Flora Perini Vidéos
artiste lyrique
Commémorations 2025 (Décès: Flora Perini)
- mezzo-soprano
- Italie, royaume d'Italie
Dernière mise à jour
2024-05-13
Actualiser
Musica Palazzo Benedetto Marcello Perini Giacomelli Zanetti
Palazzo Martinengo accoglie al suo interno, nel programma del SeialMartinengo, l'arte nelle sue molteplici forme, condividendo gli spazi dei propri tesori architettonici e archeologici con opere scultoree e pittoriche, come nel caso della mostra Le donne nell'arte. Da Tiziano a Boldini organizzata dall'Associazione Amici di Palazzo Martinengo e la musica (Savio Edmondo Cembalo e Direzione Artistica, Citterio Angela Flauto, Perini Marco Violoncello). Floral Design: La Fiorellaia Video e Fotografie: Rossella Giacomelli Riprese Audio: Gabriele Zanetti
Musica Palazzo Benedetto Marcello Perini Giacomelli Zanetti
Palazzo Martinengo accoglie al suo interno, nel programma del SeialMartinengo, l'arte nelle sue molteplici forme, condividendo gli spazi dei propri tesori architettonici e archeologici con opere scultoree e pittoriche, come nel caso della mostra Le donne nell'arte. Da Tiziano a Boldini organizzata dall'Associazione Amici di Palazzo Martinengo, sospesa per l'emergenza sanitaria, che dialoga con la musica (Savio Edmondo Cembalo e Direzione Artistica, Citterio Angela Flauto, Perini Marco Violoncello) e la bellezza della natura tra i bellissimi scorci del giardino e le composizioni floreali de La Fiorellaia. Ripercorriamo insieme questa opportunità di assistere alla bellezza, seppur a distanza. Video e Fotografie: Rossella Giacomelli Riprese Audio: Gabriele Zanetti
Yuval Avital Avital Gomez Colombo Villanueva Delgado Russo Perini Mattioli Torri Teatro Sociale 1813 1938 1959 1977 2013
OTOT icon/sonic symphony for extended chamber orchestra, 5 percussions, 3 accordions, visuals & live electronics World premiere : opening of the symphonic season of Teatro Sociale di Como, Italy 23/01/2013 The symphonic work OTOT, defined by the press as "the most surrealistic concert of the year" (Vanity Fair), "a strong and solid music that leads to a complete success of the concert" (Giornale della musica) and "a contemporary cultural concert in which any kind of public will applaud" (Il Sole 24 Ore Domenica) was premiered January 23, 2013 as an inauguration for the 200° anniversary of Teatro Sociale di Como, the most important historical theater in Italy's Lake district. 2) About the composition : OTOT (in hebrew signs or signals) is a poetic investigation in sound and image of the cultural mechanism of sign/signal interpretation, in which the source of the "message" is uncertain in its nature or even in its existence. From ancient Shamanic rituals till scientific misters such as the WOW signal (a strong narrowband radio signal detected on August 15, 1977 by the SETI project at the Big Ear radio telescope of potential non-terrestrial and non-Solar System origin) humanity has been receiving, intreating, reacting, and using unexplained signals and signs. In a 60 minutes composition Avital observes this transversal phenomenon as a complex structural and symbolic equation, deciphering it into sound and image positioned in space : The soloists (percussions + accordions) are placed behind the public and send "objective "signals from beyond the stage (=reality). the orchestra respond and resonant these signals, sometimes in groups, sometimes as a crowd of individuals, while the video present a highly elaborated series of images from individual and collective rituals, scripts and testimonies. The 360° sensorial ambients creates a true "Total Opera" as was intentioned in its original epistemological sense. As written by conductor and musicologist Dario Garegnani : "From the shores of this very real microcosm (of orchestration & multimedia diffusion & projection) echoes messages as unique as is the style of composition of Avital. Without superabundance, or risking to become a catalogue of styles and languages, the composer presents a true work of art, analytical and at the same time visionary , with a strong attention to every little detail and every suggestion. There is no better advice to the audience than to abandon everything that can be expected from a standard "intellectualized" contemporary concert. The messages delivered by the entire artistic formation do not ask for more than to be collected in turns and to find other shores, other times, other places, other emotions, other memories and other distances. 3) Credits : OTOT BY YUVAL AVITAL composition & video Yuval Avital conductor José Luis Gomez--Rios live electronics Giovanni Cospito Percussions : Nuovo Ensemble Percussioni Milano Teo Aroni, Lodovico Berto, Lorenzo Colombo, Salvatore Scucces, Giampiero Pisani Accordions Augusto Comminesi, Sergio Scappini, Paolo Vignani Orchestra 1813 first violin Sara Sternieri violins Sara Sternieri, Simone Di Giulio, Federico Silvestro, Andrea Vassalle, Sofia Villanueva, Matteo Colombo, Adriana Marino viola Ruxandra Stefan, Giorgio Musio cello Fabio Mureddu, Valentina Giacosa double bass Giacomo Masseroli flutes Giulia Carlutti, Gianluigi Nuccini oboe Chiara Telleri bass clarinet Marino Delgado Rivilla bassoon Angelo Russo french horn Ivan Zaffaroni trombone / bass trombone Stefano Perini contrabass tuba Alberto Tondi harp Giuliano Marco Mattioli piano Giorgio Martano orchestra inspector Sandro Zanon Produced by Teatro Sociale di Como / AsLiCo in collaboration with Magà Global Arts MAGA' GLOBAL ARTS production assistant Raffaele Bellan video credits : Italo Bertolasi / Contribute of original video footage Gianmarco Torri & Giulia Vallicelli / digitalization of Super 8 films of Italo Bertolasi, With the Curation of Home Movies - Archivio Nazionale del Film di Famiglia additional materials : BBC Face to face 1959, unknown amateur film recorded at 1938 at Borneo, original footage by Yuval Avital, highly elaborated web video materials Concert filmed by Nora Roitberg & Giulia Vallicelli Audio recording : Daniele Cappellini / K- Service
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