Armand Marsick Vidéos
compositeur et chef d'orchestre
- violon
- opéra
- Belgique
- chef ou cheffe d'orchestre, compositeur ou compositrice, musicologue, professeur ou professeure d'université
Dernière mise à jour
2024-05-16
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Cécile Louise Stéphanie Chaminade Félix Couppey Augustin Savard Martin Pierre Marsick Benjamin Godard Georges Bizet Isidor Philipp Blanche Marchesi Marchesi Pol Plançon Ambroise Thomas Moritz Moszkowski 1857 1892 1899 1901 1902 1903 1907 1908 1913 1944
Composer: Cécile Louise Stéphanie Chaminade (8 August 1857 – 13 April 1944) Work Title: Piano Sonata in C minor, Op.21 Performer: Joanne Polk (piano) 0:00 - I. Allegro appassionato 6:46 - II. Andante 13:49 - III. Allegro Chaminade was a French composer and pianist. Born in Paris, she studied at first with her mother, then with Félix Le Couppey on piano, Marie Gabriel Augustin Savard, Martin Pierre Marsick on violin, and Benjamin Godard in music composition, but not officially, since her father disapproved of her musical education. Her first experiments in composition took place in very early days, and in her eighth year she played some of her music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published. She toured France several times in those earlier days, and in 1892 made her debut in England, where her work was extremely popular.[2]Isidor Philipp, head of the piano department of the Paris Conservatory championed her works. She repeatedly returned to England during the 1890s and made premieres there with singers such as Blanche Marchesi and Pol Plançon, though this activity decreased after 1899 due to bad critical reviews. Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age, the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry. In 1908 she visited the United States, where she was accorded a hearty welcome. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf Dance or the Ballet No.1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London in 1903, she made gramophone recordings of seven of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors, though they have been reissued on compact disk. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on 13 April 1944. Chaminade was relegated to obscurity for the second half of the 20th century, her piano pieces and songs mostly forgotten, with the Flute Concertino in D major, Op. 107, composed for the 1902 Paris Conservatoire Concours, her most popular piece today. Chaminade's sister married Moritz Moszkowski, also a well-known composer and pianist like Cécile. Many of Chaminade's piano compositions received good reviews from critics, but some of her other endeavors and more serious works were less favourably evaluated, perhaps on account of gender prejudices. Most of her compositions were published during her lifetime and were financially successful. Her music has been described as tuneful, highly accessible and mildly chromatic, and it may be regarded as bearing the typical characteristics of late-Romantic French music. Source: (http•••) Source videos: 1st movement: (http•••) 2nd movement: (http•••) 3rd movement: (http•••)
Flesch Károly Haendel Grün Martin Pierre Marsick Charles Barkel Edwin Bélanger Gimpel Ivry Gitlis Szymon Goldberg Ida Haendel Josef Hassid Moodie Ginette Neveu Yfrah Neaman Ricardo Odnoposoff Max Rostal Henryk Szeryng Roman Totenberg 1873 1897 1902 1903 1923 1924 1928 1929 1934 1944
From Wikipedia: Carl Flesch (Hungarian: Flesch Károly, 9 October 1873 – 14 November 1944) was a violinist and teacher. Flesch was born in Moson (now part of Mosonmagyaróvár) in Hungary in 1873. He began playing the violin at seven years of age. At 10 he was taken to Vienna to study with Jakob Grün. At 17 he left for Paris, and joined the Paris Conservatoire, studying with Martin Pierre Marsick. He settled in Berlin, and in 1934 in London. He was known for his solo performances in a very wide range of repertoire (from baroque music to contemporary), gaining fame as a chamber music performer. He also taught in Bucharest +••.••(...)), Amsterdam +••.••(...)), Philadelphia +••.••(...)) and Berlin (Hochschule fuer Musik, 1929-34). He published a number of instructional books, including Die Kunst des Violin-Spiels (The Art of Violin Playing, 1923) in which he advocated for the violinist as artist rather than merely virtuoso. Among his pupils were Charles Barkel, Edwin Bélanger, Bronislaw Gimpel, Ivry Gitlis, Szymon Goldberg, Ida Haendel, Josef Hassid, Adolf Leschinski, Alma Moodie, Ginette Neveu, Yfrah Neaman, Ricardo Odnoposoff, Eric Rosenblith, Max Rostal, Henryk Szeryng, Henri Temianka, Roman Totenberg and Josef Wolfsthal, all of whom achieved considerable fame as both performers and pedagogues. He said his favorite pupil was the Australian Alma Moodie, who achieved great fame in the 1920s and 1930s but made no recordings and is little known today. In his memoirs he said, ' ... there was above all Henry [i.e., Henri] Temianka, who did great credit to the [Curtis] Institute: both musically and technically, he possessed a model collection of talents...He owned the Brancaccio Stradivarius, but had to sell it in 1928 after losing all his money on the New York Stock Exchange.Flesch lived in London during the 1930s, and was later arrested by the Gestapo in the Netherlands, was released, and died in Lucerne, Switzerland, in November 1944.' Flesch made relatively few recordings. These included a small number of electrics made for the Edison company. This upload features one of these, recorded on 21 March 1928. Fortunately, my copy of this is in reasonably good condition and the surface is much quieter than many Edison discs. It is an excellent example of Flesh's artistry at the peak of his career.
François Prume Martin Pierre Marsick Guillaume Rémy Ovide Musin Musin Armand Parent Emile Chaumont Chaumont Rogister 1831 1843 1848 1861 1882 1897 1898
Désiré Heynberg (27 August 1831 – 25 March 1898) was a distinguished Belgian violinist, born in Liège. He received his first violin instruction from his father, Jacques Heynberg. Then entered the Conservatoire de Liège in 1843. There in 1848 he obtained medal in the François Prume's advanced class.From 1861 to 1897 he held the position of professor of violin and from 1882 he was also principal professor of viola at the Conservatoire de Liège. Among his notable students were Eugene Ysaye, Martin Pierre Marsick, Guillaume Rémy, Ovide Musin, Armand Parent, Emile Chaumont, and Jean Rogister. (http•••)
Jacques Thibaud Debussy Martin Marsick Alfred Cortot Pablo Casals Marguerite Long 1880 1896 1898 1903 1930 1943 1953
Thibaud, Jacques, celebrated French violinist; b. Bordeaux, Sept. 27, 1880; d. in an airplane crash near Mt. Cemet, in the French Alps, en route to French Indochina, Sept. 1, 1953. He began his training with his father and made his debut at age 8 in Bordeaux; at 13, he entered the Paris Conservatory as a pupil of Martin Marsick, graduating with the premier prix in 1896. In 1898 he made his debut as a soloist (with Colonne) with such success that he was engaged for 54 concerts in Paris in the same season. Subsequently, he appeared in all the musical centers of Europe, and from 1903 visited America numerous times. He joined Alfred Cortot and Pablo Casals in a famous trio +••.••(...)). With Marguerite Long, he founded the renowned Long-Thibaud competition in 1943. He was particularly authoritative in French music.
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