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2024-05-21
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Gaetano Donizetti Ferretti Giorgio Ronconi Giuseppe Verdi Domenico Ronconi Bellini Padilla Gioachino Rossini Felice Varesi Leone Giraldoni Francesco Graziani Graziani Antonio Cotogni Testi Scala 1755 1784 1797 1809 1810 1817 1824 1827 1831 1832 1833 1836 1837 1838 1840 1841 1842 1843 1848 1852 1890 1999
"Perché dell'aure in sen" - "Torquato Tasso" (1833) - G. Donizetti +••.••(...)) - Live 1999 - Berlin. Luca Casagrande Baritone Jessica Nardon Piano - Piano Erard XIX cen.. "Torquato Tasso" is a melodramma semiserio, or 'semi-serious' opera, in three acts by Gaetano Donizetti and based on the life of the great poet Torquato Tasso. The Italian libretto was written by Jacopo Ferretti, who used a number of sources for his text, including works by Giovanni Rosini, Goethe, Goldoni, and Lord Byron as well as Tasso's actual poetry. It premiered on 9 September 1833 at the Teatro Valle, Rome. The work has been criticized for "its odd deployment of vocal types" characteristic of the semiseria genre. The role of the poet Torquato Tasso was written by Jacopo Ferretti, and the music was composed by Gaetano Donizetti, for Giorgio Ronconi a high baritone, almost a tenor. Giorgio Ronconi (6 August 1810 - 8 January 1890) was an Italian operatic baritone celebrated for his brilliant acting and compelling stage presence. In 1842, he created the title-role in Giuseppe Verdi's Nabucco at La Scala, Milan. Ronconi was born in Milan and had been taught to sing by his father, Domenico Ronconi, who was a leading tenor. He made his operatic debut at Pavia in 1831, as Valdeburgo in Bellini's La straniera, and went on to sing at La Scala and elsewhere in Italy. In the 1830s and 1840s, he appeared in the first performances of seven operas by Donizetti. They were in: 1833, as Cardenio in "Il furioso all'isola di San Domingo"; 1833, in the title role in "Torquato Tasso"; 1836, as Enrico in "Il campanello"; 1837, as Nello Dello Pietra in "Pia de' Tolomei"; 1838, as Corrado Waldorf in "Maria de Rudenz"; 1841, as Don Pedro in "Maria Padilla"; and 1843, as Enrico, Duke of Chevreuse, in "Maria di Rohan". The genius of Ronconi's acting and the strength of his personality atoned for his vocal defects. He was equally at home in comedy and tragedy, and the two parts by which he is best remembered, Giuseppe Verdi's Rigoletto and Gioachino Rossini's Figaro, showed the spread of his talent. A large section is devoted to descriptions of Ronconi's powers in the critic Henry Fothergill Chorley's Recollections. In his later years, Ronconi founded a school of singing in Granada, Spain, and also accepted a teacher role at the Royal Conservatory of Madrid. Ronconi inspired many great Italian baritones: the most esteemed of his contemporaries/immediate successors were probably Felice Varesi, Leone Giraldoni, Francesco Graziani and Antonio Cotogni, all of whom were outstanding Verdi singers. "Torquato Tasso" è un'opera semiseria in tre atti, composta nell'estate del 1833 e rappresentata per la prima volta a Roma, al Teatro Valle, il 9 settembre dello stesso anno. Il libretto è opera di Jacopo Ferretti +••.••(...)), già librettista di Rossini per "La cenerentola" e per "Matilde di Shabran". Per Donizetti scrisse i testi dei libretti de "L'ajo nell'imbarazzo" (1824), di "Olivo e Pasquale" (1827) e de "Il furioso all'isola di Santo Domingo" (1833). Il libretto è basato su "Torquato Tasso" di Giovanni Rosini (Pisa, 1832) e "Tasso" di Carlo Goldoni (1755), "Tasso" di Goethe (1809) e "The lament of Tasso" di Byron (1817). La partitura manoscritta autografa dell'opera è conservata presso l'Archivio Ricordi, a Milano. La parte del Tasso fu composta per essere il cavallo di battaglia del baritono Giorgio Ronconi (Milano 1810- Madrid 1890), di voce acuta e "chiara", già protagonista de "Il furioso..." e destinato a ricoprire una mezza dozzina di ruoli di protagonista, o comunque di primo piano, nell'ambito della produzione operistica donizettiana, fino al 1843, e a diventare uno dei baritoni più rappresentativi della sua epoca, incarnando, a partire dal 1840 circa il prototipo del baritono verdiano, capace di stupefacenti effetti drammatici, e, al tempo stesso, di un canto elegiaco caratterizzato da mezze voci, piani e pianissimi in tessitura acutissima, praticamente tenorile.
