Frank Valentino Vidéos
artiste lyrique
- baryton
- États-Unis
Dernière mise à jour
2024-05-05
Actualiser
Stadio Domiziano Nola Antico Malvezzi Angelini Cristo Santa Maria 1300 1463 1490 1806 1907 1911 1913 1924 1933 1935 1951 1958 1974 1975 1976 1977 1978 1980 1983 1985 1987 1993 1995 1996 2000 2003 2006 2015 2018 2020
La domenica del pianto «I vivi credono di piangere i loro morti e invece piangono una loro morte, una loro realtà che non è più nel sentimento di quelli che se ne sono andati». L. Pirandello, “Colloqui coi personaggi”, in Id., Novelle per un anno, Milano 1951, p. 565. Siamo tutti colpiti da quanto sta avvenendo. Nella sua ultima omelia Papa Francesco ci ha invitati a onorare la giornata di oggi come la "domenica del pianto", indipendentemente dal fatto di essere credenti. Un invito a spalancare le porte degli occhi e della mente su quel dolore che tutti, in modo diretto o indiretto, stiamo provando in giornate così anomale, nelle quali anche le più naturali forme di espressione del lutto ci sono negate, così come ci viene negato il saluto estremo a chi ci ha lasciati per sempre. Un modo, forse, per dar voce alla nostra fragile umanità e alle nostre più intime paure. Un modo, forse, per ricordare chi non è più con noi e che la fredda quotidianità dei media ci sta abituando lentamente ad assimilare a un numero o a una statistica. Facendo leva su quanto ho avuto modo negli anni di approfondire, ho provato a parlare di tutto questo in un video trasmesso in diretta sul mio profilo facebook alle 12.30 del 29 marzo 2020. Un tema certamente molto delicato ma che, anche per questo, merita il rischio di essere affrontato anche in luoghi del diletto e dell'effimero come questi. Luoghi divenuti, tuttavia, loro malgrado, espressione importante e imprescindibile della nostra umanità e socialità. Ecco l'elenco delle principali opere menzionate nella diretta, dalle più recenti alle più antiche Archeologia e antropologia della morte: voll. 1-3, Atti del 3° Incontro Internazionale di Studi di Antropologia e Archeologia a confronto [Roma, École française de Rome – Stadio di Domiziano, 20-22 Maggio 2015] a cura di Valentino Nizzo. Roma: E.S.S. Editorial Service System, 2018 V. Nizzo, Archeologia e Antropologia della Morte: Storia di un’idea, Bari 2015. F. Remotti (a cura di), Morte e trasformazione dei corpi. Interventi di tanatometamòrfosi, Milano 2006. A. Favole, Resti di umanità. Vita sociale del corpo dopo la morte, Roma, Bari 2003. A. M. di Nola, La nera signora: antropologia della morte e del lutto, Roma 2006 (ed. or. 1995). F. Remotti, Luoghi e corpi. Antropologia dello spazio, del tempo e del potere, Torino 1993. B. d’Agostino, “Società dei vivi, comunità dei morti: un rapporto difficile”, in Archeologia e antropologia 1987, pp. 47-58 (ed. or. 1985). M. Vovelle, La morte e l’Occidente dal 1300 ai giorni nostri, Bari 2000 (ed. or. 1983). F. Faeta, M. Malabotti, Imago mortis. Simboli e rituali della morte nella cultura popolare dell’Italia meridionale, cat. mostra, Roma 1980. L.-V. Thomas, Le cadavre. De la biologie à l’anthropologie, Bruxelles 1980. L.-V. Thomas, Mort et pouvoir, Paris 1978. Ph. Ariès, L’uomo e la morte dal Medioevo a oggi, Milano 1996 (ed. or. 1977). L.-V. Thomas, Antropologia della morte, Milano 1976 (ed. or. 1975). Ph. Ariès, Storia della morte in Occidente dal Medioevo ai giorni nostri, Milano 1980 (ed. or. 1974). E. de Martino, Morte e pianto rituale. Dal lamento funebre antico al pianto di Maria, Torino 2000 (ed. or. 1958). J. G. Frazer, La paura dei morti nelle religioni primitive, Milano 1978 (trad. it. dell’ed. or. del 1933-36 a cura di A. Malvezzi). J. G. Frazer, The Golden Bough a study in Magic and Religion, London 1911-1935. J. G. Frazer, The Belief in Immortality and the Worship of the Dead, 3 voll., London 1913-1924. R. Hertz, Sulla rappresentazione collettiva della morte, Roma 1978 (trad. it. dell’ed. or. del 1907 a cura di P. Angelini). Foscolo, Dei Sepolcri, 1806 Compianto sul Cristo morto. Particolare del gruppo scultoreo in terracotta di Niccolò dell'Arca, conservato nella chiesa di Santa Maria della Vita a Bologna.1463-1490 ca. Tito Lucrezio Caro, De Rerum Natura (I sec. a.C.) Museo Nazionale Etrusco di Villa Giulia, da Cerveteri, braciere con piangenti, 525-500 a.C ca Omero, Iliade (VIII sec. a.C.)
