Delphine Ugalde Vidéos
soprano et compositrice française
- soprano
- France
- artiste lyrique, compositeur ou compositrice
Dernière mise à jour
2024-05-13
Actualiser
Juliette Simon Girard Aimé Simon Girard Varney Caroline Girard Offenbach Simon Max Favart Ugalde Pessard Félix Huguenet Messager Audran Lecocq Opéra Comique Théâtre Châtelet 1859 1876 1877 1879 1880 1881 1882 1883 1885 1887 1888 1890 1891 1892 1893 1894 1899 1903 1954
French soprano Juliette Simon-Girard +••.••(...)) / C'est la fille a ma tante, Ca fait toujours plaisir / La Femme de Narcisse (Varney) / Recorded: 1903 / (via wikipedia) Juliette Simon-Girard, French soprano, principally in operetta. Her father was Philippe Lockroy, an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique. Girard was born at Paris. After studies at the Conservatoire in 1876 (in the class of Henri de Régnier) she made her debut at the Théâtre des Folies-Dramatiques as Carlinette in Offenbach's La foire Saint-Laurent on 10 February 1877, and then became an overnight star by creating the role of Serpolette in Les cloches de Corneville on 19 April 1877. During the run of Les cloches de Corneville she met and married the well-known tenor Simon-Max, thereafter becoming Mme Simon-Girard. At the age of 19 she created the title role in Offenbach's Madame Favart; then La fille du tambour-major in 1879 becoming one of Paris's most popular performers, prominent on the city's stages for 30 years. At the Folies-Dramatiques she also created roles in Beau Nicolas (1880), Les poupées de l'infante (1881), Fanfan la tulipe (1882), La princesse des Canaries (1883); moving to the Théâtre des Nouveautés she was in the premiere of La vie mondaine. On return to the Folies-Dramatiques she replaced Ugalde in Les petits mousquetaires and then created the title role in La fauvette du temple (17 November 1885). After singing with her husband in the premiere of La chatte blanche, at the Théâtre du Châtelet on 2 April 1887, she spent a year in Belgium. Simon-Girard's return to Paris was at the Théâtre de la Gaîté in 1888 in revivals of Le grand Mogul and La fille du tambour-major, before creating the title role in Voyage de Suzette on 20 January 1890. After several productions at the Théâtre de la Renaissance (where she created Mlle Asmodée in 1891 and La femme de Narcisse in 1892, and revived La jolie parfumeuse in 1892, she went back to the Folies-Dramatiques and created Eva in Varney's Miss Robinson on 17 July 1892. From 1893 she was at the Théâtre des Bouffes Parisiens with more premieres[2] including Olga in Pessard's Mam'zelle Carabin (3 November 1893). She met her second husband Félix Huguenet while performing in L'enlèvement de la Toledad in 1894, and from then on took on more comedy acting parts. In November 1899 she took the title role at the Théâtre des Variétés in a major and successful revival of La belle Hélène, which ran for over five hundred performances. In 1903 Simon-Girard made recordings of Offenbach, excerpts from Les cloches de Corneville and songs Messager, Audran and Lecocq. She died at Nice. Her son was Aimé Simon-Girard./
Jodie Devos Devos Jacques Offenbach Ugalde Berlioz Hoffmann Pierlot Olympia Palazzetto Bru Zane
"Offenbach colorature" Airs et pièces instrumentales tirés d’opérettes de Jacques Offenbach LUNDI 17 JUIN À 20H30 AU THÉÂTRE DES BOUFFES DU NORD Infos & réservations : (http•••) À propos de Mme Ugalde, grande interprète d’Offenbach, Berlioz écrivait : « Je ne dirai pas qu’elle chante comme l’oiseau chante ; cette comparaison m’a toujours paru peu juste et peu flatteuse pour une cantatrice, mais je dirai : elle chante comme l’oiseau vole. » Si l’on connaît par cœur les prouesses techniques de la Poupée Olympia des Contes d’Hoffmann ou celles d’Eurydice dans Orphée aux Enfers, on sait moins que les rôles virtuoses peuplent bien d’autres ouvrages d’Offenbach et offrent un panorama très riche des compétences vocales de la « soprano colorature » du XIXe siècle. Jodie Devos, accompagnée de l’Ensemble Contraste, affronte brillamment ces difficultés pour les transformer en de spectaculaires expressions de l’âme romantique. Jodie Devos, soprano ENSEMBLE CONTRASTE Arnaud Thorette, violon et direction artistique Antoine Pierlot, violoncelle Jean-Luc Votano, clarinette Johan Farjot, piano et arrangements Dans le cadre du 7e Festival Palazzetto Bru Zane Paris Production Palazzetto Bru Zane Production exécutive Bru Zane France En coreéalisation avec le C.I.C.T. – Théâtre des Bouffes du Nord
Jacques Offenbach Clairville Cordier Ugalde 1801 1811 1849 1859 1860 1866 1879
New videos and songs everyday. Like and subscribe to our channel: (http•••) Daphnis et Chloé is a one-act opérette by Jacques Offenbach. The libretto was by Clairville (alias of Louis-François Nicolaïe, 1811–1879) and Jules Cordier (alias of Éléonore Tenaille de Vaulabelle, 1801–1859), based on the story of Daphnis and Chloe. The origin is the novel by Longus adapted as a play at the Théâtre du Vaudeville in 1849. It premiered at the Théâtre des Bouffes-Parisiens (Salle Choiseul) on 27 March 1860 under the direction of the composer. In the 1866 revival, Léonce was Pan, with Ugalde as Daphnis; Collas returned as Chloé.
ou
- chronologie: Compositeurs (Europe). Artistes lyriques (Europe).
- Index (par ordre alphabétique): U...