Clément Mao-Takacs Vidéos
Dernière mise à jour
2024-05-02
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Diana Syrse Silvestre Revueltas Darius Milhaud Pech Cuevas Cob Barrière Guillén Clément Mao Takacs Axelle Fanyo Lebègue Polignac 1892 1899 1921 1926 1938 1940 1974 1984 2017 2020 2021
Concert filmed live from the Claude-Lévi Strauss Theater, Sunday, April 18, 2021 at 5:00 pm. (Fragment of the part I of Connected Identities) This concert-spectacle that combines voice and orchestra is built around a diptych by the Mexican singer and composer Diana Syrse, Identités Connectées, presented today for the first time in its entirety at the Musée du quai Branly - Jacques Chirac. The composer has chosen to write for her own soprano voice, and to situate this voice in a shifting landscape. Cultural landscape in the first part, which features a female character who, like Diana herself, tears herself away from her culture of origin to confront the violent identity games of our globalized world. The second part is a natural landscape that absorbs the first part into the great chain of life. Together these two parts remind us of the etymology of the word exist: to come out of oneself. Program : 1. Silvestre Revueltas +••.••(...)) Batik (1926) 2. Darius Milhaud +••.••(...)) Man and his desire (1921) based on an argument by Paul Claudel 3. Diana Syrse (*1984) Connected Identities (2017) texts from the Lacandon tradition, by Jorge Miguel Cocom Pech, Enriqueta Lunez, Briceida Cuevas Cob, Diana Syrse and Aleksi Barrière 4. Diana Syrse Part 1: Connected Identities Part 2: The Invention of Sex (2020, world premiere) Text by Aleksi Barrière 5. Silvestre Revueltas Sensemayá (1938) based on a poem by Nicolás Guillén (arrangement by Vincent Buffin) A production of the Cie La Chambre aux Echos directed by Aleksi Barrière and performed by the Secession Orchestra under the baton of conductor Clément Mao-Takacs. With the participation of Axelle Fanyo (soprano), Marion Lebègue (mezzo-soprano), Benjamin Alunni (tenor), Edwin Fardini (baritone). Secession Orchestra is in residence at the Fondation Singer Polignac. It is supported by the DRAC Ile-de-France/Ministry of Culture for structuring and by the Caisse des dépôts. La Chambre aux Echos has received the support of the Karolina Blaberg Stiftung More information on (http•••)
Peter Herresthal Clément Mao Takacs Kaija Saariaho Oslo Philharmonic 2019
Provided to YouTube by NAXOS of America Graal théâtre (Version for Violin & Orchestra) : I. — · Peter Herresthal · Oslo Philharmonic Orchestra · Clément Mao-Takacs Kaija Saariaho: Circle Map, Graal théâtre, Vers toi qui es si loin & Neiges ℗ 2019 BIS Released on: 2019-09-06 Artist: Peter Herresthal Orchestra: Oslo Philharmonic Orchestra Conductor: Clément Mao-Takacs Composer: Kaija Saariaho Auto-generated by YouTube.
Diana Syrse Silvestre Revueltas Darius Milhaud Pech Cuevas Cob Barrière Guillén Clément Mao Takacs Axelle Fanyo Lebègue Polignac 1892 1899 1921 1926 1938 1940 1974 1984 2017 2020 2021
Concert filmed live from the Claude-Lévi Strauss Theater, Sunday, April 18, 2021 at 5:00 pm. (Part II of Connected Identities). This concert-spectacle that combines voice and orchestra is built around a diptych by the Mexican singer and composer Diana Syrse, Identités Connectées, presented today for the first time in its entirety at the Musée du quai Branly - Jacques Chirac. The composer has chosen to write for her own soprano voice, and to situate this voice in a shifting landscape. Cultural landscape in the first part, which features a female character who, like Diana herself, tears herself away from her culture of origin to confront the violent identity games of our globalized world. The second part is a natural landscape that absorbs the first part into the great chain of life. Together these two parts remind us of the etymology of the word exist: to come out of oneself. Program : 1. Silvestre Revueltas +••.••(...)) Batik (1926) 2. Darius Milhaud +••.••(...)) Man and his desire (1921) based on an argument by Paul Claudel 3. Diana Syrse (*1984) Connected Identities (2017) texts from the Lacandon tradition, by Jorge Miguel Cocom Pech, Enriqueta Lunez, Briceida Cuevas Cob, Diana Syrse and Aleksi Barrière 4. Diana Syrse Part 1: Connected Identities Part 2: The Invention of Sex (2020, world premiere) Text by Aleksi Barrière 5. Silvestre Revueltas Sensemayá (1938) based on a poem by Nicolás Guillén (arrangement by Vincent Buffin) A production of the Cie La Chambre aux Echos directed by Aleksi Barrière and performed by the Secession Orchestra under the baton of conductor Clément Mao-Takacs. With the participation of Axelle Fanyo (soprano), Marion Lebègue (mezzo-soprano), Benjamin Alunni (tenor), Edwin Fardini (baritone). Secession Orchestra is in residence at the Fondation Singer Polignac. It is supported by the DRAC Ile-de-France/Ministry of Culture for structuring and by the Caisse des dépôts. La Chambre aux Echos has received the support of the Karolina Blaberg Stiftung More information on (http•••)
Kaija Saariaho Susanna Mälkki Janssen Clément Mao Takacs San Francisco Opera San Francisco Opera Orchestra 2021
INNOCENCE : UNE CRÉATION MONDIALE À DÉCOUVRIR AU FESTIVAL D'AIX-PROVENCE DU 3 AU 12 JUILLET 2021 Dans la Finlande d’aujourd’hui, un mariage comme il y en a tant d'autres en nos villes cosmopolites. Le fiancé est finlandais, la mariée est roumaine, la belle-mère française. Mais voilà qu’au cours du banquet, la serveuse tchèque se sent mal. C’est que, dix ans plus tôt, une tragédie a touché ces personnages. Les fantômes ravivent alors le souvenir d’un drame collectif, la culpabilité diffuse, l’innocence perdue. Le nouvel opéra de Kaija Saariaho est l’occasion d’une rencontre inédite entre la grande compositrice et une autre artiste finlandaise, la romancière Sofi Oksanen, qui n’a pas son pareil pour confronter notre aujourd’hui avec les ombres du passé. Innocence, leur vaste drame choral pour solistes, chœur et orchestre, est une tragédie contemporaine rendue incandescente par une musique puissante et des mots qui brassent les langues du monde. Avec cette création mondiale dirigée par la cheffe finlandaise Susanna Mälkki et mise en scène par l’Australien Simon Stone, le Festival d’Aix écrit une nouvelle page de l’histoire de l’opéra. LA CRÉATION D'INNOCENCE EST RÉALISÉE AVEC LE SOUTIEN DE KAROLINA BLABERG STIFTUNG, JEAN-FRANÇOIS DUBOS, CLAUDE ET TUULIKKI JANSSEN, AMMODO Crédits musicaux : Prélude d’Innocence dirigé par Clément Mao-Takacs / Courtesy San Francisco Opera Orchestra
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