Franz Kessel Vidéos
compositeur
- Allemagne
Dernière mise à jour
2024-05-03
Actualiser
Paul Hindemith Hartmann Reich Roche 1922 1933 1963 2018
Sacrilège Gonzalo Borondo in collaboration with the Festival Musiques Interdits Théâtre Toursky de Marseille: 21/10/2018 The ambition was to mix different arts on stage to create a different experience than the one to which is used the lyrical public. By working with live animated painting, with video art as an evolving scenography, with costumes and lights, the stage is enriched with the medium through which reach the public to transmit and express the strength and poetry of these operas. The art direction and mise-en-scéne of “Sacrilége” is a collaboration with the Festival Musiques Interdits, a cultural activity that aims to rehabilitate major musical works banned by in the past (mainly by dictatorship and religion). The overwhelming and scandalous operas that composed the show, Sancta Susanna (1922) by Paul Hindemith and Sodome et Gomorrhe (1963) by Karl Hartmann, are rediscovered within the festival created by Michel Pastore and staged at the Theatre Toursky of Marseille (FR). The Nazi cultural leaders banned the major composers of the beginning of the century since 1933 labeling them as “Degenerate Music” and “Sancta Susanna” by Paul Hindemith, known for causing a great scandal at the Frankfurt Opera in ’22, was one of them banned also by the Vatican with the rest of Hindemith’s composing. Similar fate the one occurred to the last masterpiece of Karl Hartmann, self-prohibitive and resistant to the Third Reich, which in 1963 composed his latest works “Sodom and Gomorrah” based on the text of Jean Giraudoux to denounces the end of the world, the end of our XX century expectations. Sancta Susanna (1922) by Paul Hindemith Performed by Chrystelle Di Marco (Soprano), Lucie Roche (Mezzo-soprano) and Patricia Schenell (Mezzo-soprano) Sodome et Gomorrhe (1963) by Karl Hartmann Performed by Antoin Herrere Lopex Kessel (Baritone) Marseille Philharmonic Orchestra Direction by Jean-Philippe Dambreville Video by Federico Toraldo
Martin's Journey / Kessel Suite by Elizabeth Borowsky A Suite for Violin, Cello, and Piano Dedicated to Martin Kessel. World-premiere performance on Friday, September 10, 2018 at Sounds in the Sanctuary in Bethlehem, New Hampshire (Bethlehem Hebrew Congregation). Performers are Emmanuel Borowsky (violin), Frances Borowsky (cello), and Elizabeth Borowsky (piano).
Bach Ton Koopman Angela Hewitt Olivier Latry Martin Stadtfeld Lars Vogt Martynas Levickis Mahan Esfahani Cameron Carpenter Carpenter Francesco Tristano Olga Pashchenko Annika Treutler Treutler Caine Calefax Camerata Rco Thüringer Bachwochen
mit/with Rudolf Lutz (0:00:01), Ton Koopman (0:01:07), Martin Sturm (0:04:20, 0:13:56), Bernhard Klapprott (0:06:53), Christine Schornsheim (0:08:39, 0:30:48), Slixs (0:11:05), Angela Hewitt (0:12:18), Olivier Latry (0:15:02, 0:39:17)), Elina Albach (0:17:14, 0:53:38), Ragna Schirmer (0:18:26, 0:40:38), Alfonso Sebastian Alegre (0:20:10), Martin Stadtfeld (0:21:48), Lars Vogt (0:22:44), Martynas Levickis (0:25:40), Calefax (0:29:48), Jan Nigges und Alexander von Heissen (0:34:50), Yejin Gil (0:37:22), Duo Aliada (0:42:09), Istvan Black (0:44:15), Mahan Esfahani (0:45:29), Blindman Quartet (0:48:25), Jiyong (0:50:14), Evan Shinners (0:52:22), Cameron Carpenter (0:59:23), Camerata RCO (1:00:30), Francesco Tristano (1:01:56), Olga Pashchenko (1:03:14), Annika Treutler (1:05:43), Silvius von Kessel (1:07:32) und/and Uri Caine (1:12:32) 32 Klavierstücke bilden einen der bekanntesten Zyklen der Musikgeschichte: Bachs berühmte „Goldberg-Variationen“, der Legende nach ein Auftragswerk für Graf Keyserlingk, um ihn in schlaflosen Nächten zu unterhalten. In Corona-Zeiten sind auch wir ein wenig aus dem Konzept von Nacht und Tag, schlafen zu viel oder zu wenig - Grund genug, ein wenig musikalische Orientierung zu geben. Profilierte Künstlerinnen und Künstler spielen auf Einladung der Thüringer Bachwochen allabendlich eine der Variationen zur guten Nacht: Ein Kaleidoskop von Interpreten und Interpretationen, als Zeichen der Verbundenheit der internationalen Bachwelt untereinander und mit unserem Festival. 32 piano pieces form one of the most famous cycles in the history of music: Bach's famous "Goldberg Variations", according to legend a work commissioned by Count Keyserlingk to entertain him during sleepless nights. In times of the coronavirus many of us are out of the concept of night and day as well, sleep too much or too little - reason enough to give a little musical orientation. Invited by the Thuringia Bach Festival, renowned artists will play one of the variations for you every night: a kaleidoscope of performers and interpretations, as a sign of solidarity in the the international Bach world and with our festival.
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