Ponchielli Trionfo Teatro Ponchielli
Il tradizionale appuntamento del pomeriggio di S. Stefano al teatro Ponchielli ha visto il ritorno a Cremona della compagnia di Corrado Abbati con "Gigì - Innamorarsi a Parigi". Un trionfo con applausi convinti e, al calare del sipario, standing ovation tra la platea.
Maggio Musicale Fiorentino Teatro Maggio Musicale Fiorentino Umberto Giordano Gianandrea Noseda Cecchi Sonya Yoncheva George Petean Verna Venuti Alfio Arcangeli Cirri Dominici Martelli Orchestra Maggio Musicale Fiorentino 2021
Gabriel Faurè considered Umberto Giordano’s Siberia to be one of the most interesting and singular works of the early 20th century. The opera’s tragic narrative follows Prince Alexis’s courtesan Stephana. She falls in love with an innocent soldier, Vassili, who is sent to Siberia for killing the Prince. Stephana gives up her life of luxury to follow him but cannot escape her past. With its intensely Russian atmosphere and passionately soaring melodies, Siberia was Giordano’s favourite among his operas. This acclaimed Fiorentino production was greeted with multiple ovations. ???????????? ????????????/????????????-????????????: (http•••) ???????????????????????? ???????? ???????????? ????????????????????: (http•••) Available in DVD (37928)/ Blu-ray (57928) / CD CDS7928.02 (2CDs) Recording place: Teatro del Maggio Musicale Fiorentino Recording date: : July 7th, 2021 Conductor: Gianandrea Noseda Orchestra and Chorus: Coro e Orchestra del Maggio Musicale Fiorentino Chorus Master: Lorenzo Fratini Director: Roberto Andò Set and Light Designer: Gianni Carluccio Costume Designer: Nanà Cecchi Video Designer: Luca Scarzella Theater: Teatro del Maggio Musicale Fiorentino Cast: Stephana, Sonya Yoncheva, soprano Vassili, Giorgi Sturua, tenor Gléby, George Petean, baritone Nikona, Caterina Piva, mezzo-soprano Il principe Alexis, Giorgio Misseri, tenor Ivan, Antonio Garés, tenor Il banchiere Miskinsky, Francesco Verna, baritone Walinoff, Emanuele Cordaro, bass Il capitano, Francesco Samuele Venuti, bass Il sergente, Joseph Dahdah, tenor Il cosacco, Alfonso Zambuto, tenor Il Governatore, Adolfo Corrado, bass L’invalido, Davide Piva, baritone L’ispettore, Amin Ahangaran, bass La fanciulla, Caterina Meldolesi, soprano Chorus Soloist: Alfio Vacanti Extras: Paolo Arcangeli, Mauro Barbiero, Fabrizio Casagrande, Alessandro Ciardini, Leonardo Cirri, Cristiano Colangelo, Giacomo Dominici, Stefano Francasi, Marco Martelli, Stefano Mascalchi, Matteo Mazzuccato, Domenico Nuovo, Federico Vazzola, Silvio Zanoncelli ► Subscribe to Dynamic YOUTUBE Channel: (http•••) ► Follow Dynamic FACEBOOK Page: (http•••) ► Follow Dynamic on INSTAGRAM:(http•••) ► Follow Dynamic on TWITTER:(http•••) ► Learn more about Dynamic: (http•••)
Verdi Giuseppina Strepponi Teresa Ruggeri Corrado Miraglia Giorgio Ronconi Marconi Gaetano Rossi Elena Souliotis Teatro Scala 1842
The opera premiered on March 9, 1842 at the Teatro alla Scala in Milan, with the interpreters Giuseppina Strepponi, who years later would become the composer's second wife (Abigaille), Giovannina Bellinzaghi (Fenena), Teresa Ruggeri (Anna ), Corrado Miraglia (Ismael), Giorgio Ronconi (Nabucco), Prospero Derivis (Zacarias), Napoleone Marconi (Abdallo), Gaetano Rossi (High Priest). Strepponi (the original Abigaille) was described as possessing a "limpid, penetrating, smooth voice, seemly action, a lovely figure; and to Nature's liberal endowments she adds an excellent technique"; her "deep inner feeling" was also lauded Here Elena Souliotis gives a amazing rendition of the role, except for her lack trills the rest is perfect.
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