Alessandro Striggio Vidéos
diplomate et librettiste italien
- violon
- république de Venise
- diplomate, musicien ou musicienne, librettiste, poète ou poétesse, avocat ou avocate, altiste
Dernière mise à jour
2024-05-16
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Claudio Monteverdi Jordi Savall Alessandro Striggio Luciana Mancini Marc Mauillon Sara Mingardo Marianne Beate Kielland Kielland Bayle Opéra Comique Concert Nations 1607 2021 2022
#NaxosMusic #ClassicalMusic #NaxosOpera #NaxosAudiovisual #OpéraComique Favola in musica in five acts and a prologue (1607) Libretto by Alessandro Striggio Monteverdi’s L’Orfeo was premiered in 1607 and is the oldest opera still performed today. The narrative is based on the Greek legend of Orpheus who, armed only with the weapons of music and love, descends into Hades in an attempt to bring his lost bride Eurydice back to the living world. The opera’s dramatic power is brought to life in this acclaimed production conducted by the great Monteverdi expert and interpreter Jordi Savall. Filmed at the Opéra Comique in Paris L’Orfeo features a virtuoso cast with the service of text and music always at its core. Release date: September 2022 La Musica / Euridice – Luciana Mancini, mezzo-soprano Orfeo – Marc Mauillon, baritone Messaggiera – Sara Mingardo, contralto Speranza / Proserpina – Marianne Beate Kielland, mezzo-soprano Apollo – Furio Zanasi, baritone Caronte / Plutone – Salvo Vitale, bass La Capella Reial de Catalunya Le Concert des Nations Conductor – Jordi Savall Stage Director – Pauline Bayle Film Director – François Roussillon Filmed on 9 and 10 June 2021 at the Opéra Comique, Paris, France DVD 2.110733 / Blu-ray NBD0152V Watch more videos of Naxos AudioVisual: (http•••) Watch more interviews and trailers: (http•••)/ Listen to Naxos playlists: Spotify: (http•••) Apple Music: (http•••) Follow us: Facebook: (http•••) Twitter: (http•••) Naxos Blog: (http•••) Website: (http•••)
Sing Akademie Alessandro Striggio Florian Helgath Zimmermann
Zürcher Sing-Akademie Florian Helgath, Dirigent Karsten Zimmermann, Tonmeister Max Molling, Tonmeister Aufgrung der Corona-Krise war an gemeinsames Singen lange nicht zu denken. Sobald sich aber die Möglichkeit wieder bot, mit bis zu zehn Personen zusammen zu kommen war für die Zürcher Sing-Akademie klar: dies reicht aus für ein Vokalquartett mit Sopran, Alt, Tenor, Bass - und natürlich für einen Dirigenten. Um eine vierzigstimmige Messe in Quartetten getrennt aufzunehmen, und aufgrund von Reisebeschränkungen auch noch in zwei verschiedenen Ländern, haben zwei hervorragende Tonmeister außergewöhnliche Arbeit geleistet: Max Molling in der Schweiz und Karsten Zimmermann in Deutschland. Die PR-Lady der Zürcher Sing-Akademie hat die Quartette mit der Kamera begleitet und wünscht viel Vergnügen bei einer ganz persönlichen Aufnahme. Nie haben wir Musik mehr gebraucht als jetzt.
Striggio Robert Hollingworth Laus I Fagiolini Laus Polyphoniae 2013
Octopus Chamber Choir I Fagiolini The English Cornett & Sackbut Ensemble The City Musick Robert Hollingworth, conductor Rehearsal 1 Sept 2013 in St-Paul's Church Antwerp for the final concert of the Laus Polyphoniae Festival
Claudio Monteverdi Alessandro Striggio 1607 1609 1615 1643 1904 1911 1955 2007
La fábula de Orfeo (título original en italiano, La favola d'Orfeo) es una ópera en un prólogo y cinco actos con música de Claudio Monteverdi y libreto en italiano de Alessandro Striggio el Joven. Se trata de una de las primeras obras que se cataloga como ópera. Fue compuesta para los carnavales en Mantua. Fue estrenada en la Accademia degl'Invaghiti en Mantua en febrero de 1607 y el 24 de febrero del mismo año en el Teatro de la corte de Mantua. Fue publicada en Venecia en 1609. En el siglo XX fue reestrenada en una versión en concierto en París en 1904. En España se vio por primera vez el 23 de junio de 1955 en Barcelona, en el Jardí dels Tarongers de la Casa Bartomeu. L'Orfeo (SV 318), sometimes called L'Orfeo, favola in musica, is a late Renaissance/early Baroque opera by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed. Within the musical theatre at the beginning of the 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era, and provided the first fully developed example within the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera remained unperformed, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work was seen increasingly in theatres. After the Second World War most new editions sought authenticity through the use of period instruments. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.
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