Carl Holly Vidéos
Dernière mise à jour
2024-05-08
Actualiser
Raatma también conocido como Ratman o el Hombre Rata es un extraño monstruo que aparece en la película de VHS 94 la cual se estrenó en Shudder recientemente en octubre del 2021. El Hombre Rata o Ratman aparece en el primer corto de esta película titulado Storm Drain o la Alcantarilla de Tormentas, aquí podemos ver que un noticiero algo antiguo que está hablando acerca de cómo el internet es una novedad y algo muy útil, después los presentadores de la noticia hablan acerca de una noticia local del pueblo de Westerville donde la gente y los residentes de varios vecindarios han reportado que han visto en las alcantarillas y en el drenaje de este pueblo a una extraña criatura monstruosa a la cual ellos llaman Ratman o el hombre de las ratas, este ser supuestamente sale de noche y si le apuntas con una linterna o una fuente de luz, desaparece de forma repentina y rápida. Es debido a todos estos rumores que una reportera del canal 6 es enviada a que haga una investigación más a fondo sobre el ratman o el hombre de las ratas, es así que la reportera Holly Marciano y su camarógrafo Jeff Whol van por el pueblo de Westerville a entrevistar a los residentes y vecinos, así ellos hablan con un hombre mayor, unos jóvenes, una especie de ministro o reverendo y un cazador, quienes afirman que han visto al ratman y que es una criatura muy rara y aterradora, principalmente porque parece ser un hibrido humano y animal. Es así que la reportera Holly Marciano y Jeff, entran en las alcantarillas del pueblo y eventualmente se topan con algo mucho más macabro y siniestro de lo que se podían imaginar. Es debido a todo el misterio que lo rodea, lo aterrador y escalofriante que es y lo popular que ha sido después del estreno de VHS 94 que Raatma, Ratman o El hombre de las ratas es considerado como uno de los mejores monstruos que hemos podido ver en esta saga de películas de horror de VHS. Es por eso que en este video explicare detalladamente la historia y los orígenes de Raatma o del hombre de las ratas de VHS y para eso hare un resumen completo y detallado del segmento de Storm Drain el cual fue escrito y dirigido por Chloe Okuno, luego hablare sobre una teoría personal que tengo que puede explicar de dónde salió ratman y que es realmente este ser, posteriormente hablare sobre la apariencia física de esta entidad, lo que sabemos de su personalidad y comportamiento y explicare sus increíbles habilidades y sus debilidades conocidas, también hablare un poco sobre el proceso de producción de la película y como es que la directora Chloe Okuno y el artista conceptual Keith Thompson crearon el interesante y aterrador monstruo conocido como Raatma o Ratman de la entretenida y escalofriante película de VHS 94. ¡No olvides suscribirte para no perderte ninguno de mis nuevos videos! Si quieres apoyar al canal haciendote miembro, aqui te dejo el enlace: (http•••) Ghost Story by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. (http•••) Source: (http•••) Artist: (http•••)
Lark Béla Bartók Grossman Brunner Lacey Peters Hansen Rhodes Torrance Sloane Matthews Stephenson Jensen Maxwell Gibson Pierce Larson Steen Archer Contemporary Youth Orchestra
Download/stream the single here: (http•••) Requiem for a Lark was inspired by Béla Bartók’s Romanian Folk Dances, a piece we used to play in our public high school orchestra class at Traverse City West Senior High. The melody of the first movement stuck with me for days, I couldn't get it out of my head. I wrote Requiem for a Lark thinking about Bartók wandering through the streets of Transylvania gathering melodies from gypsy violinists and composing his own pieces inspired by them. I was inspired by Bartók's inspiration, and the cyclical process of creation spawning creation. So I wrote Requiem For a Lark from Bartók's perspective, incorporating pieces of his melodies and chord structure. We decided to arrange and score the song for an orchestra. Shortly after, we had the amazing opportunity to collaborate with one of the top youth orchestras in the world, Contemporary Youth Orchestra in Cleveland, OH. The conductor, Liza Grossman, is an absolute genius. Requiem for a Lark was recorded LIVE in one day. Working with her, Ben Kipp and the orchestra was a complete honor. Everyone made us feel at home; during a break from rehearsal we sat on the edge of the stage with some of the students and they taught us how to fold tiny origami cranes. We still carry them with us. We are looking forward to sharing this music with you on May 1st as a digital release. As a bonus we are releasing the orchestral version with the CYO and the rock version of Requiem for a Lark on vinyl. You can purchase that on our web-store at www.theaccidentalsmusic.com/store. Thanks to the Contemporary Youth Orchestra (CYO), Liza Grossman, Ben Kipp, The Rock Hall of Fame, Maria Brunner, Amber Buist, and Sharon Corbitt for making this project a reality. Members of the Contemporary Youth Orchestra Kimberly Deichler, Executive Director Liza Grossman, Music Director Ben Kipp, Director of Educational Programming David Kennedy, Recording