Eva Lind Vidéos
artiste lyrique
- soprano
- Autriche
- chanteur de concert, artiste lyrique, animateur ou animatrice de télévision
réseaux sociaux
chaînes vidéo
Dernière mise à jour
2024-06-08
Actualiser
Frieda Hempel Bellini Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1912 1913 1914 1916 1917 1919 1921 1955
From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Frieda Hempel Puccini Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1912 1913 1914 1916 1917 1919 1955
Hempel sings Mimi's aria from 'La Boheme,' recorded in Berlin on 18 September 1913. This side is a little more 'well-loved' than those I have previously uploaded, but still quite acceptable. From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Frieda Hempel Stern Humperdinck Hänsel Selma Kurz Gatti Casazza Maschera Caruso Emmy Destinn Margarete Matzenauer Pasquale Amato Geraldine Farrar Antonio Scotti Weber Amelita Galli Curci Galli Schubert Schumann Brahms Jenny Lind Covent Garden Metropolitan Opera House 1885 1905 1907 1911 1912 1913 1914 1916 1917 1919 1955
This is a further title recorded in Berlin on 13 April 1911. From Wikipedia: Frieda Hempel (26 June 1885 – 7 October 1955) was a German soprano singer in operatic and concert work who had an international career in Europe and the United States. Hempel was born in Leipzig and studied first at the Leipzig Conservatory and afterwards at the Stern Conservatory, Berlin, where she was a pupil of Selma Nicklass-Kempner. Her earliest appearances were in Breslau, singing Violetta, the Queen of the Night and Rosina. She made a debut in Schwerin in 1905, and was engaged there for the next two years, singing also Gilda, Leonora (Il Trovatore) and Woglinde. She made such a success that the Kaiser Wilhelm II requested the Schwerin authorities to release her to sing also in Berlin. She made a debut there in 1905 as Frau Fluth (in Nicolai's Die Lustigen Weiber von Windsor). She sang at the Royal Court Opera, Berlin, from 1907 to 1912, where she was also admired as Lucia, Marguerite de Valois and Marie. She appeared at the Covent Garden, London in 1907 as Bastienne, as Humperdinck's Hänsel und Gretel, as Eva and Elsa and again as Frau Fluth: Melba and Selma Kurz were taking centre stage in the more popular roles. In 1912 she made her debut at the Metropolitan Opera, in New York City as Marguerite de Valois in Les Huguenots. She sang regularly in New York thereafter into the 1920s. She was the first to sing the Marschallin in Der Rosenkavalier in New York (for Gatti-Casazza, December 9, 1913) and in Berlin, and she also sang the role in London in 1913. She was in the Met 1913 Un Ballo in Maschera as Oscar, with Caruso, Emmy Destinn, Margarete Matzenauer and Pasquale Amato; also the 1916 Marriage of Figaro with Matzenauer, Geraldine Farrar and Antonio Scotti. Her La Fille du Régiment was presented there in 1917. Hempel had a very wide dramatic range, from Rosina or Queen of the Night to Wagner's Eva and Weber's Euryanthe (Metropolitan, 1914 revival). After 1919 she devoted herself to concert recitals, and left the Metropolitan Opera House somewhat abruptly, making way for the career of Amelita Galli-Curci. However she then made a second career on the concert platform, excelling in the performance of lieder of Mozart, Schubert, Schumann, Brahms and Wolf, in Mozart concert arias, and the like. She became famous for recitals in which she appeared in costume as the famous nineteenth-century soprano Jenny Lind. She died in Berlin in 1955 at the age of 70.
Folkoperan Ett Lind Wenner Christensen Persson Svensk Dreisig Durán Francine Vis Bruun
DrömDöden är en ny opera om stormande maktbegär och gränsöverskridande förvandlingar i en komplex kamp om inflytande och odödlighet. I centrum står unionsarkitekten Drottning Margareta och Nordens genom tiderna största projekt, Kalmarunionen. Den nyskrivna kammaroperan DrömDöden är ett unikt nordiskt konstnärligt samarbete mellan en av Danmarks mest framstående prosaister Merete Pryds Helle, den prisbelönade kompositören Josefine Opsahl och den hyllade regissören och dramaturgen Michaela Granit. Med en blick på vår gemensamma historia tar DrömDöden oss till den dramatiska epoken under senmedeltiden och renässansen. Vi följer Drottning Margaretas vandring från livet till döden in i en hallucinerande förvandlingsakt ledsagad av Sjömannen, ”Trickster”. Han styr ödets stormiga skepp och vrider tidens hjul. Vi speglar oss i historiens vingslag med mäktiga kvinnoporträtt; deras inflytande och gärningar flätas samman i ett makabert drömspel. Allt i ett sinnligt samspel med ett klangfullt grandiost och rytmiskt fängslande ljud universum skapat av sångare, stråkar och slagverk. Föreställningen framförs på danska, svenska och norska. DrömDöden är en samproduktion mellan NordicOpera och Den Ny Opera i Danmark. www.nordicopera.dk Musik: Josefine Opsahl Libretto: Merete Pryds Helle Dramaturgi, regi & koncept: Michaela Granit Scenografi & kostym: Karin Lind Ljusdesign: William Wenner Masker & dockor: Per Christensen Rörelse & koreografikonsulent: Simon Granit Ossoinak Musikalisk ledning: Josefine Opsahl Musikalisk instudering: Madeleine Sjöstrand Produktionschef: Bert-Åke Persson Produktionsledare & Marketing: Andreas Sveistrup Ljus- & ljudteknik: Michael Østerz Föreställningsledare: Ida Pontoppidan Kostumiere: Mika Luther Svensk översättning: Stewe Claeson Norsk översättning: Bjørn Herrman Tysk översättning: Kresten Lundsgaard-Leth Sångare: Elsebeth Dreisig (http•••) Sebastian Durán (http•••) Kristine Nowlain (http•••) Francine Vis (http•••) Steffen Bruun (http•••) Musiker: Josefine Opsahl, cello Erik Danciu, violin Erik Brodin Higgins, kontrabas Ying-Hsueh Chen, slagverk
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