canada’s Toronto Symphony Orchestra in 1965 and of the San Francisco Symphony Orchestra in 1970. In 1973 Ozawa was appointed conductor and music director of the Boston Symphony Orchestra, a position that had for years been the exclusive preserve of European conductors. His tenure with the symphony lasted until 2002, the longest of any active music director with a major orchestra. Ozawa became increasingly interested in opera during the 1990s. In 1992 he debuted with the Metropolitan Opera in New York and, as a tribute to Hideo Saito, cofounded the Saito Kinen Festival in Matsumoto, Japan. He was principal conductor of the Vienna State Opera from 2002 to 2010. Early in 2010 Ozawa underwent surgery for esophageal cancer, which forced him to retreat from the public stage for the better part of the year. Ozawa made his return to public performance at the Saito Kinen Festival that September. Ongoing health issues continued to restrict his performance schedule, but he nonetheless made occasional appearances, notably at the Saito Kinen Festival. It was renamed the Seiji Ozawa Matsumoto Festival in his honor in 2015. In 2011 Ozawa received the Japan Art Association’s Praemium Imperiale prize for music. He was named a Kennedy Center honoree in 2015." Remastered By: Wayne Yang, USA-Taiwan
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