Georg Druschetzky Vidéos
compositeur
Commémorations 2025 (Naissance: Georg Druschetzky)
- hautbois, timbales
- opéra
- royaume de Bohême
- compositeur ou compositrice, hautboïste, chef ou cheffe d'orchestre
Dernière mise à jour
2024-06-15
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Jiří Družecký Molter Johann Christoph Graupner Fischer André Philidor
Družecký, Molter, Graupner, Fischer Virtuoso Timpani Concertos 1. Jiří Družecký /Druschetzky/ Concerto per sei Timpani 0:00 2. André Philidor Marche de timballes 15:35 3. Johann C. Chr. Fischer Symphony with 8 Timpani 19:13 4. Johann Melchor Molter Sinfonia No.99 34:00 5. Johann Christoph Graupner Sinfonia a 2 corni, timpani, 2 violini, viola e cembalo 49:23 6. Jiří Družecký /Druschetzky/ Partita in C 1:04:21 Alexander Peter Timpani, Conductor Dresden Phiharmonic Chamber Orchestra
Corelli Mozart Haydn Luigi Boccherini Kozeluch Andrea Bernasconi Johann Baptist Vanhal Tommaso Traetta Giuseppe Sarti Leonardo Leo Antonio Salieri Carl Heinrich Graun Anna Bon Franz Ignaz Beck Bach Johann Adolf Hasse Vicente Martín Soler Soler Francesco Benucci Brazil José Maurício Nunes Garcia Nunes Marcos Portugal Guilherme Lobo Weiss 1794 1832 2014 2015 2017 2018
Here are some manifestations of a formula that eighteenth-century composers used to produce a vast amount of music. In conventional harmonic terms we can describe it as I - IV - I (or more rarely i - iv - i) over a tonic pedal. In the context of Robert Gjerdingen's schema theory we can describe it as a treble line tracing the scale degrees 5 - 6 - 5 over a tonic pedal. I named this schema after Daniel Heartz, my professor at the University of California, Berkeley, in acknowledgment of his recognition of it as a characteristic and expressively potent element of the galant style. For more information see my article "The Heartz: A Galant Schema from Corelli to Mozart," in Music Theory Spectrum 37 (2014): (http•••) A pre-publication version of the article is available at (http•••) This compilation includes music by Mozart, Haydn, Luigi Boccherini, Leopold Kozeluch, Andrea Bernasconi, Johann Baptist Vanhal, Tommaso Traetta, Giuseppe Sarti, Leonardo Leo, Antonio Salieri, Carl Heinrich Graun, Anna Bon, Franz Ignaz Beck, J. C. Bach, Johann Adolf Hasse, and Vicente Martín y Soler Other examples of the Heartz include. . . Druschetzky, Symphony in C: (http•••) Mozart, Don Giovanni, "Dalla sua pace" (http•••) and "Per queste tue manine" (http•••) Honauer, Keyboard Sonata in G, I: (http•••) Hummel, Concertino in G, I: (http•••) Fils, Missa Solemnis in C: (http•••) Bononcini, overture to Camilla: (http•••) Winter, Symphonie concertante: (http•••) Mozart, "Rivolgete a lui lo sguardo": (http•••) Paisiello, "Non dubitar o Figaro": (http•••) Schroeter, Piano Concerto Op. 3 No. 1, I: (http•••) Bortiansky, "Cara deh torna in pace": (http•••) Salieri, "All'idea de' tuoi perigli": (http•••) Mozart, C minor Mass, Laudamus te: (http•••) Fils, Symphony in G minor, I: (http•••) Bernasconi, Stabat Mater, "Eia mater, fons amoris": (http•••) Graun, Te Deum, "Te gloriosus apostolorum chorus": (http•••) J. C. Bach, Sonata in G, Op. 17 No. 4: (http•••) Mozart, Kyrie in D minor, K. 341: (http•••) Honauer, Sonata for keyboard and violin in C, I: (http•••) Cimarosa, Concerto for two flutes, slow movement: (http•••) Eybler, Clarinet Concerto: (http•••) Haydn, Symphony No. 63, Allegro (m. 29): (http•••) Mozart, Oboe Quartet, Rondo: (http•••) Fils, Symphony in E flat, I: (http•••) J. C. Bach, overture to Artaserse: (http•••) Martines, Dixit Dominus, "Tecum principium": (http•••) Michael Haydn, Symphony No. 7 in E major, III: (http•••) Joseph Riepel provides some plain examples of the Heartz in his Baßschlüssel (1786): (http•••) The Heartz was among the many galant schemata imported to the New World and used by composers in Mexico, Brazil, and elsewhere. For some early nineteenth-century Brazilian examples, see Mítia Ganade D'Acol, "Decoro musical e esquemas galantes: um estudo de caso das seções de canto solo das Missas de Requiem de José Maurício Nunes Garcia e Marcos Portugal," Universidade de São Paulo, 2015, online at (http•••) and Guilherme Aleixo da Silva Monteiro, "Análise das schematae galantes nos seis responsórios fúnebres de João de Deus de Castro Lobo (1794–1832)," Universidade do Estado do Amazonas, 2017, online at (http•••) Michael Weiss gave a paper entitled "Phrase Structure and Formal Function in Galant Schemata: The 'Heartz' in Nineteenth-Century Themes" at the joint meeting of the Society for Music Theory and the American Musicological Society in San Antonio in November 2018. For many examples of the Heartz in the music of Hasse, see: (http•••) .
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