Engineer Violin Dylan Vigh Rachel Mancini Aidan Scheuer Marissa Cupedro Zachary Rinas Kynnedy Smith Lacey Peters Maria Tarnay Jamie Berland Miriam Koby Zelda Thayer-Hansen Viola Talia Proweller Alana Melvin Sarah Duber Stephanie Vento Rebecca Rhodes Athena Vadnal Katrina Palmer Cello Torrance Gaskins Sloane Boukobza Holly Matthews Amelia Proweller Jesse Wu Grace Gill Double Bass Samantha St. John Tyler Joseph Ella Stephenson Flute Lily Waugh Oboe Amelia Johnson Claire Rottan Lauren Donnella Clarinet Miron Gotfryd Charlie King Namjun Cho Bassoon Steven Breimaier Adam Schordock Horn Lauren Jensen Annalise Johnson Taylor Sobol Andy Oleskiewicz Trumpet Maxwell Gibson Timothy Daso Christopher Gerace Trombone Kevin Smith Eric Oxsalida Tuba Logan Jones Percussion Samantha Rosselot Luke Supelak Sean Pierce Matthew Lastovka Gabe Miguel Katie Larson: Acoustic guitar, Electric Baritone Guitar, Vocals Sav Buist: Violin, Electric Bass, Vocals Michael Dause: Drums Video Stills by Charles Steen, Drone Stills by Kurtis Damerow, Layout by Katie Larson Vinyl Pressed by Archer Records in Detroit, MI, Insert Printed by Arbor Oakland in Novi, MI Special shout out to our high school conductor, Ann Marie Jones, and The Moxie Strings for visiting our orchestra and inspiring us to play alternative styles on our classical Instruments. If you can see it, you can be it, you are more likely to do it. We hope to encourage and inspire other young artists to “see it, be it, do it”. Please visit our website at www.theaccidentalsmusic.com for more information on educational workshops and concerts. You will also be able to download the score, charts, and lyrics on our educational website on May 1st.
Michael Daugherty Severe 1934 1959 2021
Last Dance at the Surf (2021) was commissioned by the Iowa High School Music Association for the 75th Iowa All-State Music Festival 2021. World premiere by the IHSMA Orchestra, conducted by Rebecca Burkhardt, at the All-State Music Festival in Ames, Iowa on November 20, 2021. Publisher: Michael Daugherty Music For more information on Michael Daugherty and his music, visit www.michaeldaugherty.net —————————— INSTRUMENTATION Piccolo, 2 Flutes, 2 Oboes, 2 Bb Clarinets, 2 Bassoons, 4 F Horns, 3 C or Bb Trumpets, 3 Trombones (3.Bass), Tuba, Timpani (four drums), Percussion (five players; instruments are not shared: 1.–Xylophone, Glockenspiel, Maracas, Jawbone, Brake Drum; 2.–Vibraphone, Medium Tambourine; 3.–Marimba, Chimes, Large Tambourine, Sleigh Bells, Large Tambourine, Crash Cymbals; 4.–Medium and Large Woodblocks, Claves, Triangle, Castanets, Crash Cymbals, Medium and Large Cowbells, Suspended Cymbal; 5.–Concert Bass Drum, Maracas, Sleigh Bells), Strings —————————— PROGRAM NOTE “One of my favorite road trips in Iowa is a drive to the majestic Surf Ballroom, located in the small resort town of Clear Lake, around 140 miles northwest of Cedar Rapids, my boyhood hometown. Opening in 1934, many of America’s most famous swing, jazz and rock 'n' roll bands have performed at ‘The Surf’ for generations of music lovers, dancing the night away on the immense hardwood floor. The Surf is also remembered as the place where young rock 'n' roll stars Buddy Holly, Ritchie Valens and The Big Bopper gave their last performances of the Winter Dance Party tour on the evening of February 2, 1959. They died hours later in a charter plane crash caused by severe winter weather. This tragedy is often referred to as ‘the day the music died.’ But did it really? In memory of the three rock 'n' roll legends who perished in February 1959, and in celebration of the Surf Ballroom being declared a National Historic Landmark in January 2021, I have composed a one-movement dance symphony entitled Last Dance at the Surf. My dance symphony starts with woodblocks and pizzicato strings, playing a five-note rhythmic groove reminiscent of a Buddy Holly guitar riff. This groove is repeated in various transformations throughout the composition and provides counterpoint to the main theme, a syncopated ascending melody played in unison by the woodwinds. The main theme goes through elaborate rhythmic and timbral developments, followed by a rousing ‘rockabilly’ section. A second lyrical theme is introduced as a slow dance, with cantabile muted trumpets, woodwinds and violins swooning over hushed lower strings and trombones. The opening theme abruptly returns in a high-energy fugue ‘goin’ faster than a roller coaster’ and then dramatically transforms into a majestic chorale in slow motion. A solo horn cadenza transitions into a final slow dance, kaleidoscopically unraveling the main theme through elaborate counterpoint, punctuated by the sound of sleigh bells. The first coda is a recapitulation of all the previous themes, unfolding with great fanfare but interrupted by foreboding minor chords, a premonition that destiny is just around the corner. A slow, wistful second coda announces that the last dance has begun. Three final chords resonate: although the dance is over, the music and memories of the Surf Ballroom live on.” – Michael Daugherty
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