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2024-05-21
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Charles Edward Ives Alexei Lubimov Drury Sinclair Kirkpatrick Cob Elliott Carter Beethoven 1623 1840 1874 1904 1911 1915 1919 1920 1938 1939 1947 1954 2012
Composer: Charles Edward Ives (20 October 1874 – 19 May 1954) Work Title: Piano Sonata No.2, 'Concord, Mass., 1840–60' Performers: Alexei Lubimov (piano), Laurent Verney (viola), Sophie Cherrier (flute) 0:00 - I. "Emerson" (after Ralph Waldo Emerson) 16:23 - II. "Hawthorne" (after Nathaniel Hawthorne) 29:21 - III. "The Alcotts" (after Bronson Alcott and Louisa May Alcott) 35:29 - IV. "Thoreau" (after Henry David Thoreau) The Piano Sonata No.2, Concord, Mass., 1840–60 (commonly known as the Concord Sonata) is a piano sonata by Charles Ives. It is one of the composer's best-known and most highly regarded pieces. A typical performance of the piece lasts around 45 minutes. Some material in the Concord Sonata dates back as far as 1904, but Ives did not begin substantial work on it until around 1911 and largely completed the sonata by 1915. The Concord Sonata was first published in 1919 with a second, revised, edition appearing in 1947. It is this version which is usually performed today. In 2012, a reprint of the original, uncorrected 1920 edition was published, including Essays before a Sonata and with an added introductory essay by the New England Conservatory's Stephen Drury. According to James B. Sinclair's catalogue of Ives' works, the sonata was publicly premiered by John Kirkpatrick on November 28, 1938 in Cos Cob, Connecticut. There had been earlier performances of isolated movements and excerpts. The second performance (given in many sources as the premiere), also given by Kirkpatrick, was given at the Town Hall in New York City on January 20, 1939. Among those present was Elliott Carter, who reviewed the piece in the March–April 1939 edition of the journal Modern Music. The sonata's four movements represent figures associated with transcendentalism. In the introduction to his Essays Before a Sonata (published immediately before the Concord Sonata) Ives said the work was his "impression of the spirit of transcendentalism that is associated in the minds of many with Concord, Massachusetts of over a half century ago. This is undertaken in impressionistic pictures of Emerson and Thoreau, a sketch of the Alcotts, and a scherzo supposed to reflect a lighter quality which is often found in the fantastic side of Hawthorne." The piece demonstrates Ives' experimental tendencies: much of it is written without barlines, the harmonies are advanced, and in the second movement, there is a cluster chord created by depressing the piano's keys with a 14 3⁄4-inch (37 cm) piece of wood. The piece also amply demonstrates Ives' fondness for musical quotation: the opening bars of Ludwig van Beethoven's Symphony No.5 are quoted in each movement. Sinclair's catalogue also notes less obvious quotations of Beethoven's Hammerklavier Sonata and various other works. Unusually for a piano sonata, there are optional parts for other instruments: near the end of the first movement there is an optional part for viola, and in the last movement a flute (an instrument which Thoreau played) briefly appears. Source: (http•••) Source videos: 1st movement: (http•••) 2nd movement: (http•••) 3rd movement: (http•••) 4th movement: (http•••)
Edward Elgar Andrew Staples Daniel Barenboim Fabre Rias Kammerchor Staatskapelle Berlin 2017
Provided to YouTube by Universal Music Group Elgar: The Dream of Gerontius, Op. 38 / Pt. 1 - Jesu, Maria, I am near to death · Andrew Staples · RIAS Kammerchor · Staatsopernchor Berlin · Staatskapelle Berlin · Daniel Barenboim Elgar: The Dream Of Gerontius, Op.38 ℗ 2017 Daniel Barenboim and Unitel GmbH & Co. KG, Oberhaching, Under Exclusive Licence to Decca Music Group Ltd Released on: 2017-07-01 Producer, Recording Producer: Friedemann Engelbrecht Studio Personnel, Recording Engineer: Sebastian Nattkemper Studio Personnel, Asst. Recording Engineer: Clémence Fabre Composer: Edward Elgar Author: John Henry Newman Auto-generated by YouTube.