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Maxim Rysanov Bach Mischa Maisky Nicola Benedetti Vilde Frang Janine Jansen Boris Brovtsyn Alexander Sitkovetsky Sitkovetsky Sergei Krylov Henkel Yusupov Leonard Elschenbroich Kelemen Dobrinka Tabakova Lionel Tertis Valentino Bucchi Richard Dubugnon Leonid Desyatnikov Giya Kancheli Penderecki Vasks Heilbron Martinu Last Night Proms Salzburg Festival Vale Glamorgan Festival Lithuanian Chamber Orchestra London Mozart Players Scottish Ensemble Russian National Orchestra Orquesta Sinfónica Castilla León National Symphony Orchestra Detmold Chamber Orchestra Southbank Sinfonia Budapest Festival Orchestra Sofia Philharmonic Bbc National Orchestra Wales Orchestre Philharmonique Strasbourg Hong Kong Sinfonietta Scottish Chamber Orchestra 1780 2013 2014 2016
Buy Maxim's CDs here: (http•••) Official website: (http•••) Facebook: (http•••) Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worlds most vibrant and charismatic musicians. He is principally known for his performances as a violist, guest of the crème of international music scene such as BBC Last Night of the Proms, Verbier, Great Mountain, Tran Siberian and Edinburgh Festival, Salzburg Festival among others. After having completed a conducting fellowship at The GSMD he started to combine his viola performance with a career as a conductor. Conducting engagements include the Spanish Radio Orchestra, Basel Symphony Orchestra, Lithuanian Chamber Orchestra, Riga Sinfonietta, London Mozart Players, Baltic Neopolis, Scottish Ensemble, Russian National Orchestra, and Moscow Musica Viva, Kiev Soloists, Orquesta Sinfónica de Castilla y León, Georgian National Symphony Orchestra, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Detmold Chamber Orchestra, Dala Sinfonietta, Southbank Sinfonia, Danubia Symphony as well as conducting at festivals in Dubrovnik, Utrecht, Boswil , Surrey Hills, Budapest Festival Orchestra, and the finale of the Beijing Viola Festival, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Royal College of Music String Orchestra, Lviv Philharmonic, Detmold Chamber Orchestra, Lepaje Symphony Orchestra and the Pforzheim Stadtsorchester. As a conductor Maxim worked with such soloists as Mischa Maisky, Nicola Benedetti, Vilde Frang, Janine Jansen, Boris Brovtsyn, Alexander Sitkovetsky, Sergei Krylov, Susanna Yoko Henkel, Kristina Blaumane, Ashley Wass, Benjamin Yusupov, Leonard Elschenbroich, Dora Kokas and Kelemen Quartet among others. Maxim featured as both conductor and soloist on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. Maxim has long been recognised by the international music scene and his list of prizes affirm that status. These include the Classic FM Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award, as well as the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim is a keen promoter of new music. Recently he conducted the Russian premier of the Piano Concerto by Benjamin Yusupov. His enthusiasm for new music has generated collaborations, which have extended the viola repertoire. This includes world premieres by Dobrinka Tabakova, Richard Dubugnon and Sergei Akhunov. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli, Artyom Vassiliev and Elena Langer. In 2014 Maxim presented the Penderecki's double concerto in a Russian premiere. In 2016 he premieres a new viola concerto by Peteris Vasks that was co-commissioned by the BBC National Orchestra of Wales, the Vale of Glamorgan Festival and the Orchestre Philharmonique de Strasbourg. Further performances include Turku Philharmonic, Riga Sinfonietta, Hong Kong Sinfonietta, Scottish Chamber Orchestra, Wurttemburgisches Kammerorchester Heilbron and the Lithuanian Chamber Orchestra. Maxim's commercial CD have continually gained awards including Gramophone Editor's Choice and ECHO, ICMA, Gramophone and Grammy nominations as well as reaching the top of the iTunes charts in the USA. His recent recording of the Martinu Rhapsody – Concerto was shortlisted for the Gramophone Award. He is delighted to have a Giuseppe Guadagnini viola (1780) on extended loan from the Elise Mathilde Foundation.
Maxim Rysanov Schubert Valery Gergiev Mikhail Pletnev Jiří Bělohlávek Svetlanov Andrey Boreyko Vasily Petrenko Petrenko Tugan Sokhiev Yuri Simonov Vassily Sinaisky Sir Mark Elder Philippe Herreweghe Eivind Gullberg Jensen Jensen Michał Nesterowicz Nesterowicz Arvo Volmer Matthias Bamert John Axelrod Olari Elts Caballe Kaftan Gennady Rozhdestvensky Jorma Panula Oleg Caetani Verdi Vivaldi Maxim Vengerov Janine Jansen Mischa Maisky Gidon Kremer Nicola Benedetti Vadim Repin Augustin Dumay Viktoria Mullova Alexander Sitkovetsky Sitkovetsky Sol Gabetta Leif Ove Andsnes Denis Matsuev Alessio Bax Bax Michael Collins Alice Coote Freddy Kempf Dobrinka Tabakova Pēteris Vasks Richard Dubugnon Balogh Yusupov Leonid Desyatnikov Giya Kancheli Gabriel Prokofiev Prokofiev Lionel Tertis Valentino Bucchi Ulster Hall Last Night Proms Mariinsky Gürzenich Russian National Orchestra Bbc Symphony Orchestra Residentie Orkest Seattle Symphony Orquesta Sinfónica Castilla León Deutsches Symphonie Orchester Berlin Bournemouth Symphony Orchestra Gürzenich Orchestra Frankfurt Radio Symphony Prague Radio Symphony Orchestra Adelaide Symphony Orchestra Danish National Symphony Orchestra National Symphony Orchestra European Union Youth Orchestra Scottish Chamber Orchestra Spanish National Orchestra Beethovenorchester London Mozart Players Southbank Sinfonia Lithuanian Chamber Orchestra I Musici I Musici Montreal Detmold Chamber Orchestra Sofia Philharmonic 1780 2013 2020
Get tickets to 'Rysanov Plays Schubert' now at (http•••) #uoletsplaydigital Official website: (http•••) Facebook: (http•••) Grammy nominated Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worldʼs most vibrant and charismatic musicians. As a violist, he is principally known as a frequent guest of the crème of the international music scene, such as BBC Last Night of the Proms and the festivals of Edinburgh, Salzburg and Verbier. Among his concerto highlights are the Mariinsky Orchestra (Valery Gergiev), Russian National Orchestra (Mikhail Pletnev), BBC Symphony Orchestra (Jiří Bělohlávek), Residentie Orkest the Hague (Neeme Jarvi), Svetlanov State Symphony Orchestra (Vladimir Jurovsky), Seattle Symphony (Andrey Boreyko), Orquesta Sinfónica de Castilla y León (Vasily Petrenko), Deutsches Symphonie-Orchester Berlin (Tugan Sokhiev), Moscow Philharmonic (Yuri Simonov), Bournemouth Symphony Orchestra (Vassily Sinaisky), Gürzenich Orchestra Cologne (Sir Mark Elder), Frankfurt Radio Symphony Orchestra (Philippe Herreweghe), NDR Philharmonic Orchestra (Eivind Gullberg Jensen), Prague Radio Symphony Orchestra (Juraj Valcuha and again with Michał