Staple Yo Yo Ma Johann Sebastian Bach Pablo Casals Keating Alfred Wallenstein Dimitry Markevitch Markevitch Battanchon Victor Herbert Carlo Alfredo Piatti Zara Nelsova Paul Bazelaire Franz Schmidt Gaetano Braga Raya Garbousova Ofra Harnoy Antonio Maria Bononcini Bononcini Misha Quint Bernhard Cossmann Auguste Franchomme Carlos Prieto Giovanni Sollima William Henry Squire Djokic Jacques Offenbach William Pleeth Meneses Claret Katz Schott Julian Lloyd Webber Lloyd Webber Webber Alisa Weilerstein Soyer Spalding Maurice Gendron Julius Klengel Anner Bylsma Sol Gabetta Heinrich Schiff Schiff Lynn Harrell Steven Isserlis Hauser Heitor Villa Lobos Emanuel Feuermann Jean Pierre Duport Duport
The cello is an extremely popular instrument and a staple in any orchestra. The cello is much deeper in sound than a violin but is still played with a bow. Some of historys greatest composers wrote for this powerful instrument, and, played without a symphony behind it the cello can be one of the deepest, most moving instruments in the world, especially when played by one of the musicians on this list, all of whom are considered as a best cellist! Who are the greatest cellists of all time? Who is the best cellist in the world?Since the cello has such a rich and unique sound it is often played without any other instruments; perhaps the most famous cellist of all time is Yo-Yo Ma who often prefers to play this instrument solo. He has become a household name in modern music, and brought classical music to a new generation as one of the greatest cellists and most famous cello players.This list features the all time greatest cellists ever and famous cello players, ranked by music lovers and including, Johann Sebastian Bach, Pablo Casals, Jacqueline du Pr, Zo Keating, Alfred Wallenstein, and Dimitry Markevitch. Vote up the best cello players below and see where the musicians you think are great rank!...more 0:00 - Intro 0:00:08 - Richard Aaron 0:00:15 - Hildur I. Gudnadttir 0:00:23 - Flix Battanchon 0:00:30 - Victor Herbert 0:00:37 - Andr Navarra 0:00:44 - Carlo Alfredo Piatti 0:00:51 - Zara Nelsova 0:00:58 - Paul Bazelaire 0:01:05 - Franz Schmidt 0:01:12 - Gaetano Braga 0:01:19 - Mark Summer 0:01:26 - Antonn Kraft 0:01:33 - Julia Kent 0:01:40 - Kanon Wakeshima 0:01:47 - Raya Garbousova 0:01:54 - Ofra Harnoy 0:02:01 - Friedrich Grtzmacher 0:02:08 - Antonio Maria Bononcini 0:02:15 - Misha Quint 0:02:22 - Bernhard Cossmann 0:02:29 - Auguste Franchomme 0:02:36 - Carlos Prieto 0:02:43 - Giovanni Sollima 0:02:50 - William Henry Squire 0:02:57 - Lev Aronson 0:03:04 - Denise Djokic 0:03:11 - Jacques Offenbach 0:03:18 - William Pleeth 0:03:25 - Antonio Meneses 0:03:32 - Llus Claret 0:03:39 - Paul Katz 0:03:46 - Yehuda Hanani 0:03:53 - Daniel Mller-Schott 0:04:00 - Julian Lloyd Webber 0:04:07 - Alisa Weilerstein 0:04:14 - Claus Adam 0:04:21 - David Soyer 0:04:28 - Dimitry Markevitch 0:04:35 - Jean Spalding 0:04:42 - Maurice Gendron 0:04:49 - Alfred Wallenstein 0:04:56 - Julius Klengel 0:05:03 - Anner Bylsma 0:05:10 - 0:05:17 - Benyamin Snmez 0:05:24 - Luka uli 0:05:31 - Zo Keating 0:05:38 - Sol Gabetta 0:05:45 - Heinrich Schiff 0:05:52 - Lynn Harrell 0:05:59 - Daniil Shafran 0:06:06 - Gautier Capuon 0:06:13 - Steven Isserlis 0:06:20 - Stjepan Hauser 0:06:27 - Heitor Villa-Lobos 0:06:34 - Truls Mrk 0:06:41 - Emanuel Feuermann 0:06:48 - Jean-Pierre Duport Music DreamHeaven - (http•••) Subscribe (http•••) About Us Welcome! Here are the ratings of everything that may interest you, you will definitely find something for yourself. Updated every day so you'll definitely have something to see for breakfast!
Edward Elgar Henry Wood 1899 1901
Elgar published Chanson de Matin and Chanson de Nuit in 1899. Originally written for violin and piano, he orchestrated them in 1901 when they were played at a Queen's Hall Promenade concert conducted by Sir Henry Wood
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- chronologie: Compositeurs (Europe).
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