Nesterowicz), Adelaide Symphony Orchestra (Arvo Volmer), Danish National Symphony Orchestra (Michael Schoenwandt), Shanghai Symphony (Long Yu), European Union Youth Orchestra (Matthias Bamert), Czech Filharmonic (John Axelrod), Scottish Chamber Orchestra (Olari Elts), Spanish National Orchestra (Josep Caballe Domenech) and Beethovenorchester Bonn (Dirk Kaftan). Maxim enjoys a busy career as a conductor parallel to playing the viola. Often he combines conducting and directing a concerto from viola. Maxim studied conducting with Alan Hazeldine at the Guildhall School of Music and Drama, and has taken part in several masterclasses with Gennady Rozhdestvensky, Jorma Panula and Oleg Caetani. Here are some of the orchestras he conducted: Svetlanov State Symphony Orchestra, La Verdi Orchestra Milan, Basel Symphony Orchestra, Russian National Orchestra, Tatarstan State Symphony Orchestra, Spanish Radio Orchestra (RTVE), Orquesta Sinfónica de Castilla y León, Dala Sinfonietta, Danubia Symphony Budapest, London Mozart Players, Southbank Sinfonia, Riga Sinfonietta, Lithuanian Chamber Orchestra, I Musici de Montreal, Detmold Chamber Orchestra, Musica Viva (Moscow), Voronezh Youth Orchestra, Kiev Soloists, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Budapest Festival Academy Orchestra, Classic FM Orchestra (Bulgaria), Georgian National Symphony Orchestra, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Pfortseim Theatre Orchestra, Badische Philharmonie, Vivaldi Orchestra Morbegno. Maxim is a keen chamber musician. His chamber partners include Maxim Vengerov, Janine Jansen, Mischa Maisky, Gidon Kremer, Nicola Benedetti, Vadim Repin, Augustin Dumay, Viktoria Mullova, Alexander Sitkovetsky, Sol Gabetta, Leif Ove Andsnes, Denis Matsuev, Alessio Bax, Michael Collins, Martin Frost, Alice Coote, Freddy Kempf, Yeoelom Son among others. His enthusiasm for new music generates many exciting collaborations which extend the viola repertoire. This includes world premieres by Dobrinka Tabakova, Pēteris Vasks, Richard Dubugnon, Mate Balogh and Elena Langer. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli and most recently Gabriel Prokofiev. Gabriel is planning to write a symphony-concerto for Maxim, where the performer will have to combine skills of both soloist and conductor. Maxim's recordings have gained numerous award nominations including Gramophone Editor's Choice, ECHO, ICMA. Maxim featured as both soloist and conductor on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. His last album “in Schubert’s company” was selected as Gramophone Critic’s Choice of the Year. New CD is planned for a spring 2020 release on BIS. Sinfonietta Riga under Maxim’s direction are performing music by Peteris Vasks. It will include the premier recording of the Viola Concerto written and dedicated to Maxim, coupled with the Symphony no 1. Maxim is a recipient of various awards, including the Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award. He is also a prize-winner at the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim studied viola with Maria Sitkovskaya in Moscow and John Glickman at the Guildhall School of Music and Drama London. He is delighted to play a 1780 Giuseppe Guadagnini Viola known as 'II Soldato', on private loan that was kindly arranged by Premiere Performances of Hong Kong.
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